Product Description

Drummer, dancer, and folklorist Sule Greg Wilson introduces the principles behind African and Diaspora music, including breath, posture, and orchestration.

Product Details

• Amazon Sales Rank: #799749 in Books
• Published on: 1992-06-01
• Released on: 1992-06-01
• Number of items: 1
• Binding: Paperback
• 160 pages

About the Author

Drummer, dancer, folklorist, and researcher, Sule Greg Wilson studied drumming under Baba Ngoma as well as the premier students of Baba Ishangi, Ladji Camara, and Chief Bey and performed with many of the finest artists and groups in the field, including Babatunde Olatunji, the International Afrikan-American Ballet, Africa in Motion Dance Theater, and the Bennu Ausar Aurkestra. He is the author of The Drummer's Path, and also produced the CD and audiocassette The Drummer’s Path.

Customer Reviews

Women CAN play whatever drum they choose!
As a woman drummer and drum maker of the past 10 years I was very disappointed by Mr. Wilson's ideas regarding women and drumming. The fact is, women throughout the history of humankind have endured countless hours of back breaking physical labor, many times with an infant strapped to their backs, from gathering firewood to working fields to walking miles just to find and carry home water. Sule, living in a place where most people are not subject to living so close to basic survival has forgotten what his female African ancestors had to endure upon their arrival in this country. His theory that women would "fry their eggs" if they played a conga or a djembe (I play both, as do many professional female percussionists) does not fly since most of us can imagine that the above mentioned forms of labor are much more demanding on anyone's body than playing drums. If his theory were in fact true, it is possible that none of us would be here. Women are not as fragile as most men think we are. Mr. Wilson does have some very good advice on spirit and the flow of energy while drumming. But I enjoyed "When the Drummers were Women" much more!

let down
As someone learning to play drums and interested in African rhythms, I must say that this book was quite a let down. It offers very little useful information on drumming itself, and the ideas it does offer (the 12 principles) are expressed in uninteresting ways, lacking in subtlety. If you're interested in a book that offers insight into the meaning of African drumming, avoid this book and look to John Chernoff's African Rhythm and African Sensibility.

African and Diaspora Drumming and their Cultural Context
This is an excellent book on many different levels. Firstly, Sule Wilson provides an informative and sometimes lyrical introduction to the many different styles of traditional African and Diaspora drumming genres currently popular in the United States. He also raises issues such as spirituality, drumming etiquette, the relation of drummming to dance and song and the thorny issue of gender.

Sule provides some really crucial insights on a number of different technical topics. One example: his discussion of the technique difference between djembe and conga drumming has always struck me as one of the best descriptions/analyses of these two instruments.

This is as much a personal statement by a committed and sincere African American student of percussion as it is a "how-to" kind of book and this is its other great strength. While there are many different strands of opinion and belief within the African-American community on EVERY issue, Sule points out how and why we should all pay attention to the issue of cultural respect when any of us (no matter what race, gender or culture we come from) gets involved with drumming.

There may be minor points of disagreement between Sule and other writers, but in the main, this book thoroughly deserves its status in the drumming community as the one essential introductory book for serious students of the Black percussion arts. (A more musicological approach - also highly recommended- is John Miller Chernoff's wonderful book "African Rhythms and African Sensibility").