Product Description

Douglas Coupland takes his sparkling literary talent in a new direction with this crackling collection of takes on life and death in North America -- from his sweeping portrait of Grateful Dead culture to the deaths of Kurt Cobain, Marilyn Monroe and the middle class.

For years, Coupland's razor-sharp insights into what it means to be human in an age of technology have garnered the highest praise from fans and critics alike. At last, Coupland has assembled a wide variety of stories and personal "postcards" about pivotal people and places that have defined our modern lives. Polaroids from the Dead  is a skillful combination of stories, fact and fiction -- keen outtakes on life in the late 20th century, exploring the recent past and a society obsessed with celebrity, crime and death. Princess Diana, Nicole Brown Simpson and Madonna are but some of the people scrutinized.

Product Details

• Amazon Sales Rank: #328706 in Books
• Published on: 1997-10-29
• Released on: 1997-09-20
• Number of items: 1
• Binding: Paperback
• 208 pages

Amazon.com
A collection of essays by Douglas Coupland, whose first novel Generation X received critical acclaim. In his mid-30s, Coupland writes about what it means to grow up and the realization that he is not young anymore. Essays include observations on parents his age at Grateful Dead concerts who seem intent on preserving a youthful reckless and carefree lifestyle at the expense of their children, to the "gristled leather bachelors" and "straw-permed sex androids from Planet 1971," to mourning his own sense of youthfulness as he revisits old haunts in his native Vancouver.

From Publishers Weekly
A cult writer for the disaffected (Generation X), Coupland combines manic poetry and scary precision in his dazzling, deft takes on modern life and non-living. Illustrated with 42 b&w photographs, this collection of 24 mini-essays and short fictions (all but three of which ran in Spin, New Republic, etc.) opens with several pieces on a series of Grateful Dead concerts that will mainly interest Deadheads, but it picks up speed as Coupland roams the former East Berlin in 1994; files a bittersweet, sunset-drenched dispatch from the Bahamas; meditates on James Rosenquist's enormous pop painting F-111; visits the nuclear tourist sites of Los Alamos; and spies on yuppies and political consultants in seamy Washington, D.C. In Palo Alto and in his native Vancouver, Coupland celebrates middle-class stability, which he views as a fragile construct that shields us from our animal nature. The "secular nirvana" of Brentwood, Los Angeles, to him seems an inevitable site for the O.J. Simpson/Nicole Brown saga and for Marilyn Monroe's death. Coupland teaches survival of the hippest as the world plunges toward a "new thought-based economy." $100,000 ad/promo; translation rights: HarperCollins.
Copyright 1996 Reed Business Information, Inc.

The New York Times Book Review, M. G. Lord
... searing and unforgettable ...

Customer Reviews

Take a picture
Skeleton fairy tales. Deadheads. Youths who hang around cemetaries. Marilyn Monroe. Fires. All these crop up in Douglas Coupland's atmospheric collection of essays and short stories, "Polaroids From the Dead," topped by the picture of a curiously blank-faced Sharon Tate.

Coupland populates "Polaroids" with people who contemplate the past, and how it fringes on the present: mothers telling their children parables, an older woman revelling in a Dead concert, a younger group observing aging hippies. And he himself is in quite a bit of it. There are essays on Brentwood (the site of Marilyn Monroe's mysterious death), a trip to Germany post-Berlin Wall, a letter to late rocker Kurt Cobain, descriptions of Palo Alto, and musings on the human preoccupations with crime, celebrities, fame, aging, death, and dead celebrities.

"Polaroids From The Dead" seems like an apt title for this book. Each short story isn't really a story. There's no true beginning and no end. It's just a snippet that shows the outlook and some of the life of the people in it, and their thoughts. While this type of writing is very vivid while you're actually reading it, it makes the characters difficult to remember later. Likewise, the essays show one of the facets of Coupland's outlook. It's pensive, a little sad at times, and at other times just provokes your thoughts and makes you wonder.

Likewise, the black-and-white photographs sprinkled through the book are curiously intimate; some of them (like a burning stick of dynamite) don't make sense until you're partway through the story. OJ and Nicole, models of T-Rexes, the Vietnam monument, flowers and skeletons turn up in the photographs. They don't add a great deal, except perhaps to underline the words Coupland writes.

"Polaroids From The Dead" is a collection of snapshots of all kinds -- photos, experiences, and stories. Meditative, melancholy and atmospheric.

Polaroids from an amazing author
Every time I pick up a Coupland book I am always pleasantly surprised. Polaroids is a quick and easy read. The sections are split up into 5-10 page short stories. These small pieces are set in three parts. The first being short observations of the many different people you would find at a greatful dead concert. Coupland delves into the reasons each person comes to the concert and their daily lives outside of it. He compares the opinions of true hippies to wanna-be hippies. There is a charming tale near the end of this section that is told by a mother to her children as they wait for their father to finish watching the show.

The second part is a variety of observations that range from the majestic beauty of the Lions Gate Bridge in Vancouver, Canada to postacards from friends and a painting of an F-111 that speaks to the author on a spiritual level.

The Last section brings us to Brentwood, California. This section shows us many different ways of looking at Brentwood. Coupland lists advertising displays, answers the question: what sort of person lives in Brentwood, The relationship between Brentwood and O.J.Simpson, the colors that are predominant in Brentwood, etc..etc..

This amusing book makes one take a harder look at people and their surroundings. It asks you the questions no one else bothers to ask: "Who are these people around me and why do they do the things they do?" I was quite pleased with this book and would recommend it to anyone who enjoys reading social commentary.

Also recommended: THE LOSERS' CLUB by Richard Perez

DeadHeads, Baby
I enjoyed this book. It's not as strong as Generation-X or Shampoo Planet, but the prose style is in the same vent. The letter to Kurt Cobain here is the most interesting, especially for those of us who miss him and love his music.

But Coupland's FUN "expose" of Bay Area culture, especially DeadHead culture, is right on. Anyone who has walked down Telegraph Ave. in Berkeley will smile upon reading the opening paragraphs here. And anyone who has seen (or been around) any of the Deadhead carnivals around the Greek Theater in Berkeley will also laugh and smile knowingly....

This is a groovy book, baby.