Product Description

This illustrated handbook offers a comprehensive tutorial for learning to play piano alone or with a teacher. An accompanying audio CD demonstrates key techniques and concepts, and the author explores the common origins of different musical cultures to show that learning different kinds of music can be an enriching experience. Readers discover how classical piano technique and musicianship inspire creative approaches to composing and improvising across a variety of styles, including pop and jazz.

Product Details

• Amazon Sales Rank: #3623 in Books
• Published on: 2002-12-01
• Released on: 2002-12-01
• Original language: English
• Number of items: 1
• Binding: Spiral-bound
• 290 pages

Features

• ISBN13: 9780879307271
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.

About the Author
Carl Humphries is a pianist, composer, and music journalist. He studied piano and composition in London, Turin, and Berlin, and has performed at some of the most prestigious classical and jazz venues in the UK. His workshops and lecture/recitals are in demand at music academies and university music departments throughout Europe and in the US.

Customer Reviews

The Very Best of a pretty sad category
This really is the best of the few decent books in this category - and one of only a small handful that don't treat you like an idiot. Concomitantly, if you ARE in idiot, this book won't work for you. As other reviewers have noted, the pace is definitely fast compared to the 'graded' lesson books commonly used by piano teachers. But using the CD, and practicing every exercise until you truly understand it - you WILL go far, and fast, with this one. I've carefully checked every other "teach yourself piano" title I've seen in the local stores, and even bought and returned a few. This one, however, is a keeper. By the end of the book, you'll be playing some fairly impressive classical pieces (more than enough to impress your friends - unless they're experienced pianists!). Along the way, you get a very nice background in piano history (great photos an illustrations!), and you'll gain a good, solid understanding of reading music. (hm - except for all those british musical terms. Feh. Luckily, American-style is included as well.)

Generally, you really, really should try to get a teacher. But if you just can't afford it, this book is the next best thing. Combine it with a few videos/DVDs (like the "Van Cliburn competition" - YES!, or even buy "The Pianist" or "Shine" right here on Amazon) so you can get an idea of how pianists hold and move their hands. (not that you'll move like these people for a long while!).

There is a crazy typographical error in my edition of the book, where an entire paragraph is repeated! This is only a little sad, because the space could have been put to use for more of the author's great information. It's not enough to drop my rating! The binding (at least in my edition) is spiral - a VERY SMART move, as it sits nicely on the music desk. I have to make photo copies to use the sheet music in other books!

This one has got my full recommendation. And better yet, if you have any musical background at all, or have had some piano lessons (even in your distant past) this book will have you flying along in no time.

Highly recommended to piano players of all skill levels
The Piano Handbook: A Complete Guide For Mastering Piano by pianist, composers, and music journalist Carl Humphries is a straightforward, "user friendly" tutorial for mastering the art of piano playing. An erudite text (illustrated with both black-and-white and color photographs) deftly detail various styles of play ranging from romantic, to classical, to jazz, rock, blues, and more, as well as technical matters such as hand positions, pedaling, tonal balance, chord progressions, etc. The Piano Handbook is enhanced with an accompanying music CD which has tracks relating to 69 different exercises. Highly recommended to piano players of all skill and experience levels seeking to improve, The Piano Handbook is designed in a spiral bound format which will conveniently lay open flat while practicing music.

A must have reference
Although this book is designed to be a complete keyboard coarse, it is so densely packed with information and moves so fast from one subject to the next, that it would not make a good self-study guide for someone who knows absolutely nothing about playing the piano. The information is all there, but in a no nonsense fashion, not in a more user-friendly, take the time to really make sure anyone can grasp the concepts that are commonly found in beginner courses with much more modest goals. That said, as a comprehensive reference to playing styles, techniques and methology it is unsurpassed. Anyone with a basic grasp of piano playing, will find it most useful. Are you trying to play some Bach or Mozart but can't remember or never knew how to play a trill or mordant? This book will not only show you all of the various ornaments and explain not only how to play them, but offer many examples of what is in stylistic keeping for a given time period for a piece of that tempo. If that is not cool enough, it also explains the reasons for why it was used and relates it to later developments not in that style of music but in current styles of music, so you have a basis of information to make your artistic choices. Want to know how romantic music such as Debusey is traditional pedaled; this book will show you and explain what you are trying to acomplish soundwise. Maybe you studied classical music for year and now want to play a bit of bluegrass or jazz, this book will teach you about that too. Or maybe you want to just pick up some pop sheet music and be able to improvise a bit of additional accompanent, because what is provided sounds so empty. The answers are in this book too.

The book is divided up in too many broad chapters that explore a cluster of concepts exploring both musical theorie and practical techniques. Each section has elaborate exercise and several complete pieces of music, all of which can be heard on the accompanying cd. History notes and biographis on relevent composers round out the chapter. In fact there is so much, sidebar information, that you can learn a lot by just flipping around and reading those. There is also a large reference section in the back containing both suggestive listening and music to play and a comprehensive musical dictionarie. The only thing missing is an index, which would make it much quicker to locate the desired information. The only other thing I didn't care for was the fold out table of contents at the beginning of the book that are subject to damage when you fold them back in. They really should have been printed on the inside of the cover.

Unless you have a degree in music, it is hard to imagine that anyone could not find something to learn from this amazing book. As I look though it, I am constantly amazed by how much has been packed into this 290 page bundle. The book has a sturdy hard cover and opens to spiral bound pages that make the book a pleasure to prop up on the piano. All in all this book is well worth the price.

As a side note, Americans should be aware that the author uses the British names for notes values and time signature (i.e. semibreve rather then whole notes and crotchets instead of quarter notes, duple time for double time). They explain the two sets of names in a chart near the beginning and then ever after use the British terms. As someone use to the American/Northern Eurpean names, I find a bit confusing, but am getting used to it.