Product Description

This innovative resource has been completely updated to reflect state-of-the-art standards in today's fast-changing theater technology. Designed exclusively for nontechnicians in the field, this pioneering book helps actors, dancers, playwrights, and directors to understand every aspect of a traditional and digitally supported backstage environment, from scenery, lighting, sound to props, and stage management to the use of integrated show control systems. The new edition covers new technology that has become mainstream, such as computer-controlled lightning instruments and audio (including various new formats), software to build audio cues, and PC-based audio play-back systems. A new chapter discusses show control systems that allow theater directors to make informed choices on which software to choose (the book covers DMX, MIDI, and SMPTI) and how to communicate their needs to a programmer. A chapter on costumes has been added to improve the communication between theaters and the costume department or rental company, including a check-list with helpful questions. All facets of production are clearly explained in jargon-free prose, and unfamiliar terms are highlighted and defined in an appended glossary. Besides theater newcomers and professionals, the book has targeted advice for event planners working and show producers working in the convention business, fashion, real estate, sports, and politics, including a special chapter on "How to Do a Show in a Hotel." Written with clarity and humor, this is the definitive user's guide to developing the vocabulary and technical skills crucial to working with technicians and technical equipment in a timely, efficient manner.

Product Details

• Amazon Sales Rank: #8721 in Books
• Published on: 2004-04-01
• Number of items: 1
• Binding: Paperback
• 272 pages

From Library Journal
Two under-appreciated theatrical specialties, technical production for the novice and audience development, take center stage in these two thorough works. With hundreds of production/design/technical credits behind him, Campbell has written what will certainly become a standard introductory text on technical theater. All facets of production are clearly explained in jargon-free prose, and unfamiliar terms are highlighted and defined in an appended glossary. In addition to separate chapters on the more traditional elements of technical theater (lights, sound, scenery, properties), Campbell gives equal weight to the venue, design, stage management, corporate theater, and checklists. As valuable as this comprehensive manual is for the neophyte, experienced techies will also benefit from its common sense. Everyone involved with theater should have acces to this most welcome text. Stage Directions, "the practical magazine of theater," is to the theater community what the U*N*A*B*A*S*H*E*D Librarian is to librarians. This guide to cultivating and retaining an audience, the most perplexing and financially significant problem facing every theater, is the latest entry in Heinemann's "Stage Directions" series, compiled mostly from previously published articles in the magazine. This practical compendium, arranged in three sections, addresses how to attract and retain a constituency and profiles several theaters that have been successful in both areas. A more focused and audience-specific work, this title will be of value to theater administrators and marketers as well as smaller theater groups seeking practical and empirically tested ideas and solutions.ABarry X. Miller, Austin P.L., TX
Copyright 1999 Reed Business Information, Inc.

American Association of Community Theater
A resource that is concise, entertaining, and eminently practical.

Stagetechbooks.com
An excellent handbook for the beginner and occasional technician, or indeed for the professional regularly working with the less experienced.

Customer Reviews

Cover all your bases
I am finding this book very useful for a rounded guide to technical theatre for those of us who are 'Jacks of all Trades'. I am a solo technician in a Performing arts college in the UK and find it a useful recourse as I have to don many hats and it makes a good refresher or guide for the less experienced.
It is well written and I find it honest and light and gives a good bit of detail about specific technicalities without the really mind boggling stuff that I guess 'non technical people' would get someone in for anyway.
Every director should have a copy, or anyone who has to work with technicians as it is a great overview of different roles and the work that different departments put in.
Have a go. It's worth the money in my humble opinion.

A Great Book
Campbell is a consummate technician, with experience in all areas of entertainment. He certainly knows his stuff and has made it accessible to anyone interested (even casually) in theater and how to make it happen. I interviewed Campbell for my own book, Careers in Technical Theater, and he is included in the chapter detailing technical directors, where he makes clear just how much there is to know about tech theater. Technical Theater for Nontechnical People helps bridge the gap between folks as experienced and knowledgeable as Campbell, and those just trying to put on a show who may lack even the basics. Highly recommended.

Technical Theater for notechnical people
Very informative book, does what its says it will do, easy to understand.