Product Description

Pattison presents a unique, in-depth approach to the process of lyric writing. Apprentice songwriters will examine 17 extraordinary songs and learn the distinct elements that make them so effective. Pattison then presents more than 30 lyric-writing exercises designed to help them achieve the same results. From generating lyric ideas and managing repetition to developing verses, it's all here. Songwriters will:

* find warm-up exercises that revolutionize songwriting imagery
* use a rhyming dictionary and a thesaurus to generate ideas and find snappy rhymes
* create meaningful metaphors and similes while avoiding clichés
* develop verses by using or by breaking conventional rules
* experiment with point of view in every lyric to make a song stand out

Product Details

• Amazon Sales Rank: #34332 in Books
• Published on: 2001-07-15
• Original language: English
• Number of items: 1
• Binding: Paperback
• 192 pages

About the Author
Pat Pattison is a professor of music and songwriting at the Berklee College of Music in Boston, where he developed the curriculum for their degree in songwriting--the first of its kind anywhere. He was a regular contributor to Home and Studio Recording Magazine. He lives in North Hampton, New Hampshire.

Customer Reviews

Best available for its type
Pat Pattison has produced what is the ultimate book on lyric writing. Actually, Pattison's exercises and techniques are valuable for any aspect of creative writing, from poetry to fiction.

He begins the book with the staple of his teaching, "Object Writing". Object writing is defined as writing on a specific thing - it can be anything from polyester to holding your breath - while incorporating as many senses as you can: touch, taste, smell, etc. The exercises last for 10 minutes, exactly, and you do it every day. He likens this to a pearl diver holding his breath and diving for pearls. Each time you hold your breath a little longer, dive a little deeper. It's the same with object writing. At first your writing will be awkward and fragmented - and that's okay. But as you do it on and on, eventually you will hit that vein, that underground river where your creativity rolls free and the words will pour out. As you continue it day to day, you'll hit this river more and more frequently and at greater depths, until eventually you'll just exist there.

Here's the amazing thing - it works. Object writing on a regular basis has improved my reading ability, my writing ability, my comprehension skills - my overall thinking. It gets your brain in shape and gets you in better touch with the powerful subconscious parts of your mind, where the majority of creativity happens.

From here he brings you more into the disciplined aspects of writing, showing you how to build a worksheet to write a lyric from. It involves object writing on your lyric title or concept and extracting anything useful from that, then using a thesaurus and rhyming dictionary to brainstorm even more ideas, and to place these on a worksheet to write from, giving you tons of related ideas at your fingertips.

He then discusses verse development, song forms, rhyme structures and meter. It goes very deep into these topics, and you can go as far as you want.

It's one of those books that you can continually read, diving into various chapters as you get stuck in different parts of different songs you are writing. I highly recommend this book for any aspiring lyric writers, even for composers who want a better understanding of the lyric writing process.

This is THE book for lyric writing
Lyric writing is doubtless the hardest aspect of songwriting (for most of us anyhow.) Believe me though when I say that this book is better than any other for helping you clear this most challenging hurdle.

I took two lyric writing courses with Pat at Berklee Coll. of Music and although I don't recall that this book was required, I bought it anyway. Pat is just too insightful not to have his ideas and suggestions spined out on my bookshelf.

First, he covers a technique called object writing. Without giving away too much, it is a brainstorming technique which shows us how to dig deeper into ours senses. This not only helps us write more powerful lyrics, but strengthens our imagination, insuring that fresh ideas abound. It is no exageration to say that this alone is worth the book's price many times over.

From here, he goes into methods of charting a lyric. Most of us tend not to think this systematically when writing (mapping out different rhyme-schemes and metaphor possibilities) but often times, it can help our writing develop an often lacking structure.

While these first chapters are arguably the meat of the book, the rest will prove valuable as well, going into metaphor, viewpoint, meter and the like. With grace and insight, Pat shows us continuously how to 'show, not tell' the listener your story, a lesson that many writers unfortunaltely never learn.

No matter what tools are missing from your lyric writing toolbox, Pat can help you find, polish and utilize them. Enjoy!!

Good technical information not so good group requirements...
I have been writing songs for the better part of my 32 year old life. I've even sold some and made some money. I can say though that it's never too late to improve a good thing.

For someone who is looking to strengthen their potential, learn how to formulate verse from a single idea and even generate ideas, this is a great book.

The one thing I have to mention is the "group" requirement. Many if not most of the more beneficial exercises ask you to gather in a group of four persons or more. When we talk about brainstorming, most of us understand the benefits of doing it with a group; it is simply most effective with a group of people participating. However, those of us who carry notebooks in our pockets, take our laptops everywhere we go, keep a voice recorder in our pocketbook and go into seclusion for days on end to capture ideas and think through a song know - writing is done alone. I just don't have anyone I can call on to sit in a room and think of metaphors with. In fact, why would I want to?

Other than that, this book does have a lot of good stuff inside. It's worth a read and the exercises have helped me immensely.