Product Description

This book is an excellent learning tool for both the beginner who has no knowledge of music theory, and the advanced student looking for the typical chord voicings a professional guitarist should know. Includes an extensive chord progressions section.

Product Details

• Amazon Sales Rank: #1377768 in Books
• Published on: 2001-04-01
• Number of items: 1
• Binding: Paperback
• 176 pages

From the Publisher
We are very excited about Mr. Arnold's Workbook series. The feedback we have received has validated our instincts that the books are a long-needed breakthrough in music education. Mr. Arnold has culled from his many years of teaching both privately and on the university level, and has provided information and teaching approaches which have never been presented in quite this way. The serious student will find the books to be a real "Rosetta Stone" for music theory and its application, while the professional musician will find them to be compendiums of valuable information and lifelong companions in the voyage of musical discovery.

We are also excited about the comping styles books which take the progressions examined in the Chord Workbooks and teach a student how to play them in a blues, jazz and funk style.

From the Author
Chord Workbook for Guitar Volume One can benefit a beginner, intermediate or advanced student.

For the beginning guitarist the Chord Workbook for Guitar will help them to understand the basic building blocks of music i.e. music theory, and their direct application on their instrument. The student is not just learning fingering patterns, they are applying chords to songs and experiencing how they sound in a musical situation. The theory section is written in a style that anyone can understand. This gets the student off on the right foot to absorb what they are doing when they play chords or music in general. Students find the method I use to help them learn and remember chord forms is hard for a couple of weeks but eventually it really pays off; they find that they are able to remember large numbers of chords and know their exact names. My method involves two stages: learning where the root notes of each chord are on the guitar and then applying these chords to common song forms to hear the chords in a musical situation. These common song forms include the Blues, Minor Blues and Rhythm Changes. The Blues, Minor Blues and Rhythm Changes forms are also explained in another theory section so that the student understands what the component structures of these important contemporary music forms are.

The intermediate guitarist is usually a student who has holes in their knowledge of theory- they are familiar with a number of forms and progressions, but may not understand the underlying structures. This book contains the information the student needs to analyze and create progressions.

The advanced guitarist should know most of the chord voicings found in this book, but will find the harmonic superimposition theory section to be fascinating and useful. The theory section presents the 3 ways a dominant chord can resolve along with extensions that can be placed in front of a dominant chord. The progressions presented allow the student to see first hand how to apply this information. They include 12 versions of the blues, minor blues and rhythm changes, one in each key. It is also recommended that an advanced student use these progressions to create solo lines using the superimposed progressions as templates. Students in the New York University program are also required to sing through these progressions using solfege while strumming the root chord of the key. This develops not only an ability to understand how progressions relate to a key but helps to improve the ear and thus make the progression more part of one's musical language.

From the Back Cover
Chord Workbook for Guitar is an excellent learning tool for both the beginner who has no knowledge of music theory, and the advanced student looking for the typical chord voicings a professional guitarist should know. The theory section helps a beginner understand the basic theory of chord building in simple easy to understand language. Chord progressions are provided to show how to apply chord voicings to common song forms. Advanced students will find the chord reharmonization section to be of particular interest, providing them with a lifetime of possibilities. All chord progressions are presented with chord symbols and in music notation to show smooth voice leading. The notated chord voicings also provide professional guitarists an opportunity to strengthen their sight reading.

Customer Reviews

Poor
I simply cannot understand the other reviews . This book is really dreadful .
Maybe its to acommpany a set of classes or something . I have many other much better books whick introduce chordal harmony and progressions .
Anyway , ... learn songs , not chords . Your audience will want to hear songs , ... not chords or sterile progressions .

Not for the absolute beginner.
Don't let the name fool you. This book may be the first volume but I recommend acquiring some knowledge of chorded scales and theory before reading this book.

If you happen to have some knowledge of chorded scales and theory than this book may very well be what you need to improve your usage of chords beyond the basics.

I bought this book to help expand my knowledge of chords beyond the basics. Though I have heard of most of types of chords possible. I really wanted to learn how to use tensions, suspended chords et al. as well as the different ways to play those types of chords.

The author includes some useful chord diagrams for each section that go beyond the basic chord charts you can find on any of the various guitar websites online. He also includes a section after each lesson that show how to incorporate what you just learned and put it to good practice.

Helpful on it's own, but better with an important partner!
Compared to most guitar instruction books for beginners, this one is easily five stars, but against the bar it sets for itself, it's a four star book: well-done and quite helpful, yet flawed enough to be a little irritating.

Three-quarters of the book is basically an encyclopedia of chords, but not in the useless manner of so many "chord dictionaries". Arnold presents chord forms that can be played anywhere along the lowest 2 strings of the guitar. All chords are in their root position. A wonderful surprise is that he includes not only illustrations of the chords but also their notation in written music, so from the beginning, you are exposed to proper notation--whether you use it right away or not is up to you. I have no complaints about the amount of chord forms he includes--often several options for each chord. He has you practice them "cycle five," a good way to learn the chords and the fretboard for 3 of the strings. Arnold includes small essays on how chords are formed, how to read music, and, later, on reharmonization theory, but I don't imagine these essays would neccessarily be clear to every reader. They are better than usual, though.

While there is a mass of information in the book and the suggested exercises are helpful, I do wish he would have included something about the "system" of chord formations. I shouldn't have put that in quotes--there actually is a system to it. If he would have explained some of what is explored in Bill Edwards' (highly recommended) Fretboard Logic, the chord formations would not have a tendency to seem random and overwhelming. I found myself going through the book thinking "ok that's a C form, an E form..." and so on (you'll understand that if you read Edwards' book; furthermore, the Volume 2 of Arnold's Chord Workbook series might be rendered uneccessary, as the inverted chords are merely all or part of the "next" chord form in line. Anyway.) An explicit mention of what notes are represented in each chord form--like if it is the 1, 3, or b7--would have been helpful, too.

Bruce Arnold has authored a rather large series of books that might make you think he's in it for the money. But I think he's sincere, and a good teacher. He's got a website where you can download helpful video and audio files, and even ask him questions! Those are points in his favour, but this book is still lacking. The "Music Theory Workbook" that goes with this is helpful, but not as helpful as combining this with Edwards' Fretboard Logic SE: Vol. 1 and 2. If I hadn't have worked my way through the Edwards book, I would have found this book a little overwhelming--but take note that Fretboard Logic is incomplete without a book like this just as much!