Product Description

For more than forty years Miles Davis has been in the front rank of American music. Universally acclaimed as a musical genius, Miles is one of the most important and influential musicians in the world. The subject of several biographies, now Miles speaks out himself about his extraordinary life.

Miles: The Autobiography, like Miles himself, holds nothing back. For the first time Miles talks about his five-year silence. He speaks frankly and openly about his drug problem and how he overcame it. He condemns the racism he has encountered in the music business and in American society generally. And he discusses the women in his life. But above all, Miles talks about music and musicians, including the legends he has played with over the years: Bird, Dizzy, Monk, Trane, Mingus, and many others.

The man who has given us some of the most exciting music of the past few decades has now given us a compelling and fascinating autobiography, featuring a concise discography and thirty-two pages of photographs.

Product Details

• Amazon Sales Rank: #90979 in Books
• Published on: 1990-09-15
• Original language: English
• Number of items: 1
• Binding: Paperback
• 448 pages

Features

• ISBN13: 9780671725822
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From Publishers Weekly
The brilliant bad man of jazz trumpetry unburdens himself of his hate and anger as well as of his good feelings about life, friendship, sex, drugs, women and cars. "On almost any score this is a remarkable book," observed PW. Photos.
Copyright 1990 Reed Business Information, Inc.

Review
The Atlantic With Miles, Davis proves to be his own most perceptive critic. -- Review

Review
Ishmael ReedSuperior jazz writing that ranks with that of the best practitioners of the art

Vanity FairScorching

San Francisco ChronicleThis is not just any book. As with everything else he has done, Davis's work as writer is likely to raise controversy. The book could well be subtitled "Miles Tells All" for this volume is crammed with juicy gossip about most of the key figures in modern jazz.

Clive DavisPresident, Arista Records[Miles] was and is the master, and his book is must reading for any student or fan of music.

The AtlanticWith Miles, Davis proves to be his own most perceptive critic.

Customer Reviews

Miles Ahead: A No-Holds Barred Autobiography
This is a superb book, but not for the easily offended. Miles' autobiography reveals a hardworking, supremely talented musician who challenged himself continually as he, time after time, reinvented jazz. Yet Miles Davis is full of contradictions; the victim of racism; he rails, at times, against whites, yet plays with and respects them. His attitudes and behavior toward women can be appalling, yet he had a tender, generous side, and admits (and also denies) his faults. As far as I can tell, Miles is Miles in this book, and if there are contradictions in his story, it's because there are contradictions in the man.

Some people have complained that there is not enough analysis of his music in the book, but your ears will tell you more than any technical explanation. He talks of his early days at Juilliard, skipping the school to play with Bird and others in New York, his courageous "cold turkey" quitting of heroin, his abuse by police, and the various bands and movements he led. Lots of amusing (and tragic) anecdotes, comments on other musicians, insights into his wide-ranging tastes, and interesting sidelights (he and Jimi Hendrix almost made an album together).

Miles Davis is candid, and quite generous with his use of obscenities--but no matter. He tells it like he sees it. One gets the impression that if the man is flawed, and his recollections perhaps self-serving at times, he at least is being as honest as he can be with himself. We really don't know, just as we can't really know all the "true facts" in any autobiography.

His music is unspeakably beautiful, and one may wonder how his music seems to transcend both his victimization and his own prejudice. But then, maybe that is our bias: To try to fit Miles into some definition that would explain these seeming incongruities. Miles defies categorization, and that is the challenge and the beauty of the book: To take it on its own terms, to accept the complexity of the man, flaws and all (as we are all flawed), and then to be thankful that Miles smiled on us. This is a landmark of autobiography, transposing the seen and the felt. The book makes you think, and would be an excellent choice for a book club or classroom. Very highly recommended, one of the best books ever written about one musician's personal journey.

The End of Idolatry
Miles Davis' autobiography is absorbing reading and should be read by anybody interested in the history of Jazz or the social history of Davis' era. That said, it will be a disappointment to anybody who is really awed by Davis.

I initially read this book early in college when I was first getting into modal jazz, and I loved hearing about the scene and the times, and hearing about in Mile's voice. But I was crestfallen over how unrepentant he was and the overall defensive agenda he has, using his autobiography mainly as a forum to list and dispute things that have been said about him over the years. For example, I was reading about how he used and abused women and I kept waiting to hear him say how ashamed he is looking back, or how bad he felt, or how he tried to rectify the situation. I thought it was coming anytime, a chapter, a paragraph, or even a sentence. But it doesn't happen.

My initial reading of Miles was right around the time I read Flashbacks, the Timothy Leary autobiography. Both books had multiple sections that fit the basic format: "Now, people said that... but what really happened was..." What do you know, it turns out that our heroes have accumulated injustices from everyone but have actually never done anything wrong in their entire lives. I put these books down, disillusioned, and had come to the realization that there were no heroes. Even people I respect or am fascinated by, compelling historical figures, accomplished, if given the opportunity to immortalize themselves in their own words, will reveal themselves to be narcissistic, applause-addicted, blowhards. Oh well, I guess that's part of growing up.

Miles Davis' contributions to art are undeniable, and I recommend this book, but prepare to grapple with the ambiguities of simultaneous reverence and abhorrence.

The whole truth, nothing but the truth
This book is a gospel for all true jazz lovers. Miles tells all about the jazz scene in such a vivid manner, that you will feel like he is talking directly to you. you will laugh, you will cry, you will learn about all the heavy hitters of the 30s, 40s,50s, 60s,and beyond. miles was so on the money on a lot of issues and he didnt pull any punches when he talked about his own much publicized short comings. He will tell you about every band,every recording session and what impact that it had on his life at that time. Every musician that he ever played with is included in this book. This is a great biography. You will truly understand what a powerful musician miles really was, and the great impact that this trumpet giant made on the music world. This book is a must read for all true jazz lovers.