Product Description

In Barcelona, an aging Brazilian prostitute trains her dog to weep at the grave she has chosen for herself. In Vienna, a woman parlays her gift for seeing the future into a fortunetelling position with a wealthy family. In Geneva, an ambulance driver and his wife take in the lonely, apparently dying ex-President of a Caribbean country, only to discover that his political ambition is very much intact.

In these twelve masterly stories about the lives of Latin Americans in Europe, García Márquez conveys the peculiar amalgam of melancholy, tenacity, sorrow, and aspiration that is the émigré experience.

Product Details

• Amazon Sales Rank: #134873 in Books
• Published on: 2006-11-14
• Released on: 2006-11-14
• Original language: English
• Number of items: 1
• Binding: Paperback
• 208 pages

Features

• ISBN13: 9781400034697
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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From Publishers Weekly
In 12 poignant stories, Garcia Marquez describes the turbulent lives of Latin Americans adrift in Europe.
Copyright 1994 Reed Business Information, Inc.

From Library Journal
The Nobel prize-winning author Garcia Marquez has collected a dozen of his stories about Latin Americans in Europe, most of which, although magical, end on an unsettling note. Thus, an expatriate ex-president is recognized by an ambulance driver bent on exploitation; a man travels from Colombia to Rome with a cello case to see the pope; a woman with car trouble finds herself trapped in a mental institution; a prostitute plans her funeral. The plots are simple, but the character study and use of language is incisive. Highly recommended for public and academic libraries. Previewed in Prepub Alert, LJ 6/15/93.
- Ann Irvine, Montgomery Cty. P.L., Md.
Copyright 1993 Reed Business Information, Inc.

From Kirkus Reviews
Of the entire generation of Latin-American Boom writers, Garc¡a M rquez (The General and His Labyrinth, 1990, etc.) has shied away the most from writing about the expatriate experience he and his peers have so determinedly lived for decades. This book of 12 stories redresses that somewhat forced oddness. A lot is slight here, mere sketchery (Garc¡a M rquez admits in the preface that a number of the tales are reworkings of journalistic pieces or screenplays): ``Sleeping Beauty and the Airplane'' recounts a transatlantic flight with a beautiful stranger in the next seat, sound asleep and paying the infatuated narrator no mind; ``I Sell My Dreams'' is mostly an excuse for a portrait of Pablo Neruda; ``Tramontania'' pays homage to the madness-making wind of the Costa Brava in the form of a Maupassant-ish anecdote (much here, in fact, is reminiscent of Maupassant: little details that bloom into destinies). But included here are also two masterpieces. ``Maria dos Prazeres''--the story of an old whore's mistaken premonition of death--is woven with those fluorescent touches that Garc¡a M rquez is known for (the interior of a car ``smelled of refrigerated medicine'') and with a leisure of wonder that, happily, never seems strained. The other classic is ``The Trail of Your Blood in the Snow''--as acidic a portrait of French inhumanity as satire can accomplish, but also a wizardly capsule of the strangeness all travelers feel and only sometimes can surmount. Garc¡a M rquez's generosity more than his effect-making is at deepest play in both- -and they do his career great credit. (First printing of 75,000) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Customer Reviews

Easy to read, difficult to forget
In twelve short stories, Garcia Marquez proves that he is not only capable of writing deeply, he is capable of writing concisely. The stories in this book are extremely thought provoking, relating to the human spirit and little oddities about people.

There is one story in particular that I will not forget. It is about a woman who gets stranded with a flat tire, and hitches a ride with a bus to a mental institution. The story unfolds from there, and I don't think I have ever felt so deeply troubled by a single story like I was in this case. Of the twelve stories, I liked 8 or 9, the others were a little boring (or maybe I did not get them). I highly recommend it, especially for those who do not have the patience to read GM's "One Hundred Years of SOlitude" and would like an intro to the author.

The twilight zones of Garcia Marquez
As I read "Strange Pilgrims," the collection of short stories by Colombian-born Gabriel Garcia Marquez, I was reminded of the classic television series "The Twilight Zone." Like some of the best episodes in that series, many of the stories in "Strange Pilgrims" are rich in irony and psychological intrigue, and incorporate elements of the macabre and the fantastic. And many of the stories have twist endings. This collection has been translated into English by Edith Grossman.

These stories deal with Latin Americans on voyages, for various reasons, to Europe. The book thus has a trans-Atlantic, international feel. Highlights of the collection include "Bon Voyage, Mr. President," about a deposed head of state seeking medical attention in Switzerland; "The Saint," a supernatural tale of a father seeking canonization of his daughter from the Pope; the creepy "The Ghosts of August"; and the grotesque "Seventeen Poisoned Englishmen."

Throughout the book Garcia Marquez presents many images that are beautiful or disturbing, but often memorable: a drowned man floating with "a fresh gardenia in his lapel," a moray eel nailed to a door, a bedspread stiff with the dried blood from a murder. An added bonus is the appearance of Chilean poet Pablo Neruda as a fictional character in one of the tales. "Strange Pilgrims" is a varied collection of weird treats from a master storyteller.

Colombian Magical Realism Hits Europe
I wonder if Garcia-Marquez is capable of writing a bad story. Certainly this selection of twelve are like polished gemstones. They might not be shiny or scintillating, but they are so solid, so satisfying. Each of them centers around Latin Americans, mostly Colombians, and their strange experiences in Europe. Back in South America, they move in familiar patterns, they feel at home, but in Europe, unknown and unseen forces affect them, they are prey to the pitfalls of strangeness, they can't see anything coming until it runs them over. While the gigantic geography, turbulent history, and luxuriant and untamed nature of South America fosters magical realism in authors, at least in Garcia-Marquez and some of the other greats, they also produce characters very much larger than life. Europe has always seemed to me a much tamer place, having reduced uncertainty over centuries--- more set in its ways, with fewer surprises, established, sedate. Garcia-Marquez perhaps sees it in a similar way and it unnerves his Latin American protagonists. An ex-dictator lives in a student garret, sells his jewels, and undergoes a useless operation. A woman disappears "by accident" into a mental institution and a playboy dithers in a cheap Paris hotel, not knowing a word of French, while his young wife dies in a hospital. A postal clerk spends years trying to see the Pope to convince him of his daughter's saintly qualities. He lugs the deceased but uncorrupted daughter around in a huge case. An aged ex-prostitute feels death is at her door, but actually it is something else. Nobody really feels at home, nobody can trust their feelings, because everything works differently. Europe isn't exactly an alien place for them, but they are, each time, unwitting victims of the unexpected.

Garcia-Marquez is one of those authors who seem to write about ordinary people whose lives take strange twists. But the worlds they inhabit, the people around them, the very fabric of their existence seem to me utterly fantastic. His talent lies not in presenting ordinary life, but extraordinary life. You accept a little more, a little more until suddenly you find yourself believing in the unbelievable. In the great warrens of Western civilization, but also in the daily grinds of Asia, Africa, or Latin America, life may take interesting paths, or curious twists, but for the most part, it is very predictable. These stories all have only the veneer of predictability; underneath the realism is full of spooky holes. Yet, that is not only due to a magical tone as in novels like "The Autumn of the Patriarch" or "One Hundred Years of Misunderstanding", it is due to the author's constant combination of known daily life with near-fantasy. You can hardly draw the line between them, so closely does he knit. Great stories by a truly great talent. Read them.