Product Details
Jamaican Dance Party

Jamaican Dance Party
Various Artists

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Track Listing

  1. Shimmy And Twist - Neville Esson
  2. Choo-Choo Ska - Llans Thelwell & His Celestials
  3. Hot Pops - Joe White
  4. Here I Come Again - Winston Samuels
  5. Jump For Joy - King Stitt
  6. Please Stay - Lascelles Perkins
  7. Dulcimenia - The Dynamites
  8. I'm Moving On - Cynthia Richards
  9. My Sweet Lord - Byron Lee & The Dragonaires
  10. Sun Is Shining - Bob Marley & The Wailers
  11. Freedom Skank - Dennis Alcapone
  12. Goodnight My Love - Barry Biggs
  13. Why Did You Leave Me - Barbara Jones
  14. Joseph And Jacob (Farewell Dub) - The Revolutionaries
  15. Natty Dread The Lion - I-Roy
  16. Mint Ah Music - Dennis Bovell

Product Details

  • Amazon Sales Rank: #788690 in Music
  • Released on: 1998-10-12
  • Number of discs: 1
  • Format: Import

Editorial Reviews

Amazon.com
Even reggae young buck Anthony B sings a lament to the long-gone joys of the old-time reggae dancehall in "Waan Back," but luckily for lovers of that vintage sound, many indie labels are turning out lovingly remastered CDs that collect, golden track by golden track, these early treasures originally recorded on rudimentary analog equipment. This superb set captures the '60s scene as the music was developing from the slowed-down ska beat known as rock steady into early reggae; it features stars like Dennis Bovell, Dennis Alcapone, King Stitt, and Byron Lee as well as lesser-known lights such as Neville Esson and Cythnia Richards. Jamaican music's heavy debt to American soul and R&B pioneers is obvious in these gently lilting tunes, especially covers like Lascelles Perkins's rock-steady version of "Please Stay." Even George Harrison's "My Sweet Lord" gets a sweet rock-steady treatment, "Krishna, Krishna, hari rama" and all. On the other hand, there would be no hip-hop today if it weren't for early mic toasters like I-Roy, performing here his famous "Natty Dread the Lion." Together with Bob Marley & The Wailers' "Sun Is Shining"--an extravagantly original musical coup infused with the genius of legendary deejay-producer Lee "Scratch" Perry at the peak of his considerable form--it augurs the explosion of musical creativity in the '70s that would transform Jamaica from a tropical playground for outsiders into a major voice in the worldwide struggle against "big master." --Elena Oumano