Product Description

From the Harvey and Lulu award–winning creator of Artbabe comes this riveting story of a young woman’s misadventures in Mexico City. Carla, an American estranged from her Mexican father, heads to Mexico City to “find herself.” She crashes with a former fling, Harry, who has been drinking his way through the capital in the great tradition of his heroes, William S. Burroughs and Jack Kerouac. Harry is good—humored about Carla’s reappearance on his doorstep—until he realizes that Carla, who spends her days soaking in the city, exploring Frida Kahlo’s house, and learning Spanish, has no intention of leaving.

When Harry and Carla’s relationship of mutual tolerance reaches its inevitable end, she rejects his world of Anglo expats for her own set of friends: pretty-boy Oscar, who sells pot and dreams of being a DJ, and charismatic Memo, a left-wing, pseudo–intellectual ladies’ man. Determined to experience the real Mexico, Carla turns a blind eye to her new friends’ inconsistencies. But then she catches the eye of a drug don, el Gordo, and from that moment on her life gets a lot more complicated, and she is forced to confront the irreparable consequences of her willful innocence.

Jessica Abel’s evocative black–and–white drawings and creative mix of English and Spanish bring Mexico City’s past and present to life, unfurling Carla’s dark history against the legacies of Burroughs and Kahlo. A story about the youthful desire to live an authentic life and the consequences of trusting easy answers, La Perdida–at once grounded in the particulars of life in Mexico and resonantly universal–is a story about finding oneself by getting lost.


From the Hardcover edition.

Product Details

• Amazon Sales Rank: #365119 in Books
• Published on: 2008-05-20
• Released on: 2008-05-20
• Original language: English
• Number of items: 1
• Binding: Paperback
• 288 pages

Features

• ISBN13: 9780375714719
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From Publishers Weekly
Starred Review. Carla Olivares, a young Mexican-American woman, goes to Mexico City to try to get in touch with her Mexican side. She's got her own, distorted ideas about what that means, and her annoyance with an old boyfriend who's leading his idea of the romantic expatriate life (by hanging out exclusively with other expats) makes her even more nervous about coming off like an outsider. She starts hanging out with a bunch of local lowlifes and blowhards who feed her guilt about being a privileged "conquistadora." They talk big (about stardom and revolution), but barely scrape by on petty crime—which eventually becomes not so petty, and sucks Carla into a vortex of fear and violence. Abel's published several books of her shorter comics stories, but for her first long-form graphic novel she's developed a new, impressively assured style, built around bold, rough brushstrokes. She's got a telegraphic command of body language—her characters' faces are simplified to the point where their eyes are usually just dots—and the backgrounds nicely evoke the architecture and heat of Mexico City. What really makes the story compelling, though, is Abel's sensitivity to character and dialogue—Carla is the narrator, but she's hardly a heroine, and the way crucial meanings are lost in translation ratchets up the dramatic tension. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Grade 10 Up–Twenty-something American slacker Carla moves to Mexico, land of her long-lost father. She crashes at the apartment of her ex-boyfriend, a wealthy, WASPy American who socializes mostly with people like himself. Carla soon meets some locals, wannabe revolutionary Memo and wannabe DJ Oscar. After moving in with Oscar, she becomes less engaged in society, rarely interacting outside of this limited group. As she becomes even less involved, her naïveté allows some horrible events to occur. While readers see the writing on the wall long before Carla catches on, she is still a sympathetic heroine. This is Abels first full-length graphic novel after her Artbabe comic and collections (Fantagraphics), and its both simple and ambitious. The black-and-white artwork is sketchy, but evocative. The story is intricately plotted and suspenseful. The decision to write the first chapters dialogue in Spanish, translated at the bottom of the panels, is interesting. Later, when Spanish is spoken predominantly, all of the dialogue is in English, putting words that were actually spoken in English in brackets. This not only reflects Carlas move into Spanish, but also allows readers to feel more strongly her lack of knowledge upon arriving in Mexico. The lengthy glossary defines Spanish words, phrases, vulgarities, and characters and places referenced in the text. Abel has successfully portrayed characters both on the fringes of society, and those who wish that they were.–Jamie Watson, Harford County Public Library, MD
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* The comic-strip short stories in Abel's Mirror, Window (2000) and Soundtrack (2001), while compelling and closely observed, sometimes seemed as insubstantial and directionless as their twentysomething slacker protagonists. The book-length La Perdida, however, is a major leap forward for her. It follows young half-Latina Carla as she rejects the U.S and heads for Mexico in a misguided search for her roots and meaning in her life. Moving in with ex-sort-of-boyfriend Harry, who hangs out only with other expats, Carla seeks the authentic Mexico and gets more than she bargained for when she falls in with leftist politico Memo, who calls her a "conquistadora," and small-time drug dealer and DJ-wannabe Oscar. Naive Carla learns that, while aimlessness and poverty might be temporary for young, white Yankees, it can morph into violent desperation in an impoverished country. Besides developing a more purposeful narrative, Abel has progressed in her artwork. Her line is less careful and more confident, employing strong brushstrokes to capture the characters' personalities and the Mexican settings. In her previous work, Abel was a talent worth watching. La Perdida delivers what the watching was for. Gordon Flagg
Copyright © American Library Association. All rights reserved

Customer Reviews

Essential
Jessica Abel crams heaping handfuls of story into each chapter of her gripping tale of self-discovery and self-deceit, an excellent, completely engaging and essential graphic novel that belongs on every discerning comics fans' bookshelf.

Carla, Abel's titular "la perdida" -- lost girl -- is a half-Mexican twenty-something who moves to Mexico City on a whim, looking to get in touch with her Mexican roots by fully immersing herself in the culture, quickly rejecting her fellow American expatriates in favor of two natives who (with a peculiar mix of selfish sincerity) embrace her: Memo, a Communist pseudo-intellectual, and Oscar, his good-looking if somewhat simple-minded friend. The first three chapters are Carla's story of trying to fit in and find her place in a culture that is completely foreign to her and not always welcoming, despite and in spite of her half-Mexican blood, and Abel does an excellent job of establishing a rather large cast of supporting characters so that in the fourth chapter, when things take a dramatic shift that in lesser hands would qualify as jumping the shark, she's able (no pun intended) to pull it off without derailing everything that's come before. Because she tells the story from Carla's perspective looking back on what happened, the reader is cued into details that Carla herself is missing at the time, so as events unfolded, I found myself cringing at some of her choices while always remaining engaged with her story. When it ended, somewhat abruptly, I found my head spinning a bit, chock full of images and anecdotes from Carla's experience as if she had shared them with me personally over coffee.

Abel's artwork, dense and subtly detailed, took about 15 pages for me to get used to before I was fully drawn into the story, as the back-and-forth prologue and discordant opening sequence forced my eyes to linger on each panel much longer than I'm used to doing. There's also the Spanish-English translation that crowds many of the panels in the first chapter which adds to its density -- and also helps non-Spanish readers, myself included, to further identify with Carla's situation -- but the extra effort is rewarded throughout the story, and it quickly becomes clear why it took five years to finish the story because there's not a single wasted panel in it. Like Blankets, the first long-form (non-superhero) graphic novel to really blow me away, and Black Hole, the most recent one to do so, La Perdida is everything great sequential art should be.

Not bad, but not brilliant
I read and heard a couple rave reviews about La Perdida, but I have to say I was disappointed. I speak Spanish and have spent time in Mexico City, so I agree that Abel gets a lot of the details right, but I found that the characters were types who didn't really develop. That is, I'm sure, part of what Abel wanted to convey...characters trapped in an approach to life without much insight into themselves or others, so it's possible I had the wrong expectations for La Perdida. The book does effectively show a woman struggling to find herself and does make make us wonder about how many women form relationships with men with so little insight into the power they give up and the jerks the guys are. But, overall, I think that creating a lurid comic book surface was a way to avoid developing fully human characters having real interactions. But, it's a pretty good graphic novel. You might enjoy the movie "Y Tu Mama Tambien" by Alfonso Cuaron if you want drugs, sex and swearing, but also insight into human characters and a brilliantly vivid picture of Mexico.

Gorgeous artwork... Irritating story
I am a fan of indie comics (that is, not superhero stuff-Persepolis, Blankets, Peepshow, etc), so I was very excited to find La Perdida, especially because it was done by a woman. The artwork is sumptuous: rough brushwork, great expressions, evocative landscapes, especially the view of Mexico City on page129. Hats off to Ms Abel for this.

The story is what's lacking. While artfully executed, the story halts occasionally because there are no indications of scene changes, or even flashbacks for that matter. While most of the time I can intuit this, I really stumbled in through the beginning when more flashbacks were employed. Then, I have to chime in with previous reviewers. It is incredibly frustrating reading about a main character, Carla, who has no self-respect nor awareness, and does nothing but unwittingly sabotage herself (and others). The men she chooses for her friendships and relationships are all fairly abusive (verbally); they clearly don't respect her. She chooses the crowd she does simply to compensate her overwhelming lack of identity. (She loves Frida Kahlo, but when her new Mexican friends mock Frida, Carla rips her poster of Frida down!) While that's fine okay in a coming-of-age story, there is NO redemption. You do not feel as if she's learned from her mistakes. She recognizes she's messed up, but in the end, she's simply wondering where her innocence (read stupidity) went!

This is incredibly frustrating. The events of the story are interesting; the characters, if a bit one-note, provide a fascinating point of view (for a capitalist American like me). And if nothing else, the setting is stunning. Abel's images of the city and foliage are gorgeous.

But this isn't a graphic novel I would recommend to first-time comics readers.