Product Details
Piano Music by African American Composers

Piano Music by African American Composers
From Composers Recordings

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Track Listing

Disc 1:

  1. In The Bottoms: I. Prelude
  2. In The Bottoms: II. His Song
  3. In The Bottoms: III. Honey
  4. In The Bottoms: IV. Barcarolle
  5. In The Bottoms: Dance
  6. Easter Monday Swagger, Scherzino
  7. Three Visions: I. Dark Horseman
  8. Three Visions: II. Summerland
  9. Three Visions: III. Radiant Pinnacle
  10. Scuppernong: I. At A Certain Church
  11. Scuppernong: II. Ring Game
  12. Scuppernong: III. Visitor From Town

Disc 2:

  1. Sonata No. 1: I. Allegro Energico
  2. Sonata No. 1: II. Theme & Variations
  3. Sonata No. 1: III. Allegro Con Brio
  4. Engrams'
  5. Sound - Gone
  6. Evocation
  7. Piano Piece For Piano And Electronic Sound

Product Details

  • Amazon Sales Rank: #368802 in Music
  • Released on: 1993-09-28
  • Number of discs: 2

Editorial Reviews

Amazon.com
Greeted with shock and amazement upon its original release in 1970, this two-CD collection featuring virtuoso Natalie Hinderas on piano is one of the best collections of music by African American composers of the 20th century. Hinderas's catholic approach to the century's music allows her to delight the Chopin-Ravel-Joplin continuum (wide though it is) of listeners with R. Nathaniel Dett's impressionistic, ragtimey "In the Bottoms." The nuanced jumpiness, replete with dissonant shades, of William Grant Still's "Three Visions" recalls Ives here and Ellington there. What's most challenging here is the works from 1953 to 1969, featuring Pulitzer Prize winner George Walker's study of harmonic intervals in his Sonata No. 1 and Talib Rasul-Hakim's shimmering "Sound-Gone." There are tone-row studies (Arthur Cunningham) and Stockhausen-esque electronics (Olly Wilson), but what stands out most is Hinderas's unflappable perfection regardless of the musical elements. Whether razor-sharp or dancingly playful, Hinderas executes with a largely vibrato-free touch, forcing the ear to focus on her solid chordal touch. --Andrew Bartlett