Product Description

Written in the author's clear conversational style, with ample illustrations and visual analogies, this book features software agnostic tutorials and "cookbook recipes" for each phase of postaudio processing. The author begins with a section of FAQs from readers of the author's magazine column. After summarizing the significant points of audio theory, the author describes the preliminaries of setting up a post studio. From there he details every aspect of postproduction - from getting the tracks into the computer, to 'fixing and mixing,' to dealing with details of compression and streaming. The companion audio CD contains diagnostics, tutorial tracks, and demonstrations.

Audio Postproduction for Digital Video helps you make your soundtracks as good as your pictures with this compendium of professional audio techniques that can be adapted to desktop post. Specializing in sound after the shoot, this book features many practical examples, cookbook recipes, and tutorials.

Product Details

• Amazon Sales Rank: #474725 in Books
• Published on: 2002-11
• Original language: English
• Number of items: 1
• Binding: Paperback
• 429 pages

Review
"Topics are not shortchanged... The chapter on dialogue editing alone is worth the price of the book." -- S.D. Katz, millimeter magazine, February 2003

The book’s audio CD ... is a valuable collection of sounds and tutorials that are expertly coordinated with the book's text. -- Michael Pastore, Epublishers Weekly

Review
"...you'll find that the audio concepts, terminology, and schematics are all explained in terminology that visual people can grasp pretty easily. Jay Rose is one of those audio technicians that's had to work with visual people long enough to learn how to speak in such a way that their eyes don't glaze over." -Jeremy Hanke, MicroFilmmaker Magazine (online review).

This is an excellent book for understanding audio post production and getting the best possible mix for your film. As such, if you want to create the best possible film you can, then you owe it to yourself to pick Audio Post Production for Digital Video up!- Jeremy Hanke, MicroFilmmaker Magazine, May 2007

About the Author
Clio-and Emmy-award-winning sound engineer Jay Rose is creative director of the Digital Playroom. Specializing in post-production audio, his clients include PBS, Buena Vista Home Video, and Turner Network Television. Rose has written about audio for Videography, Recording, and Premiere Full Motion magazines.

Customer Reviews

Bigger and Better than it Seems
Audio Postproduction for Digital Video
By Jay Rose
Review by Pi Ware

Don't listen to the title. It's bigger than the title. The "Digital Video" part of Audio Postproduction for Digital Video restricts the scope of this classic Jay Rose text. Rose's book goes far beyond DV, in fact, it starts with an explanation of what sound is on the molecular level and then takes you not just through audio postproduction for TV, but to techniques specific to movie production, techniques that are entirely independent of the format you originate on. Audio Postproduction for Digital Video is top-notch. It's an excellent, text-book quality manual, a soup-to-nuts guide on how to deal with sound in postproduction.

Jay Rose never gives you solutions that are applicable only to specific Digital Audio Workstations, he arms you with knowledge you can use in any platform or program. The book is an education in sound and, together with the numerous photos and diagrams (and Rose's good sense of humor), it's a liberation from the dry prose of most manuals on postproduction.

Rose teaches you from the ground up what sound is, what good sound is, and how to make bad sound better. He doesn't just stop at good writing, however, he illustrates important points with an audio CD included in the back of the book. Together with the CD, the text guides you through importing audio into the computer, editing dialogue, Do It Yourself Foley and ADR, working with filters, noise reduction techniques, pitch and time changes, the sound mix, and even, if you're so inclined, designing, constructing and wiring your own postproduction audio facility.

Though postproduction changes with every new advance in technology, Audio Postproduction for Digital Video stays current by focusing on strategy, not software. Rose avoids giving specific keystroke instructions in specific programs, but instead explains common solutions to common problems using common tools. As he says in his introduction, "You should be able to use these pages for a long time."

Anyone considering directing a short or feature, anyone who wants to be even nominally involved in the sound design of their film, and, of course, anyone interested in working in audio postproduction, would do extremely well to pick up a copy of this classic Jay Rose text.

An essential reference for DV sound editing
This is an exceptional book: clear, comprehensive, and full of the kind of information you need to edit professional-quality DV sound on your desktop. Written by a Clio and Emmy-award winning sound editor, it takes you step-by-step through the postproduction process. Included are chapters on acoustics, monitoring, wiring, sync, ADR, voice over, music editing, and effects. Especially helpful is the 77-track audio CD, which includes diagnostics to help you evaluate your speakers and examples that let you hear the techniques discussed in the book. There's also a glossary, index, and generous graphics. The first chapter is a troubleshooting guide that refers readers to sections that contain the fixes ("wind noises," for example, are addressed in filtering, dialog editing, and ADR). Perhaps best of all is Jay Rose's real-world approach to his subject--this book is like spending a few hours in his studio while he patiently explains how to achieve the sound you hear in your head. I ordered this book to help solve some specific problems in editing a short film; I'll keep it within reach of my editing station to help shape the next one.

Very good book from a helpful intelligent person
I decided to buy this book because I had used the forum on the DV.com website for information before, and Jay Rose's comments there had proven to be spot-on and well-informed.
This book contains a thorough examination of all the factors which contribute to the quality of post-production audio. The level of information includes the spectrum from basic to advanced, but through Mr. Rose's clear explanations the advanced information should not go over the heads of the reader.