The Complete Gilbert & Sullivan (Box Set)
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Disc 1:
- The Gondoliers (The King of Barataria), operetta: Overture
- The Gondoliers (The King of Barataria), operetta: Act 1. List and learn
- The Gondoliers (The King of Barataria), operetta: Act 1. Good morrow, pretty maids
- The Gondoliers (The King of Barataria), operetta: Act 1. For the merriest fellows are we
- The Gondoliers (The King of Barataria), operetta: Act 1. See, see at last they come to make their choice
- The Gondoliers (The King of Barataria), operetta: Act 1. Buon' giorno, signorine!
- The Gondoliers (The King of Barataria), operetta: Act 1. We're called gondolieri, but that's a vagary
- The Gondoliers (The King of Barataria), operetta: Act 1. And now to choose our brides!
- The Gondoliers (The King of Barataria), operetta: Act 1. Are you peeping?
- The Gondoliers (The King of Barataria), operetta: Act 1. Thank you gallant gondolieri
- The Gondoliers (The King of Barataria), operetta: Act 1. From the sunny Spanish shore
- The Gondoliers (The King of Barataria), operetta: Act 1. In enterprise of martial kind
- The Gondoliers (The King of Barataria), operetta: Act 1. O rapture, when alone together
- The Gondoliers (The King of Barataria), operetta: Act 1. There was a time, a time for ever gone
- The Gondoliers (The King of Barataria), operetta: Act 1. I stole the Prince
- The Gondoliers (The King of Barataria), operetta: Act 1. But, bless my heart, consider my position!
- The Gondoliers (The King of Barataria), operetta: Act 1. Try we life-long we can never
- The Gondoliers (The King of Barataria), operetta: Act 1. Bride-groom and bride!
- The Gondoliers (The King of Barataria), operetta: Act 1. When a merry maiden marries
- The Gondoliers (The King of Barataria), operetta: Act 1. Kind sir, you cannot have the heart, our lives to part
- The Gondoliers (The King of Barataria), operetta: Act 1. Do not give way to this uncalled-for grief
- The Gondoliers (The King of Barataria), operetta: Act 1. Then one of us will be a queen
Disc 2:
- The Gondoliers (The King of Barataria), operetta: Act 1. Now pray, what is the cause of this remarkable hilarity
- The Gondoliers (The King of Barataria), operetta: Act 1. Replying, we sing as one individual
- The Gondoliers (The King of Barataria), operetta: Act 1. For ev'ryone who feels inclined
- The Gondoliers (The King of Barataria), operetta: Act 1. Come let's away - our island crown awaits me
- The Gondoliers (The King of Barataria), operetta: Act 1. Now, Marco dear, my wishes hear
- The Gondoliers (The King of Barataria), operetta: Act 1. Then away they go to an island fair
- The Gondoliers (The King of Barataria), operetta: Act 2. Of happiness the very pith
- The Gondoliers (The King of Barataria), operetta: Act 2. Rising early in the morning
- The Gondoliers (The King of Barataria), operetta: Act 2. Take a pair of sparkling eyes
- The Gondoliers (The King of Barataria), operetta: Act 2. Here we are, at the risk of our lives
- The Gondoliers (The King of Barataria), operetta: Act 2. After sailing to this land
- The Gondoliers (The King of Barataria), operetta: Act 2. Dance a cachucha, fandango, bolero
- The Gondoliers (The King of Barataria), operetta: Act 2. There lived a king, as I've been told
- The Gondoliers (The King of Barataria), operetta: Act 2. In a contemplative fashion and a tranquil frame of mind
- The Gondoliers (The King of Barataria), operetta: Act 2. With ducal pomp and ducal pride
- The Gondoliers (The King of Barataria), operetta: Act 2. This polite attention
- The Gondoliers (The King of Barataria), operetta: Act 2. To help happy commoners
- The Gondoliers (The King of Barataria), operetta: Act 2. Small titles and orders for mayors and recorders
- The Gondoliers (The King of Barataria), operetta: Act 2. I am a courtier grave and serious
- The Gondoliers (The King of Barataria), operetta: Act 2. Here is a case unprecedented!
- The Gondoliers (The King of Barataria), operetta: Act 2. Now let the loyal lieges gather round
- The Gondoliers (The King of Barataria), operetta: Act 2. Speak woman speak, we're all attention!
- The Gondoliers (The King of Barataria), operetta: Act 2. The royal prince was by the king entrusted
- The Gondoliers (The King of Barataria), operetta: Act 2. Luiz! Casilda!
- The Gondoliers (The King of Barataria), operetta: Act 2. One more, gondolieri
Disc 3:
- Grand Duke (The Statutory Duel), operetta: Overture
- Grand Duke (The Statutory Duel), operetta: Act 1. Won't it be a pretty wedding
- Grand Duke (The Statutory Duel), operetta: Act 1. Pretty Lisa, fair and tasty
- Grand Duke (The Statutory Duel), operetta: Act 1. By the mystic regulation
- Grand Duke (The Statutory Duel), operetta: Act 1. Were I a king in very truth
- Grand Duke (The Statutory Duel), operetta: Act 1. How would I play this part
- Grand Duke (The Statutory Duel), operetta: Act 1. My goodness me! What shall I do?
- Grand Duke (The Statutory Duel), operetta: Act 1. Ten minutes since I met a chap
- Grand Duke (The Statutory Duel), operetta: Act 1. About a century since
- Grand Duke (The Statutory Duel), operetta: Act 1. Strange the views some people hold
- Grand Duke (The Statutory Duel), operetta: Act 1. Now take a card, and gaily sing
- Grand Duke (The Statutory Duel), operetta: Act 1. The good Grand Duke of Pfennig Halbpfenning
- Grand Duke (The Statutory Duel), operetta: Act 1. A pattern to professors of monarchial autonomy
- Grand Duke (The Statutory Duel), operetta: Act 1. As o'er our penny roll we sing
- Grand Duke (The Statutory Duel), operetta: Act 1. When you find you're a broken-down critter
- Grand Duke (The Statutory Duel), operetta: Finale. Come hither, all you people
Disc 4:
- Grand Duke (The Statutory Duel), operetta: Act 2. As before you we defile
- Grand Duke (The Statutory Duel), operetta: Act 2. Your loyalty our ducal heart-strings touches...At the outset I may mention
- Grand Duke (The Statutory Duel), operetta: Act 2. Yes, Ludwig and his Julia are mated!
- Grand Duke (The Statutory Duel), operetta: Act 2. Take care of him - he's much too good to live!
- Grand Duke (The Statutory Duel), operetta: Act 2. Now Julia, come, consider it
- Grand Duke (The Statutory Duel), operetta: Act 2. Your Highness, there's a party at the door
- Grand Duke (The Statutory Duel), operetta: Act 2. Now away to the wedding we go
- Grand Duke (The Statutory Duel), operetta: Act 2. So ends my dream...Broken ev'ry promise plighted
- Grand Duke (The Statutory Duel), operetta: Act 2. If the light of love's lingering ember
- Grand Duke (The Statutory Duel), operetta: Act 2. Come, bumpers - aye, ever so many
- Grand Duke (The Statutory Duel), operetta: Act 2. Why, who is this approaching?
- Grand Duke (The Statutory Duel), operetta: Act 2. The Prince of Monte Carlo
- Grand Duke (The Statutory Duel), operetta: Act 2. His Highness we know not
- Grand Duke (The Statutory Duel), operetta: Act 2. We're rigged out in magnificent array
- Grand Duke (The Statutory Duel), operetta: Act 2. Dance
- Grand Duke (The Statutory Duel), operetta: Act 2. Take my advice - when deep in debt
- Grand Duke (The Statutory Duel), operetta: Act 2. Hurrah! Now away to the wedding
- Grand Duke (The Statutory Duel), operetta: Act 2. Well, you're a pretty kind of fellow
- Grand Duke (The Statutory Duel), operetta: Act 2. Finale. Happy couples, lightly treading
- Overture di ballo, for orchestra in E major
- Henry VIII, incidental music: March & Graceful Dance: Allegro moderato alla marcia
- Henry VIII, incidental music: March & Graceful Dance
Disc 5:
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 1. Refrain, audacious tar
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 1. Can I survive the overbearing
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Overture
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 1. We shall sail the ocean blue
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 1. Hail! Men o'war's men
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 1. The nightingale sighed
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 1. A maiden fair to see
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 1. My gallant crew, good morning
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 1. Sir, you are sad
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 1. Sorry her lot who loves too well
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 1. Over the bright blue sea
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 1. Sir Joseph's barge is seen
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 1. Now give three cheers
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 1. When I was a lad
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 1. A British tar
Disc 6:
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Entracte
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 2. Fair moon to thee I sing
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 2. Things are seldom what they seem
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 2. The hours creep on apace
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 2. Never mind the why and wherefore
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 2. Kind Captain, I've important information
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 2. Carefully on tip-toe stealing
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 2. Farewell, my own
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 2. A many years ago
- H. M. S. Pinafore (The Lass that Loved a Sailor), operetta: Act 2. A joy! Oh rapture unforseen
Disc 7:
- Iolanthe (The Peer and the Peri), operetta: Overture
- Iolanthe (The Peer and the Peri), operetta: Act 1. Tripping hither, tripping thither
- Iolanthe (The Peer and the Peri), operetta: Act 1. Iolanthe
- Iolanthe (The Peer and the Peri), operetta: Act 1. Good morrow, good mother
- Iolanthe (The Peer and the Peri), operetta: Act 1. Fare thee well, attractive stranger
- Iolanthe (The Peer and the Peri), operetta: Act 1. Good morrow, good lover
- Iolanthe (The Peer and the Peri), operetta: Act 1. None shall part us
- Iolanthe (The Peer and the Peri), operetta: Act 1. Loudly let the trumpet bray
- Iolanthe (The Peer and the Peri), operetta: Act 1. Entrance of the Lord Chancellor
- Iolanthe (The Peer and the Peri), operetta: Act 1. The law is the embodiment
- Iolanthe (The Peer and the Peri), operetta: Act 1. My well-beloved Lord
- Iolanthe (The Peer and the Peri), operetta: Act 1. Nay, tempt me not
- Iolanthe (The Peer and the Peri), operetta: Act 1. Spurn not the nobly born
- Iolanthe (The Peer and the Peri), operetta: Act 1. Lords, it may not be
- Iolanthe (The Peer and the Peri), operetta: Act 1. Said I to myself, said I
- Iolanthe (The Peer and the Peri), operetta: Act 1. When darkly looms the day
Disc 8:
- Iolanthe (The Peer and the Peri), operetta: Act 2. When all night long a chap remains
- Iolanthe (The Peer and the Peri), operetta: Act 2. Strephon's a member of Parliament
- Iolanthe (The Peer and the Peri), operetta: Act 2. When Britain really ruled the waves
- Iolanthe (The Peer and the Peri), operetta: Act 2. In vain to us you plead
- Iolanthe (The Peer and the Peri), operetta: Act 2. Oh, foolish fay
- Iolanthe (The Peer and the Peri), operetta: Act 2. Though p'r'aps I may incur your blame
- Iolanthe (The Peer and the Peri), operetta: Act 2. Love unrequited
- Iolanthe (The Peer and the Peri), operetta: Act 2. If you go in you're sure to win
- Iolanthe (The Peer and the Peri), operetta: Act 2. If we're weak enough to tarry
- Iolanthe (The Peer and the Peri), operetta: Act 2. My Lord, a suppliant at your feet
- Iolanthe (The Peer and the Peri), operetta: Act 2. It may not be
- Iolanthe (The Peer and the Peri), operetta: Act 2. Soon as we may, off and away
Disc 9:
- The Mikado (The Town of Titipu), operetta: Overture
- The Mikado (The Town of Titipu), operetta: Act 1. If you want to know who we are
- The Mikado (The Town of Titipu), operetta: Act 1. Gentlemen, I pray you tell me
- The Mikado (The Town of Titipu), operetta: Act 1. A wand'ring minstrel I
- The Mikado (The Town of Titipu), operetta: Act 1. Our great Mikado, virtuous man
- The Mikado (The Town of Titipu), operetta: Act 1. Young man, despair
- The Mikado (The Town of Titipu), operetta: Act 1. And I have journey'd for a month
- The Mikado (The Town of Titipu), operetta: Act 1. Behold the Lord High Executioner!
- The Mikado (The Town of Titipu), operetta: Act 1. As someday it may happen that a victim must be found
- The Mikado (The Town of Titipu), operetta: Act 1. Comes a train of little ladies
- The Mikado (The Town of Titipu), operetta: Act 1. Three little maids from school are we
- The Mikado (The Town of Titipu), operetta: Act 1. So please you, Sir, we much regret
- The Mikado (The Town of Titipu), operetta: Act 1. Were you not to Ko-Ko plighted
- The Mikado (The Town of Titipu), operetta: Act 1. I am so proud, If I allowed
- The Mikado (The Town of Titipu), operetta: Act 1. With aspect stern and gloomy stride
- The Mikado (The Town of Titipu), operetta: Act 1. The threaten'd cloud has pass'd away
- The Mikado (The Town of Titipu), operetta: Act 1. Your revels cease! Assist me, all of you!
- The Mikado (The Town of Titipu), operetta: Act 1. Oh fool, that flee-est My hallow'd joys!
- The Mikado (The Town of Titipu), operetta: Act 1. For he's going to marry Yum-Yum
- The Mikado (The Town of Titipu), operetta: Act 1. The hour of gladness is dead and gone
- The Mikado (The Town of Titipu), operetta: Act 1. Ye torrents roar! Ye tempests howl!
Disc 10:
- The Mikado (The Town of Titipu), operetta: Act 2. Braid the raven hair, Weave the supple tresses
- The Mikado (The Town of Titipu), operetta: Act 2. The sun whose rays are all ablaze
- The Mikado (The Town of Titipu), operetta: Act 2. Brightly dawns our wedding day
- The Mikado (The Town of Titipu), operetta: Act 2. Here's a how-de-do!
- The Mikado (The Town of Titipu), operetta: Act 2. Miya sama, miya sama, o n'mma no maye ni
- The Mikado (The Town of Titipu), operetta: Act 2. From ev'ry kind of man Obedience I expect
- The Mikado (The Town of Titipu), operetta: Act 2. A most humane Mikado never did in Japan exist
- The Mikado (The Town of Titipu), operetta: Act 2. The criminal cried as he dropp'd him down
- The Mikado (The Town of Titipu), operetta: Act 2. See how the fates their gifts allot
- The Mikado (The Town of Titipu), operetta: Act 2. The flowers that bloom in the spring, tra la
- The Mikado (The Town of Titipu), operetta: Act 2. Alone and yet alive
- The Mikado (The Town of Titipu), operetta: Act 2. Hearts do not break! They sting and ache
- The Mikado (The Town of Titipu), operetta: Act 2. On a tree by a river a little tom tit
- The Mikado (The Town of Titipu), operetta: Act 2. There is beauty in the bellow of the blast
- The Mikado (The Town of Titipu), operetta: Act 2. Fanfare
- The Mikado (The Town of Titipu), operetta: Act 2. For he's gone and married Yum-Yum
Disc 11:
- Patience (Bunthorne's Bride), operetta: Overture
- Patience (Bunthorne's Bride), operetta: Act 1. Twenty love-sick maidens we
- Patience (Bunthorne's Bride), operetta: Act 1. Still brooding on their mad infatuation
- Patience (Bunthorne's Bride), operetta: Act 1. I cannot tell what this love may be
- Patience (Bunthorne's Bride), operetta: Act 1. Twenty love sick maidens we
- Patience (Bunthorne's Bride), operetta: Act 1. The soldiers of our Queen
- Patience (Bunthorne's Bride), operetta: Act 1. If you want a receipt for that popular mystery
- Patience (Bunthorne's Bride), operetta: Act 1. In a doleful train two and two we walk all day
- Patience (Bunthorne's Bride), operetta: Act 1. Twenty love-sick maidens we
- Patience (Bunthorne's Bride), operetta: Act 1. When I first put this uniform on
- Patience (Bunthorne's Bride), operetta: Act 1. Am I alone and unobserved?
- Patience (Bunthorne's Bride), operetta: Act 1. If you're anxious for to shine
- Patience (Bunthorne's Bride), operetta: Act 1. Long years ago - fourteen, maybe
- Patience (Bunthorne's Bride), operetta: Act 1. Prithee, pretty maiden - prithee
- Patience (Bunthorne's Bride), operetta: Act 1. Through to marry you
- Patience (Bunthorne's Bride), operetta: Act 1. Let the merry cymbals sound
- Patience (Bunthorne's Bride), operetta: Act 1. Now tell us, we pray you
- Patience (Bunthorne's Bride), operetta: Act 1. Heart broken at my Patience's barbarity
- Patience (Bunthorne's Bride), operetta: Act 1. Stay, we implore you, before our hopes are blighted
- Patience (Bunthorne's Bride), operetta: Act 1. Your maidens hearts, ah, do steel
Disc 12:
- Patience (Bunthorne's Bride), operetta: Act 1. Come, walk up, and purchase with avidity
- Patience (Bunthorne's Bride), operetta: Act 1. We've been thrown over, we're aware
- Patience (Bunthorne's Bride), operetta: Act 1. And are you going a ticket to buy?
- Patience (Bunthorne's Bride), operetta: Act 1. Hold! Stay your hand!
- Patience (Bunthorne's Bride), operetta: Act 1. True love must single-hearted be
- Patience (Bunthorne's Bride), operetta: Act 1. I hear the soft note of the echoing voice
- Patience (Bunthorne's Bride), operetta: Act 1. But who is this, whose god-like grace
- Patience (Bunthorne's Bride), operetta: Act 1. List Reginald, whilst I confess a love
- Patience (Bunthorne's Bride), operetta: Act 2. On such eyes as maidens cherish
- Patience (Bunthorne's Bride), operetta: Act 2. Sad is a woman's lot who, year by year
- Patience (Bunthorne's Bride), operetta: Act 2. Silvered is the raven hair
- Patience (Bunthorne's Bride), operetta: Act 2. Turn, oh turn in this direction
- Patience (Bunthorne's Bride), operetta: Act 2. A magnet hung in a hardware shop
- Patience (Bunthorne's Bride), operetta: Act 2. Love is a plaintive song
- Patience (Bunthorne's Bride), operetta: Act 2. So go to him and say to him
- Patience (Bunthorne's Bride), operetta: Act 2. It's clear that the mediaeval art
- Patience (Bunthorne's Bride), operetta: Act 2. If Saphir I choose to marry
- Patience (Bunthorne's Bride), operetta: Act 2. When I go out of the door
- Patience (Bunthorne's Bride), operetta: Act 2. I'm a Waterloo House young man
- Patience (Bunthorne's Bride), operetta: Act 2. After much debate internal, I on Lady Jane decide
Disc 13:
- The Pirates of Penzance, operetta: Overture
- The Pirates of Penzance, operetta: Act 1. Pour, oh pour the pirate sherry
- The Pirates of Penzance, operetta: Act 1. When Fred'ric was a little lad
- The Pirates of Penzance, operetta: Act 1. Oh, better far to live and die
- The Pirates of Penzance, operetta: Act 1. Oh, false one, you have deceived me
- The Pirates of Penzance, operetta: Act 1. Climbing over rocky mountain
- The Pirates of Penzance, operetta: Act 1. Stop! ladies, pray! A man!
- The Pirates of Penzance, operetta: Act 1. Oh, is there not one maiden beast
- The Pirates of Penzance, operetta: Act 1. Oh, sisters, deaf to pity's name, For shame!
- The Pirates of Penzance, operetta: Act 1. Poor wand'ring one!
- The Pirates of Penzance, operetta: Act 1. What ought we to do, Gentle sisters, say?
- The Pirates of Penzance, operetta: Act 1. How beautifully blue the sky
- The Pirates of Penzance, operetta: Act 1. Stay, we must not lose our senses
- The Pirates of Penzance, operetta: Act 1. Hold, Monsters!
- The Pirates of Penzance, operetta: Act 1. I am the very model of a modern Major-General
Disc 14:
- The Pirates of Penzance, operetta: Act 1. Oh, men of dark and dismal fate
- The Pirates of Penzance, operetta: Act 1. Hail Poetry, thou heav'n born maid!
- The Pirates of Penzance, operetta: Act 1. You may go, for you're at liberty
- The Pirates of Penzance, operetta: Act 1. Pray observe the magnanimity
- The Pirates of Penzance, operetta: Act 2. Oh, dry the glist'ning tear
- The Pirates of Penzance, operetta: Act 2. Then Frederic
- The Pirates of Penzance, operetta: Act 2. When the foeman bares his steel
- The Pirates of Penzance, operetta: Act 2. Now for the pirates lair!
- The Pirates of Penzance, operetta: Act 2. When you had left our pirate fold
- The Pirates of Penzance, operetta: Act 2. Away, away, my heart's on fire
- The Pirates of Penzance, operetta: Act 2. All is prepared
- The Pirates of Penzance, operetta: Act 2. Stay, Fred'ric stay!
- The Pirates of Penzance, operetta: Act 2. Ah, leave me not to pine alone and desolate
- The Pirates of Penzance, operetta: Act 2. Oh, here is love and here is truth
- The Pirates of Penzance, operetta: Act 2. No, I'll be brave
- The Pirates of Penzance, operetta: Act 2. Sergeant approach
- The Pirates of Penzance, operetta: Act 2. When a felon's not engaged in his employment
- The Pirates of Penzance, operetta: Act 2. A rollicking band of pirates we
- The Pirates of Penzance, operetta: Act 2. With cat-like tread
- The Pirates of Penzance, operetta: Act 2. Hush! Hush! Not a word
- The Pirates of Penzance, operetta: Act 2. Sighing softly to the river
- The Pirates of Penzance, operetta: Act 2. Now what is this, and what is that
- The Pirates of Penzance, operetta: Act 2. We triumph now
- The Pirates of Penzance, operetta: Act 2. Away with them, and place them at the bar
- The Pirates of Penzance, operetta: Act 2. Poor wand'ring ones, though ye have surely strayed
Disc 15:
- Princess Ida (Castle Adamant), operetta: Overture
- Princess Ida (Castle Adamant), operetta: Act 1. Search throughout the panorama
- Princess Ida (Castle Adamant), operetta: Act 1. Now harken to my strict command
- Princess Ida (Castle Adamant), operetta: Act 1. Today we meet... Ida was a twelve-month old
- Princess Ida (Castle Adamant), operetta: Act 1. From the distant panorama... we are warriors three
- Princess Ida (Castle Adamant), operetta: Act 1. If you give me your attention
- Princess Ida (Castle Adamant), operetta: Act 1. Finale. P'raps if you address the lady most politely
- Princess Ida (Castle Adamant), operetta: Act 2. Towards the empyrean heights
- Princess Ida (Castle Adamant), operetta: Act 2. Mighty maiden with a mission
- Princess Ida (Castle Adamant), operetta: Act 2. Minerva... Oh, goddess wise
- Princess Ida (Castle Adamant), operetta: Act 2. Gently, gently, evidently
- Princess Ida (Castle Adamant), operetta: Act 2. I am a maiden, cold and stately
- Princess Ida (Castle Adamant), operetta: Act 2. The world is but a broken toy
- Princess Ida (Castle Adamant), operetta: Act 2. A lady fair, of lineage high
- Princess Ida (Castle Adamant), operetta: Act 2. The woman of the wisest wit
- Princess Ida (Castle Adamant), operetta: Act 2. Now wouldn't you like to rule the roost
- Princess Ida (Castle Adamant), operetta: Act 2. Merrily ring the luncheon bell
- Princess Ida (Castle Adamant), operetta: Act 2. Would you know the kind of maid
- Princess Ida (Castle Adamant), operetta: Act 2. Finale. Oh joy! Our chief is sav'd
- Princess Ida (Castle Adamant), operetta: Act 2. We may remark, tho' nothing can dismay us
Disc 16:
- Princess Ida (Castle Adamant), operetta: Act 3. Death to the invader
- Princess Ida (Castle Adamant), operetta: Act 3. I built upon a rock
- Princess Ida (Castle Adamant), operetta: Act 3. Whene'er I spoke sarcastic joke
- Princess Ida (Castle Adamant), operetta: Act 3. When anger spreads his wing
- Princess Ida (Castle Adamant), operetta: Act 3. This helmet I suppose
- Princess Ida (Castle Adamant), operetta: Act 3. This is our duty plain
- Princess Ida (Castle Adamant), operetta: Act 3. Finale. With joy abiding
- Pineapple Poll, ballet (compiled & arranged by C. Mackerras): Scene 1. Opening Dance
- Pineapple Poll, ballet (compiled & arranged by C. Mackerras): Scene 1. Poll's Solo and Pas de deux
- Pineapple Poll, ballet (compiled & arranged by C. Mackerras): Scene 1. Belaye's Solo
- Pineapple Poll, ballet (compiled & arranged by C. Mackerras): Scene 1. Pas de trois
- Pineapple Poll, ballet (compiled & arranged by C. Mackerras): Scene 1. Finale
- Pineapple Poll, ballet (compiled & arranged by C. Mackerras): Scene 2. Poll's Solo, Jasper's Solo
- Pineapple Poll, ballet (compiled & arranged by C. Mackerras): Scene 3. Belaye's Solo and Sailors' Drill
- Pineapple Poll, ballet (compiled & arranged by C. Mackerras): Scene 3. Poll's Solo
- Pineapple Poll, ballet (compiled & arranged by C. Mackerras): Scene 3. Entry of Belaye with Blanche as Bride
- Pineapple Poll, ballet (compiled & arranged by C. Mackerras): Scene 3. Reconciliation
- Pineapple Poll, ballet (compiled & arranged by C. Mackerras): Scene 3. Grand Finale
Disc 17:
- Ruddigore (The Witch's Curse), operetta: Overture
- Ruddigore (The Witch's Curse), operetta: Act 1. Fair is Rose as bright as May day
- Ruddigore (The Witch's Curse), operetta: Act 1. Sir Rupert Murgatroyd, his leisure and his riches
- Ruddigore (The Witch's Curse), operetta: Act 1. If somebody there chanced to be
- Ruddigore (The Witch's Curse), operetta: Act 1. I know a youth who loves a little maid
- Ruddigore (The Witch's Curse), operetta: Act 1. From the briny sea... I shipp'd, d'ye see
- Ruddigore (The Witch's Curse), operetta: Act 1. Hornpipe
- Ruddigore (The Witch's Curse), operetta: Act 1. My boy, you may take it from me
- Ruddigore (The Witch's Curse), operetta: Act 1. The battle's roar is over
- Ruddigore (The Witch's Curse), operetta: Act 1. In sailing o'er life's ocean wide
- Ruddigore (The Witch's Curse), operetta: Act 1. Cheerily carols the lark... To a garden full of posies
- Ruddigore (The Witch's Curse), operetta: Act 1. Welcome, gentry
- Ruddigore (The Witch's Curse), operetta: Act 1. Oh why am I moody and sad?
- Ruddigore (The Witch's Curse), operetta: Act 1. You understand? I think I do
- Ruddigore (The Witch's Curse), operetta: Act 1. Finale. Hail the bride of seventeen summers
- Ruddigore (The Witch's Curse), operetta: Act 1. Finale. Hold, bride and bridegroom
Disc 18:
- Ruddigore (The Witch's Curse), operetta: Overture (original version)
- Ruddigore (The Witch's Curse), operetta: Act 2. I once was as meek as a newborn lamb
- Ruddigore (The Witch's Curse), operetta: Act 2. Happily coupled are we
- Ruddigore (The Witch's Curse), operetta: Act 2. In bygone days I had thy love
- Ruddigore (The Witch's Curse), operetta: Act 2. Painted emblems of a race
- Ruddigore (The Witch's Curse), operetta: Act 2. When the night wind howls
- Ruddigore (The Witch's Curse), operetta: Act 2. He yields! He yields!
- Ruddigore (The Witch's Curse), operetta: Act 2. I once was a very abandon'd person
- Ruddigore (The Witch's Curse), operetta: Act 2. My eyes are fully open to my awful situation
- Ruddigore (The Witch's Curse), operetta: Act 2. There grew a little flower
- Ruddigore (The Witch's Curse), operetta: Act 2. Finale. Oh, happy the lily when kiss'd by the bee
- Cox and Box (The Long-Lost Brothers), operetta: Overture
- Cox and Box (The Long-Lost Brothers), operetta: We sounded the trumpet
- Cox and Box (The Long-Lost Brothers), operetta: Stay, Bouncer, stay!
- Cox and Box (The Long-Lost Brothers), operetta: Hush'd is the bacon on the grid
- Cox and Box (The Long-Lost Brothers), operetta: My master is punctual always in business
- Cox and Box (The Long-Lost Brothers), operetta: Who are you, sir?
- Cox and Box (The Long-Lost Brothers), operetta: The buttercup dwells on the lowly mead
- Cox and Box (The Long-Lost Brothers), operetta: Finale. Not long ago
Disc 19:
- The Sorcerer, operetta: Overture
- The Sorcerer, operetta: Act 1. Ring forth, ye bells
- The Sorcerer, operetta: Act 1. Constance, my daughter
- The Sorcerer, operetta: Act 1. When he is here, I sigh with pleasure
- The Sorcerer, operetta: Act 1. The air is charged with amatory numbers
- The Sorcerer, operetta: Act 1. Time was, when love and I were well acquainted
- The Sorcerer, operetta: Act 1. Sir Marmaduke... Minuet
- The Sorcerer, operetta: Act 1. With heart and with voice
- The Sorcerer, operetta: Act 1. My kindly friends... Oh, happy young heart
- The Sorcerer, operetta: Act 1. My child, I join in these congratulations
- The Sorcerer, operetta: Act 1. With heart and with voice
- The Sorcerer, operetta: Act 1. Welcome joy! Adieu to sadness!
- The Sorcerer, operetta: Act 1. All is prepar'd for sealing and for signing
- The Sorcerer, operetta: Act 1. Love feeds on many kinds of food
- The Sorcerer, operetta: Act 1. My name is John Wellington Wells
- The Sorcerer, operetta: Act 1. Sprites of earth and air
- The Sorcerer, operetta: Finale. Now to the banquet we press
Disc 20:
- The Sorcerer, operetta: Act 2. 'Tis twelve, I think
- The Sorcerer, operetta: Act 2. Dear friends, take pity on my lot
- The Sorcerer, operetta: Act 2. Thou hast the pow'r thy vaunted love to sanctify... It is not love
- The Sorcerer, operetta: Act 2. I rejoice that it's decided
- The Sorcerer, operetta: Act 2. Oh, I have wrought much evil with my spells
- The Sorcerer, operetta: Act 2. Alexis! Doubt me not!... The fearful deed is done
- The Sorcerer, operetta: Act 2. Oh, my voice is sad and low
- The Sorcerer, operetta: Act 2. Oh, joyous boon!
- The Sorcerer, operetta: Act 2. Prepare for sad suprises
- The Sorcerer, operetta: Finale. Or he or I must die
- The Zoo, operetta: Introduction
- The Zoo, operetta: The British public here - you see
- The Zoo, operetta: I loved her fondly
- The Zoo, operetta: And now let's go back to where we were... Ah maiden fair
- The Zoo, operetta: Where is he?
- The Zoo, operetta: Once more the face I loved so well
- The Zoo, operetta: Help! Ah help!
- The Zoo, operetta: Ho guards! Minions!
- The Zoo, operetta: Ladies and gentlemen!
- The Zoo, operetta: We gather from what you have said
- The Zoo, operetta: Where is my daughter?
- The Zoo, operetta: I'm a simple little child
- The Zoo, operetta: My father!
- The Zoo, operetta: Finale. What do I see in this disguise?
Disc 21:
- Utopia Limited (The Flowers of Progress), operetta: Imperial March
- Utopia Limited (The Flowers of Progress), operetta: Act 1. Introduction
- Utopia Limited (The Flowers of Progress), operetta: Act 1. In lazy languor
- Utopia Limited (The Flowers of Progress), operetta: Act 1. O make way for the wise men!
- Utopia Limited (The Flowers of Progress), operetta: Act 1. In every mental lore
- Utopia Limited (The Flowers of Progress), operetta: Act 1. Let all your doubts take wing
- Utopia Limited (The Flowers of Progress), operetta: Act 1. Quaff the nectar
- Utopia Limited (The Flowers of Progress), operetta: Act 1. A king of autocratic power we
- Utopia Limited (The Flowers of Progress), operetta: Act 1. Altho' of native maids the cream
- Utopia Limited (The Flowers of Progress), operetta: Act 1. Bold-fac'd ranger
- Utopia Limited (The Flowers of Progress), operetta: Act 1. First you're born
- Utopia Limited (The Flowers of Progress), operetta: Act 1. Subjected to your heavenly gaze
- Utopia Limited (The Flowers of Progress), operetta: Act 1. O maiden rich in Girton lore
- Utopia Limited (The Flowers of Progress), operetta: Act 1. Ah! gallant soldier, brave and true
- Utopia Limited (The Flowers of Progress), operetta: Act 1. It's understood, I think
- Utopia Limited (The Flowers of Progress), operetta: Act 1. O admirable art!
- Utopia Limited (The Flowers of Progress), operetta: Finale. Altho' your royal summons to appear
- Utopia Limited (The Flowers of Progress), operetta: Finale. A Company Promoter this, with special education
Disc 22:
- Utopia Limited (The Flowers of Progress), operetta: Act 2. Oh, Zara... A tenor, all singers above
- Utopia Limited (The Flowers of Progress), operetta: Act 2. Words of love too loudly spoken
- Utopia Limited (The Flowers of Progress), operetta: Act 2. Society has quite forsaken all
- Utopia Limited (The Flowers of Progress), operetta: Act 2. Entrance of the Court
- Utopia Limited (The Flowers of Progress), operetta: Act 2. Drawing-room music
- Utopia Limited (The Flowers of Progress), operetta: Act 2. This ceremonial our wish displays... Eagle high on cloudland soaring
- Utopia Limited (The Flowers of Progress), operetta: Act 2. With fury deep we burn
- Utopia Limited (The Flowers of Progress), operetta: Act 2. If you think that when banded in unity
- Utopia Limited (The Flowers of Progress), operetta: Act 2. With wily brain upon the spot
- Utopia Limited (The Flowers of Progress), operetta: Act 2. A wonderful joy our eyes to bless
- Utopia Limited (The Flowers of Progress), operetta: Act 2. Then I may sing and play?
- Utopia Limited (The Flowers of Progress), operetta: Act 2. Oh, would some demon power...When but a maid of fifteen year
- Utopia Limited (The Flowers of Progress), operetta: Act 2. Ah, Lady Sophy
- Utopia Limited (The Flowers of Progress), operetta: Act 2. O rapture unrestrained
- Utopia Limited (The Flowers of Progress), operetta: Act 2. Tarantella... Upon our sea-girt land
- Utopia Limited (The Flowers of Progress), operetta: Finale. There's a little group of isles beyond the wave
- Macbeth, incidental music: Overture
- Victoria and Merrie England, suite from the ballet
- Marmion, overture for orchestra
Disc 23:
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Overture
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 1. When maiden loves, she sits and sighs
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 1. Tower warders, under orders
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 1. When our gallant Norman foes
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 1. Alas! I waver to and fro
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 1. Is life a boon?
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 1. Here's a man of jollity
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 1. I have a song to sing, O!
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 1. How say you, maiden
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 1. I've jibe and joke and quip and crank
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 1. 'Tis done! I am a bride
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 1. Were I thy bride
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 1. Oh, Sergeant Meryll, is it true
Disc 24:
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 2. Night has spread her pall once more
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 2. Oh! a private buffoon is a lighthearted loon
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 2. Hereupon we're both agreed
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 2. Free from his fetters grim
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 2. Strange adventure
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 2. Hark! what was that, sir?
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 2. A man who would woo a fair maid
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 2. When a wooer goes a-wooing
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 2. Rapture, rapture
- The Yeomen of the Guard (The Merryman and his Maid), operetta: Act 2. Comes the pretty young bride
- Trial by Jury, operetta: Hark the hour of ten is sounding
- Trial by Jury, operetta: When first my old, old love I knew
- Trial by Jury, operetta: When I, good friends, was called to the bar
- Trial by Jury, operetta: Where is the plaintiff
- Trial by Jury, operetta: May it please you, my Lud!
- Trial by Jury, operetta: Oh, gentlemen, listen, I pray
- Trial by Jury, operetta: A nice dilemna we have here
- Trial by Jury, operetta: I love him, I love him
Product Details
- Amazon Sales Rank: #13696 in Music
- Released on: 2003-05-13
- Number of discs: 24
- Format: Box set
- Dimensions: 3.08 pounds
Customer Reviews
Wonderful set, if a little inconsistent at times.
If you thought that the Sargent set of G&S opera recordings was gargantum enough, then this D'Oyly Carte cycle is even more gargantum. Although it is more expensive (because of the four extra operas that the Sargent cycle did not include), this complete 24-CD set is like a joy to behold. There is a debate as to whether this is better than the Sargent cycle, but I like to think that this is a delight from first disc to last, because of the idiomatic sense of polish that these recordings seem to have, and are given a life that makes them able to breathe well. This is all thanks to Isidore Godfrey and Royston Nash's conducting. I know that the performances may not be entirely consistent (this is evident when you compare the performance and recording quality of Mikado and Pirates with those of Gondoliers and Pinafore), but this is only a matter of personal preference. The 1960s performances were given more sumptuous and well-detailed recordings than the 1970s recordings, made when the performing style was not so fresh. But anyway, I still think that this is definitely a good buy for anyone who loves G&S. Even with the consistency of Sargent's cheaper EMI set, I would still say: do go ahead to invest in the set because of the liveliness and style in this complete G&S cycle that Sargent never (hardly ever) tackles. The only thing is: I would also like to suggest complementing it with the 1957 Decca D'Oyly Carte recordings of Mikado and Pirates, recently released by the Sounds on CD label, so that these recordings can do justice to the enormous spirit of these operas.
Don't underestimate those "unknown" Operettas!!
This is, as far as I know - the only way of buying the "official" recordings of "The Grand Duke" and "Utopia" - which seem to be otherwise out of print!! Several of the others are not that easy to get either.
In any case - most people getting this set will already have the Mikado, and very probably Pirates and Pinafore for that matter, so you're really getting it for the others.
So just for the record - someone has to say this!
The Mikado is (of course) a wonderful piece, but it enjoys its long running status as the most successful of all the G&S operettas very largely for "extra-musical" reasons. It is visually so wonderful, with all those great authentic costumes, and the whole idea of satirising English institutions by pretending they are Japanese is of course brilliantly funny.
Again, Pirates and Pinafore enjoy a lot of their acclaim simply because we have heard them so often. And at least part of the initial success of these (admittedly very funny and entertaining) pieces was the vogue for "nautical drama" on the popular Victorian stage.
Iolanthe, Ruddigore, and Yoemen are all MUCH stronger musically than any of what another reviewer here keeps calling the "trilogy". Patience, Princess Ida, and the Gondoliers all excel either "nautical" operetta, at least musically, although not, perhaps, the Mikado. And I have had a lot of fun listening to my recording of the Sorcerer - although I think most at least of the other G&S operettas are even more interesting.
As for "Trial by Jury" it is really another thing altogether - but in its kind the most perfect thing either Gilbert or Sullivan had anything to do with!
This leaves Utopia and the Grand Duke.
Both of these were produced after the long running friendship between G&S had soured, and they have been sadly neglected ever since. Utopia is none the less both musically beautiful and very funny, and well worth taking an effort to come to grips with. The main point of the satire (which many commentators and reviewers seem to miss) is the way that the English language and British (especially English) institutions were being adopted, often rather uncritically, by countries around the world (most, but not all, of them members of the British Empire, of course). India is perhaps the country Gilbert had most in mind, but you could set it in any of a dozen other countries. The residual problems this has left in the post-colonial world ensure that this work is still far from dated. In some ways this operetta is about globalisation! What could possibly be LESS dated than that!
The Grand Duke, on the other hand, is a bit of an odd man out - I suppose you still have to say it is the weakest of all the G&S efforts. It's the ONLY one that didn't score a very respectable run on its first outing. Surprisingly, however, if an attempt is made to duplicate the musical and (especially) dialogue cuts that G&S would have done themselves if they had not by this time been at each other's throats all the time, a very entertaining piece can be made of it. I was very agreeably surprised by the Ohio Light Opera recording, which does just that - and I am coming round to the idea that the only thing really wrong with the Duke is that it is too long.
ANYWAY:
For all people (especially callow youth) who remain convinced that G&S only wrote three operettas worth listening to - all I can say is, buy this set, and give the lesser known ones a chance. Make sure you have a libretto in your hands as you listen, of course. It may even just need a single hearing in some cases, but otherwise, be patient. In the meantime, you really cannot have any conception of what you are missing.
A few details
This 24-CD album consists of 12 plastic cases, each with a thin booklet giving background and plot summaries for the works on its 2 enclosed CD's. Most of the album consists of 15 operettas, 2 of which (Cox and Box, The Zoo) have texts not by Gilbert and 7 of which (The Sorcerer, Princess Ida, The Mikado, Ruddigore, Yeomen of the Guard, Utopia Limited, The Grand Duke) omit most of the spoken dialogue. Before listening to any of these operettas that you don't know well, you'll want to obtain a copy of its text so you can read along and not miss any of the words or the wit.




