Product Description

Here is a complete look at the outstanding career of Harold Prince, the most honored and influential producer/director in the history of postwar American musical theatre. Prince was a producer of The Pajama Game, Damn Yankees, Fiddler on the Roof and West Side Story; producer and director of Cabaret; and was involved in a series of landmark collaborations with composer/lyricist Stephen Sondheim, including Company, Follies, A Little Night Music and Sweeney Todd. He directed Andrew Lloyd Webber's Evita and The Phantom of the Opera. His work has helped significantly to alter the musical, with convention-challenging subject matter, music, staging and design. It's no wonder he's won more Tony Awards than anyone else: 20 and counting. Foster Hirsch has updated the 1989 edition of this book to include Prince's more recent work on Kiss of the Spider Woman, Parade and the award-winning revival of Show Boat. He most notably gives an account of the creation and fortunes of Bounce, the 2003 musical that reunited Prince and Sondheim for the first time in 20 years. Prince gave Hirsch privileged, behind-the-scenes info during Bounce's pre-production process that makes for riveting reading. Prince's career is followed through both the victories and the disappointments. The book is illustrated with numerous rare photos of Prince's work, making it a must for any theatre fan! "Hirsch's book is marvelous, containing some of the best analysis of major musicals I've ever come across." - Ken Mandelbaum, Theater Week

Product Details

• Amazon Sales Rank: #634798 in Books
• Published on: 2005-04-01
• Number of items: 1
• Binding: Paperback
• 288 pages

Customer Reviews

Fascinating Insights into the Process of Harold Prince
This is not a biography. It is, rather, a detailed exploration of Harold Prince's process, his methods, from his beginnings in the 1950s with 'The Pajama Game,' on through his string of musicals with Stephen Sondheim. the two revivals of Bernstein's 'Candide,' his work with Andrew Lloyd Webber and, in this newly expanded version of a book originally published in 1989, the latest work by Prince, another Sondheim musical, 'Bounce,' the story of the Mizner brothers who were responsible for the real estate boom in Florida.

What makes this such an interesting read is that Prince is amazingly candid about his work, and this includes telling us what he believes went wrong with various of his less-successful ventures, and how even the successes might have been made better. We get inside his mind and come to admire his utter honesty and his immense creativity. Author Foster Hirsch, a professor who is an expert on American musical theater, writes in a neatly crafted style which makes the book un-put-downable.

This is a must-read for anyone who is interested in the Broadway musical, particularly of the last fifty years.

Scott Morrison

A 'must' for discriminating audiences
Fans of producer/director Harold Price, who was a giant in musical theatre circles, will relish an expanded edition of the classic coverage which even includes an updated foreword by Prince himself. Prince's works are wide-ranging, from his direction of Andrew Lloyd Webber's "Evita" to his productions of "Fiddler on the Roof" and "West Side Story". Various chapters cover Prince's more recent work as well, adding insights and numerous rare photos which make Harold Pricne And The American Musical Theatre a 'must' for discriminating audiences.