Track Listing

1. Glassworks
2. Glassworks
3. Glassworks
4. Glassworks
5. Glassworks
6. Glassworks
7. In The Upper Room
8. In The Upper Room
9. In The Upper Room
10. In The Upper Room
11. In The Upper Room

Product Details

• Amazon Sales Rank: #9042 in Music
• Released on: 2003-09-30
• Number of discs: 1
• Formats: Original recording remastered, Extra tracks

Customer Reviews

Amazing Creation
After seeing the Ballet, and hearing the music I had to own it so I could listen again. An artistic creation of the first rank.

Classical music of different kind...
Around 1980-Just when people thought it was impossible for anyone to compose "classical" music that was fresh, original and appealing, Philip Glass and his minimalist style came along. The idea is that the mood builds up in a repeatetive (trance-like) manner. On this CD, it is quite ineresting how Glass manages to create various moods, as well as, capture human emotions, in what may seem to be a very limiting framework. He makes very good use of orchestral colors through various instruments.

Other minimalist pieces that are also quite moving are "Nixon in China" by Adams and "Song of Sorrow" by Gorecki.

He works magic in film.
Perhaps it is true that the work of Phillip Glass has been of ambiguous nature; many different subconsciousness that would be drawn to his music and many alike would be pulled back in similiar impact or just simply stand in plain confusion. His music works perfect for the medium of film, not because there is another medium 'filling up the void' in his style, but it's the commentary that it makes on the story while the film runs on its own. This music leaves much to the imagination of those filled with it, to tell their own story. It can handle almost anything one throws at it; irony, contradiction, pain, relief, comedic, anything, it will almost seem to work out well perfectly for certain individuals. Minimalism is a common label on this music, however it is precisely minimalism that leaves the mind to explore on its own. Classical greats like Bach, although in a similiar vein, still lay down the scenery in a more conspicuous manner than Glass. After all, this is contemporary art; and it will not work out well for those who do not have the audacity to create their own mental scenes but rather rely more on music for a more solid comprehension to come through.