Product Details
This Business of Music, 10th Edition

This Business of Music, 10th Edition
By M. William Krasilovsky, Sidney Shemel, John M Gross, Jonathan Feinstein

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Product Description

Now in its tenth edition, This Business of Music has been revised and completely updated to reflect the latest changes in the ever-evolving music business. Every chapter has been revised. An entirely new chapter has been added, asking and answering the question "Are there borders in cyberspace?" The answer is yes, and the book clearly and concisely explains what they are and how to maintain them. Commentary on recent legislation, a reader-friendly summary of the laws on copyright duration, and much more insightful analysis--plus fully updated lists of music organizations and important websites--make This Business of Music indispensable for musicians, agents, managers, marketers, music publishers and groups, colleges and universities, and everyone who wants to make music and make money.

Product Details

  • Amazon Sales Rank: #12579 in Books
  • Published on: 2007-06-26
  • Released on: 2007-06-26
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 576 pages

Features

Editorial Reviews

About the Author

M. William Krasilovsky is an attorney specializing in music and copyright. He has been a trustee of the Copyright Society of America and has served as music counsel to Warner Music and special music counsel to the United Nations and UNICEF. As an adjunct professor at New York University and the State University of New York, Mr. Krasilovsky taught courses on the music business and on ethical issue important to the entertainment industry. He contributes frequently to entertainment and law journals and has lectured at universities and bar associations across the country. He lives in Stamford, CT.

Sidney Shemel died in 1994, and his work on the first six editions of this book is still very much in evidence throughout the current text. Mr. Shemel was Vice President of Music at MGM-UA and vice president and legal counsel to the United Artists Corporation’s record companies and its domestic and international music publishing subsidiaries.

John M. Gross, a graduate of Harvard Law School, practices entertainment and music law. Mr. Gross served as Vice President and General Counsel of the Entertainment Division of Commonwealth United Corp. and later became a partner in the law firm of Arrow, Edelstein & Gross, P.C. He lives and works in New York City.

Jonathan Feinstein, a New York and California attorney specializing in intellectual property strategy related to entertainment and technology ventures, was educated at Wesleyan University and Northwestern University Law School. He holds several patents and has developed commercially successful products. As an entrepreneur and executive in Silicon Valley and Seattle, he has worked with Apple Computer and Sophisticated Circuits, Inc., among others. He serves as an advisor and expert witness on media technology.

Customer Reviews

The bible4
This is the industry standard for substantive knowledge of the music business. Deal points, standard contract provisions, the often technical and confusing jargon, and the historical context for many industry practices are all covered here in comprehensive yet concise fashion. The book comes with a CD-ROM containing sample agreements, forms from the United States Copyright Office, and forms from the three performing rights societies. A must for those seeking to understand day-to-day business and legal operations in the music industry. The material can be a little daunting, and at first might seem impenetrable. Multiple reads of a particular chapter or paragraph are often necessary to fully grasp the relevant subject matter. But that's a testament to the complexity of the various segments of the music industry, not the skill of the authors, who are experienced music law practitioners.

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This Business of Music is fascinating!5
I found this to be a really interesting subject. Most people know next to nothing about the nuts and bolts of the music business, especially the behind-the-scenes legal battles over music, lyrics, copyrights, ownership, etc. This seasoned attorney, who can name-drop like crazy without being in the least offensive,tries to untangle the jargon for the average music fan, and explains the complexities of the industry from Tin Pan Alley to i-pods. It's not "recreational reading" nor should it be judged as such, but it is a fascinating glimpse of an industry that ultimately impacts every household with a radio.

A popular pick.5
Now in its 10th edition, THIS BUSINESS OF MUSIC has been completely revised and updated to reflect the latest changes in the music business, and provides powerful survey which includes major changes in digital technology and how music has been distributed. Any who would keep making, promoting and successfully selling music needs THIS BUSINESS OF MUSIC: it provides musicians, agents, managers and music publishers with the latest industry insights, covering legal and business issues and covering contracts, royalties and much more. Both college-level collections strong in music studies and business and general-interest public lending libraries will find it a popular pick.