Track Listing

1. Symphony No. 3: Part 1, Passacaglia and Fugue
2. Symphony No. 3: Part 2, Chorale and Toccata
3. Symphony No. 5 ('Symphony for Strings'): 1. Molto agitato ed energico
4. Symphony No. 5 ('Symphony for Strings'): 2. Larghissimo
5. Symphony No. 5 ('Symphony for Strings'): 3. Presto
6. Symphony No. 8: 1. Lento sostenuto
7. Symphony No. 8: 2. Largo
8. Symphony No. 8: 3. Presto

Product Details

• Amazon Sales Rank: #76473 in Music
• Brand: Sony
• Released on: 1997-10-28
• Number of discs: 1
• Dimensions: .25 pounds

Amazon.com
Schuman's music belongs to the era that spawned Roy Harris (his teacher), Howard Hanson, and Aaron Copland. Schuman's Symphony No. 3 is a clear homage to Harris, broken rhythms and all. The Symphony for Strings (1943) comes at a time when Schuman's voice is finally his own. What could come off as exceedingly dry is here given a performance of great depth by Bernstein and the New York Philharmonic. Schuman's Symphony No. 8 (1962) is truly modern, making extensive use of atonality and creating a series of stormy images--something that never appears in the music of Hanson, Copland, or Harris. A major re-release by Sony. --Paul Cook

Customer Reviews

Five Star Performances of Three American Masterworks
The three Schuman symphonies recorded here are notable for two facts. One, they are given spectacular performances by Bernstein and the Philharmonic (and I know because Schuman told me that these were first rate, and authentic). Second is that they represent the composer at the opposite ends of his career in his best form at these ends. The 3rd and 5th symphonies, written in the early 1940s, are robust, thoroughly American works but in their own, uniquely 'Schumanesque' manner. Don't look for Copland's cowboys, Hanson's Maypoles or Piston's motor music here. These are extrovert, brassy, muscular works. The 8th symphony, while also brassy, and muscular, is of a totally different stuff- dark, hard edged, extremely tense and gruff. The hidden joke is the last movement, an enormous reworking of the last movement of his 4th string quartet! The transformation from agressive chamber music into staggering orchestral music is overwhelming. This was one of the great masterworks to come out of the long series of works commissioned for the opening of Lincoln Center in 1962. It is absolutely required listening for any musically literate person.

The ideal introduction to one of the American greats
William Schuman is unquestionably one of the most important symphonists to have come out of America, and if you are looking for a single disc introduction to his music, look no further. The recordings are some 30-40 years old, but they sound remarkably well on this excellent transfer, and Bernstein knew just how these works should go better than virtually any other conductor. The 3rd Symphony is the best-known of the Schuman symphonies and makes a stunning impact here. The Symphony for Strings likewise receives the definitive recording here (despite some strong competition from Gerard Schwarz on Delos), and the 1970 sound is still very good. But it's the recording of the 8th Symphony which is the finest-sounding on this CD. Bernstein premiered it as part of the opening season of the Lincoln Center for the Performing Arts in 1962, and this recording followed soon after. The work is in Schuman's later, more astringent and dissonant manner, but it is also a fascinating example of Schuman's propensity for putting old wine in new bottles: the last two if its three movements are reworkings (actually, "recompositions" would be the more accurate word here) of the last two movements of his 4th String Quartet of 1950, and it says much for Schuman's orchestral mastery that at no point is one aware of the music's chamber origins. Quite aside from that, however tough some listeners may find this work next to the 3rd Symphony, there's no mistaking the searing eloquence of the central, threnodic slow movement. And as for the finale, fasten your seatbelts, for the New Yorkers treat us to one of their most extraordinary displays of jaw-dropping virtuosity. A very, very important CD indeed, no question about it!

They heard America singing
The Schuman third came from an era in American music when it was still possible to write works that caught the American spirit in all its brooding, magnificence. This is a work that sings in heroic terms. Bernstein gave a glowing, but steely performance that is not likely to bettered. Not music for light listening, this. But enriching in a way that is so profound and moving. To love this symphony is to expand one's musical horizons in the most satisying way. No praise could be too high for music making of this calibre. We were most fortunate to have had Leonard Bernstein as long as we did. This disc will help you understand why.