Product Description

Staring unflinchingly into the abyss of slavery, this spellbinding novel transforms history into a story as powerful as Exodus and as intimate as a lullaby. Sethe, its protagonist, was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe’s new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Filled with bitter poetry and suspense as taut as a rope, Beloved is a towering achievement.

Product Details

• Amazon Sales Rank: #8891 in Books
• Published on: 2004-06-08
• Released on: 2004-06-08
• Original language: English
• Number of items: 1
• Binding: Paperback
• 352 pages

Features

• ISBN13: 9781400033416
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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Amazon.com Review
In the troubled years following the Civil War, the spirit of a murdered child haunts the Ohio home of a former slave. This angry, destructive ghost breaks mirrors, leaves its fingerprints in cake icing, and generally makes life difficult for Sethe and her family; nevertheless, the woman finds the haunting oddly comforting for the spirit is that of her own dead baby, never named, thought of only as Beloved.

A dead child, a runaway slave, a terrible secret--these are the central concerns of Toni Morrison's Pulitzer Prize-winning Beloved. Morrison, a Nobel laureate, has written many fine novels, including Song of Solomon, The Bluest Eye, and Paradise--but Beloved is arguably her best. To modern readers, antebellum slavery is a subject so familiar that it is almost impossible to render its horrors in a way that seems neither clichéd nor melodramatic. Rapes, beatings, murders, and mutilations are recounted here, but they belong to characters so precisely drawn that the tragedy remains individual, terrifying to us because it is terrifying to the sufferer. And Morrison is master of the telling detail: in the bit, for example, a punishing piece of headgear used to discipline recalcitrant slaves, she manages to encapsulate all of slavery's many cruelties into one apt symbol--a device that deprives its wearer of speech. "Days after it was taken out, goose fat was rubbed on the corners of the mouth but nothing to soothe the tongue or take the wildness out of the eye." Most importantly, the language here, while often lyrical, is never overheated. Even as she recalls the cruelties visited upon her while a slave, Sethe is evocative without being overemotional: "Add my husband to it, watching, above me in the loft--hiding close by--the one place he thought no one would look for him, looking down on what I couldn't look at at all. And not stopping them--looking and letting it happen.... And if he was that broken then, then he is also and certainly dead now." Even the supernatural is treated as an ordinary fact of life: "Not a house in the country ain't packed to its rafters with some dead Negro's grief. We lucky this ghost is a baby," comments Sethe's mother-in-law.

Beloved is a dense, complex novel that yields up its secrets one by one. As Morrison takes us deeper into Sethe's history and her memories, the horrifying circumstances of her baby's death start to make terrible sense. And as past meets present in the shape of a mysterious young woman about the same age as Sethe's daughter would have been, the narrative builds inexorably to its powerful, painful conclusion. Beloved may well be the defining novel of slavery in America, the one that all others will be measured by. --Alix Wilber

From Publishers Weekly
Mixed with the lyric beauty of the writing, the fury in Morrison's (Song of Solomonp latest book is almost palpable. Set in rural Ohio several years after the Civil War, this haunting chronicle of slavery and its aftermath traces the life of a young woman, Sethe, who has kept a terrible memory at bay only by shutting down part of her mind. Juxtaposed with searing descriptions of brutality, gradually revealed in flashbacks, are equally harrowing scenes in which fantasy takes flesh, a device Morrison handles with consummate skill. The narrative concerns Sethe's former life as a slave on Sweet Home Farm, her escape with her children to what seems a safe haven and the tragic events that ensue. The death of Sethe's infant daughter Beloved is the incident on which the plot hinges, and it is obvious to the reader that the sensuous young woman who mysteriously appears one day is Beloved's spirit, come back to claim Sethe's love. Sethe's surviving daughter, Denver, immediately grasps the significance of Beloved's return and so does Paul Dno period after D, another escapee from Sweet Home; but Sethe herself resists comprehension, and, as a result, a certain loss of tension affects the latter part of the narrative. But this is a small flaw in a novel full of insights, both piercing and tender, with distinctive, memorable characters, flowing prose that conveys speech patterns with musical intensity and a brilliantly conceived story. As a record of white brutality mitigated by rare acts of decency and compassion, and as a testament to the courageous lives of a tormented people, this novel is a milestone in the chronicling of the black experience in America. It is Morrison writing at the height of her considerable powers, and it should not be missed. BOMC main selection.
Copyright 1987 Reed Business Information, Inc.

From Library Journal
Powerful is too tame a word to describe Toni Morrison's searing new novel of post-Civil War Ohio. Morrison, whose myth-laden storytelling shone in Song of Solomon and other novels, has created an unforgettable world in this novel about ex-slaves haunted by violent memories. Before the war, Sethe, pregnant, sent her children away to their grandmother in Ohio, whose freedom had been paid for by their father. Sethe runs too, but when her "owners" come to recapture her, she attempts to murder the children, succeeding with one, named Beloved. This murder will (literally) haunt Sethe for the rest of her life and affect everyone around her. A fascinating, grim, relentless story, this important book by a major writer belongs in most libraries. Ann H. Fisher, Radford P.L., Va.
Copyright 1987 Reed Business Information, Inc.

Customer Reviews

"That woman is crazy, [but] ain't we all?"
In this Pulitzer Prize-winning novel of 1988, Toni Morrison frees herself from the bonds of traditional narrative and establishes an independent style, just as her characters have freed themselves from the horrors of slavery and escaped from Kentucky to Ohio. Revealing the story of Sethe and her family as they survive the brutality of the farm, only to encounter torments even more punishing than whippings after they escape, Morrison presents scenes in a seemingly random order, each scene revealing some aspect of life for Sethe, her boys, her dead baby Beloved, and the new baby Denver, both in the past and in the present. Moving back and forth, around, and inside out through Sethe's recollections, she gradually reveals Sethe's story to the reader, its horror increasing as the reader makes the connections which turn disconnected scenes into a powerful and harrowing chronology.

As the novel opens, Sethe and Denver have lived in #124, a house in Ohio, for eighteen years, refusing to socialize and enjoying no company. When Paul D. Garner, one of the Sweet Home men and a friend of her long-missing husband, arrives on her doorstep and moves in, Sethe slowly reveals her long-buried nightmares, and the two share their stories of the events leading up to their escape. Most haunting to Sethe is the death of her young daughter Beloved, shortly after the escape from the farm, though the reader does not know for many pages the shocking manner of her death. When a ghostly figure who calls herself Beloved arrives at #124, shortly after Paul D., Morrison creates mystery and a heart-stoppingly tense atmosphere when Beloved moves in. As Beloved gradually takes over the household and seems to demand and then possess Sethe's soul, the sorrow which has burdened Sethe seems close to breaking her.

The sadism of some slave-owners, the devices used to torture, and the desperate measures some slaves took to protect themselves and their loved ones come fully alive here, the horrors growing as the reader gradually discovers the real source of Sethe's torment. By forcing the reader to make the connections, instead of spelling out details in a traditional narrative, Morrison strengthens the impact of the novel and its brutal revelations. Symbols of water, rain, snow, and ice connect the disparate scenes, and the use of shadows and the ghostly character of Beloved keep the reader on tenterhooks until the action is eventually resolved. A powerful, atmospheric, and shocking novel, Beloved is also a searing indictment of slavery and the damage it has done to the fabric of life, damage that cannot be repaired until it is fully recognized through novels such as this. n Mary Whipple

not a story to pass on...
You will not only find this novel difficult to put down, you will find it difficult to put out of your head. I have had wonderful--often heated and wildly divergent--discussions of this novel in both my Lit. classes and my bookclub. I would urge anyone who reads this book to seek out other readers to discuss it with--you will probably be surprised at their interpretation of symbols or events in the story. While Morrison depicts the devestating repercussions of slavery, the story is not completely bleak, and it gets even better with every re-reading. Even without discussion, the prose is challenging but rewarding, and the story is unforgettable. Put this novel on your "must read" list.

The Power of One Mother's Love
What kind of mother would deliberately cause the destruction of her own beloved child? This is the question Pulitzer and Nobel Prize winner (and probably the greatest woman novelist of the twentieth century), Toni Morrison, explores in her rich, densely-layered novel, Beloved.

Set after the end of the Civil War, when slaves were freed by emancipation, but still victims of random acts of violence, the book also serves as a metaphor for the legacy of slavery and asks the chillingly relevant question: Why is the leading cause of death among young, African-American men murder by another black?

Beloved's protagonist is Sethe, an escaped slave and mother of four. Her joy at successfully escaping her former master while pregnant and giving birth before finally finding refuge at her spiritually-nourishing mother-in-law's home, vanishes a mere twenty-eight days later.

The sight of a cruel white slave owner's hat sends Sethe and her children running to a woodshed where she is forced to confront demons no loving mother should ever have to face.

Sethe's demons do not disappear when she emerges from the woodshed, however, and settles down in a small Ohio town. Instead, they remain to both haunt her and help her to understand the violence that occurred so many years previously.

Morrison, as skillful a storyteller as ever lived, spins a gorgeously heartbreaking tale in Beloved, and one whose plot is impossible to predict. With a mastery of language given to only a few, this extraordinarily talented author weaves subplot upon subplot and brings each exquisitely created character to life.

There is Paul D, another slave who escaped from the same plantation as did Sethe but who has not seen Sethe for more than a decade when he once again encounters her and the two of them contemplate what they hope will finally be a bright future for both.

There is Denver, Sethe's daughter, a troubled and isolated teenager whose life encompasses little more than her immediate surroundings and whose social interactions have dwindled down to embrace only her mother and the ghost of her long-dead sister.

And then, there is Beloved, the centerpiece of this exquisitely wirtten, lyrically beautiful book.

While Sethe appears to embrace a logic that says, "Before the while man destroys you, let me do it," Morrison, herself, tells us that it is time for us to look beyond the past and move on.

Today, more than twenty years after the passage of the Civil Rights Act, African Americans are, in many ways, worse off than they were before. The question plaguing most black Americans seems to be whether to cast their lot with the whites of the community or to separate, turn inward and seek their own redemption...alone.

In Beloved, Morrison uses the character of Ella, one of the leaders of her small Ohio community, to metaphorically explore this issue. "Whatever Sethe had done, Ella didn't like the idea of past errors taking possession of the present...Daily life took as much as she had. The future was sunset; the past was something to leave behind. And if it didn't stay behind, well, you might have to stomp it out. Slave life; freed life; every day was a test and trial. Nothing could be counted on in a world where even when you were a solution you were a problem. 'Sufficient unto the day is the evil thereof,' and nobody needed more; nobody needed a grown up evil sitting at the table with a grudge. As long as the ghost showed out from its ghostly place, shaking stuff, crying, smashing and such--Ella respected it. But if it took flesh and came in her world, well, the shoe was on the other foot. She didn't mind a little communication between the two worlds, but this was an invasion."

Beloved is first and foremost a brilliantly crafted and mesmerizing story, faultlessly told by one of the world's most gifted storytellers. It is a story of ghosts--those that haunt Sethe and those that haunt all of us. Beloved is not magic realism, nor does it contain elements of magic realism. Magic realism, by its very nature, requires that the fantastic be accepted as mundane by those experiencing it. There is certainly nothing mundane about Morrison's ghost and her acceptance by Sethe.

Although most of the novel's characters ostracize Sethe and blame her for her past, Morrison, herself, does not. Instead, she wisely extends a vision of harmony to the black community that exhorts them to let go of their past, no matter how painful, and move ahead.

Beloved and Sethe must, eventually, come to terms with the past and with each other, just as the community must come to terms with itself.

In the end, Beloved's protagonists decide on different paths to follow, some of which are quite surprising, although always heart-rending.

Morrison, however, remains true to the vision she created in Beloved: those who cannot let go of the past will ultimately self-destruct; those who can respect its lessons and mourn its loss but not feel indebted to right its wrongs, will find themselves endowed with unexpected, joyous freedom.