The Reel World: Scoring for Pictures
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Average customer review:Product Description
This how-to guide takes you inside the world of creating music for film and television, focusing on key concerns such as: ensuring musical aesthetics, using the most effective technology and techniques, and understanding the business side of things. Packed with case studies and insiderÕs tips, this book lets you learn by example. Also teaches how to nurture positive relationships with music editors, directors, producers, recording engineers, musicians, music executives and more.
Product Details
- Amazon Sales Rank: #622787 in Books
- Published on: 2000-12-01
- Original language: English
- Number of items: 1
- Binding: Paperback
- 276 pages
Editorial Reviews
About the Author
Jeff Rona is a composer whose scores include the film White Squall and the television shows "Homicide: Life on the Street," "Chicago Hope," "Profiler," and "High Incident."
Customer Reviews
The most well written book on the subject.
This book not only gives you the information you were after when you bought the book in the first place. It is also joy to read. There is a perfect balance between raw information, interviews with the biggies (John Williams, et cetera), and tips on how to think about film music. This is NOT just another fluff book that the author wrote simply because his last three scores were rejected and he needed the money. If you do not find this book to be incredibly helpful then you have either been making film music for 30 years already (even then I find it hard to believe that you didn't find it helpful), or you are just nutts!
A bit to broad?
At first, I was very pleased with "Scoring for Pictures", but after having read the whole book I am somewhat disappointed. The book covers so many different aspects, ranging from composition and conducting an orchestra to setting up your studio, professional conduct and building a career, it's destined to be a bit shallow in each area. It certainly makes good points in each area, but I would prefer more depth in the areas specific to film scoring, and less "general advise".
Packed with Informational Goodness
Not much to say besides, I love this book. Had it not been so jammed with great info, I would have been more turned off by the typos and somewhat disjointed nature of the read. However, if you're trying to learn the basics of film and tv score, check it out.




