Product Description

Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience.

In Story, McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.

Product Details

• Amazon Sales Rank: #1874 in Books
• Published on: 1997-12-17
• Released on: 1997-11-25
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 480 pages

Amazon.com Review
Writing for the screen is quirky business. A writer must labor meticulously over his or her prose, yet very little of that prose is ever heard by filmgoers. The few words that do reach the audience, in the form of the characters' dialogue, are, according to Robert McKee, best left to last in the writing process. ("As Alfred Hitchcock once remarked, 'When the screenplay has been written and the dialogue has been added, we're ready to shoot.' ") In Story, McKee puts into book form what he has been teaching screenwriters for years in his seminar on story structure, which is considered by many to be a prerequisite to the film biz. (The long list of film and television projects that McKee's students have written, directed, or produced includes Air Force One, The Deer Hunter, E.R., A Fish Called Wanda, Forrest Gump, NYPD Blue, and Sleepless in Seattle.) Legions of writers flock to Hollywood in search of easy money, calculating the best way to get rich quick. This book is not for them. McKee is passionate about the art of screenwriting. "No one needs yet another recipe book on how to reheat Hollywood leftovers," he writes. "We need a rediscovery of the underlying tenets of our art, the guiding principles that liberate talent." Story is a true path to just such a rediscovery. In it, McKee offers so much sound advice, drawing from sources as wide ranging as Aristotle and Casablanca, Stanislavski and Chinatown, that it is impossible not to come away feeling immeasurably better equipped to write a screenplay and infinitely more inspired to write a brilliant one.--Jane Steinberg

From AudioFile
McKee, who reads his own book of advice for aspiring screenwriters, has given seminars based on this material. In an expansive, occasionally lecturing, tone the author addresses the principal ingredients of good screenwriting and amply illustrates his points with examples from classic films to modern ones, which is interesting. McKee sounds a bit lofty at times, and it's impossible to avoid the feeling that you're being warned about errors you're going to make anyway. However, McKee's advice is very apt and given in an interesting way: as though he is on a spot-lit stage delivering a well-polished presentation to a group of aspiring writers, among whom you are one. J.C.G. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine

Review
"... stimulating, innovative, refreshingly practical." -- -- Lawrence Kasdan, Director

"...the best guide on writing you can find." -- Laurence Chollet, The Record, Northern New Jersey

"In difficult periods of writing, I often turn to Robert McKee's wonderful book for guidance" -- -- Dominick Dunne, Novelist

"McKee is the Stanislavski of writing." -- -- Dennis Dugan, Writer, NYPD Blue

"[Story is]an excellent instruction manual on the craft of storytelling." -- Austin American-Statesman

"... stimulating, innovative, refreshingly practical." -- Lawrence Kasdan, Director

"In difficult periods of writing, I often turn to Robert McKee's wonderful book for guidance" -- Dominick Dunne, Novelist

"McKee is the Stanislavski of writing." -- Dennis Dugan, Writer, NYPD Blue

"to the people who write, direct and produce for Hollywood - or desperately wish they did - Bob McKee is a cross between E. F. Hutton and Sun Myung Moon. The man speaks, and people start to take furious notes - he is now the undisputed screenwriting king... for the legendary screenwriting boot camp that he runs. Thirty-thousand aspiring screenwriters have already taken McKee's 30-hour, three-day course..." -- Newsday

Customer Reviews

Essential reading for any writer
I've read a lot of fiction help books, but most of them are geared at the mechanics and tricks of fiction. None of them, in my opinion, philosophically tackles the concept of story telling and how stories work. Instead, they give tips and techniques like "put in rising conflict" or "make your characters likeable"
In STORY, Rob McKee tells us, from a conceptual, historical & technical view, what story is, how it works and how to make it work. He writes with authority and depth. It is clear that the man has put a tremendous amount of thought into the subject and that he genuinely cares about good story telling.
I have gained a lot of insight from this book. Almost every paragraph has something to take away from it. I'd definitely recommend this book, to both prose and screen writers.

Invaluable Resource
This is the only book on screenwriting I have read thus far, and, frankly, it would take a lot for me to read another. I have gained invaluable understanding of the screenwriting process with this book. I reference it continuously and am not disappointed. I find McKee's advice to be straight forward, easy to understand, and adapt.

Beware of the Snake Oil Salesman
I'm sorry but I find it almost insulting that someone would stand up on an orange box and preach about a subject that he knows NOTHING about. To me that's the definition of a scam artist.

I have dozens upon dozens of screenwriting books and most of them are mediocre at best. The problem: Most are also written by people who haven't sold anything! How do these publishing companies keep allowing these non-screenwriters to publish books about screenwriting?

Ask yourself this: If you are trying to put together a model airplane, would you read the instructions by someone who has never done it before? If you were trying to rebuild a carburetor, would you read the book by the dude who knows nothing about cars or carburetors?

No, you wouldn't! (I hope.)

After wasting so much money on these wannabe snakeoil salesmen who are selling books about writing and yet have never sold anything, I've learned to stick with ONLY those who have been successful. After all, many of us who are aspiring to make it as writers don't want to read about other wannabe's 'theories' on how to make it as a writer, do we?

I've found two successful screenwriters who are worth reading: Blake Snyder and Cynthia Whitcomb. Their books are exceptional and worth reading several times over.

My advice: Instead of wasting your time reading books by people who TEACH and DON'T DO, find books only by people who have actually done it and are successful. Why read anything else? Doesn't make sense, does it?

Regarding Robert McKee, the guy hasn't 'done it' so why bother with him to begin with? If his 'theories' are so fabulous then why hasn't he been successful? Theories sound nice on paper but unless they are workable and something you can actually be successful with, they're worthless.

I just feel sorry for all the people who have been duped by McKee and who think the guy knows what he's talking about. Being that blinded could easily set your career back a decade or more. Beware of the snakeoil salesman. He can make you believe you are on the right track when really you are wasting a ton of time.