Product Description

The future isn’t what it used to be since Richard K. Morgan arrived on the scene. He unleashed Takeshi Kovacs–private eye, soldier of fortune, and all-purpose antihero–into the body-swapping, hard-boiled, urban jungle of tomorrow in Altered Carbon, Broken Angels, and Woken Furies, winning the Philip K. Dick Award in the process. In Market Forces, he launched corporate gladiator Chris Faulkner into the brave new business of war-for-profit. Now, in Thirteen, Morgan radically reshapes and recharges science fiction yet again, with a new and unforgettable hero in Carl Marsalis: hybrid, hired gun, and a man without a country . . . or a planet.

Marsalis is one of a new breed. Literally. Genetically engineered by the U.S. government to embody the naked aggression and primal survival skills that centuries of civilization have erased from humankind, Thirteens were intended to be the ultimate military fighting force. The project was scuttled, however, when a fearful public branded the supersoldiers dangerous mutants, dooming the Thirteens to forced exile on Earth’s distant, desolate Mars colony. But Marsalis found a way to slip back–and into a lucrative living as a bounty hunter and hit man before a police sting landed him in prison–a fate worse than Mars, and much more dangerous.

Luckily, his “enhanced” life also seems to be a charmed one. A new chance at freedom beckons, courtesy of the government. All Marsalis has to do is use his superior skills to bring in another fugitive. But this one is no common criminal. He’s another Thirteen–one who’s already shanghaied a space shuttle, butchered its crew, and left a trail of bodies in his wake on a bloody cross-country spree. And like his pursuer, he was bred to fight to the death. Still, there’s no question Marsalis will take the job. Though it will draw him deep into violence, treachery, corruption, and painful confrontation with himself, anything is better than remaining a prisoner. The real question is: can he remain sane–and alive–long enough to succeed?

Product Details

• Amazon Sales Rank: #279215 in Books
• Published on: 2007-06-26
• Released on: 2007-06-26
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 560 pages

From Publishers Weekly
Starred Review. This stellar new stand-alone from Morgan, known for his compelling future noir thrillers (Altered Carbon, etc.), raises tantalizing questions about the nature of humanity. Future governments have used genetic manipulation to create subhumans twisted to fit specialized tasks. Normal people are intrigued as well as repulsed, but they instinctively dread variation thirteen, an aggressive, ruthless throwback to a time before civilization. When a thirteen escapes from exile on Mars and apparently goes on an insane killing spree, Carl Marsalis, a soul-weary freelance thirteen hit man, is hired to help track him down. Morgan goes beyond the SF cliché of the genetically enhanced superman to examine how personality is shaped by nature and experience. Marsalis is more empathetic than the normal people around him, but they can see him only as an untrustworthy killer. At the same time, surveying corrupt, fractured normal society, the novel questions whether the thirteens are just less successful at hiding their motives. Without slowing down the headlong rush of the action, the complex, looping plot suggests that all people may be less—or more—than they seem. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Winner of the Philip K. Dick Award for Altered Carbon (see below), his debut novel, and the author of successful follow-ups Broken Angels (**** July/Aug 2004) and Woken Furies, as well as the stand-alone Market Forces (*** May/June 2005), Richard K. Morgan and his characters are hardly strangers to violent dystopias. Thirteen, published simultaneously in Britain as Black Man, tackles some difficult issues, including race and identity. The result is perhaps less compelling than some of Morgan's previous work, and the novel could have been shorter. Still, the author can hardly be accused of simply retreading familiar ground. Thirteen is a solid effort for Morgan's devotees, as well as a good read for fans of military sci-fi with a twist.

Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
*Starred Review* Carl Marsalis, a genetically engineered soldier (a "variant thirteen"), is busted out of jail to help track down a serial murderer who escaped from the Mars colony and crash-landed a spaceship into the ocean--but not before killing and eating everyone onboard. Now the psychopath is on a rampage, slaughtering seemingly unconnected innocents with no apparent reason or pattern. Partnered up with a female Colony Initiative investigator, Carl soon learns that finding his prey will take him to places he would rather not visit and will teach him things about his own past that he would rather not know. Published in England and Canada under its original (and more appropriate) title, Black Man, this is another spectacular blending of noir and SF from the author of the Takeshi Kovacs series. It's set in the early years of the twenty-second century, and behind its science-fiction facade it's a keenly observed story of prejudice, of a man separated from the rest of humanity by his physical appearance and his genetic makeup. Morgan's vision of the world a century from now is rather bleak, but it seems to be a reasonable extrapolation from today's social/religious/political trends. The prose, as always, is hard-edged and often violently graphic, and the dialogue punchy and realistic. In Morgan's future, people act and talk pretty much like they do today--and they certainly curse like they do today. Similarities in tone and substance to the genre-bending works of Philip K. Dick and (to a lesser extent) William Gibson are surely not accidental, although Morgan is no imitator. He's too good for that. David Pitt
Copyright © American Library Association. All rights reserved

Customer Reviews

A mixed bag
I'm having a hard time coalescing my thoughts on this one. On the one hand, my first thought midway through the book was that someone ought to get on the job of making "13" tee shirts. On completing the book, I wanted to go get that tee shirt, wear it to the mall and stare down anyone who questioned me - just because. In fact, just as Fight Club spawned imitation clubs around the nation, I thought that there are still Thirteen personality types running about, and they might start to form informal networks to combat the influence of the Cudlips (as incongruous as that might sound). I conclude in some respects, the book is extremely compelling.

In other respects, although a huge fan of Mr. Morgan's earlier work (Altered Carbon is one for the ages) I think Market Forces was kind of a miss, and Thirteen, although a compelling read, didn't quite take it over the edge either. There were several stylistic problems - names too close to each other, different characters referenced by the same name - which didn't appear in his earlier works, and a lot of the promised and implied consideration of race, gender, identity and even species didn't seem fully developed. A lot of the characters have seemingly identical experiences (illegal pregnancy - with a child of a Thirteen; waking up early on the Mars flight) but whether this was deliberate or intended to draw comparisons or contrasts seemed unresolved. Marsalis could have been Kovacs' spiritual great-great grandfather when it comes to choices of weapons and problem-solving techniques, but given those tendencies, the plot developments seemed predictable. There is still an interesting murder-mystery underlying everything, but since the protagonist's approach to investigation is reminiscent of a pinball smacking into various bumpers and being flung about, there is little subtlety.

On balance, Thirteen is worth reading and it will leave you with a bit to think about at the end. I'd recommend it for anyone who hasn't read Altered Carbon already as a sort of primer, but it's a slight step down, hence one star less.

Ambitious new novel by Morgan is flawed but enjoyable 3 1/2 stars
First I have to give credit to writer Richard K. Morgan for his latest novel THIRTEEN; Morgan's latest novel is an ambitious affair tackling a lot of major themes with some of his most complex characters to date. Morgan's latest is very good a lot of the time but some of the subplots don't gel and actually slow down the main narrative without adding much substance to it. Even if THIRTEEN isn't a perfect novel, it demonstrates that Morgan's skills as a writer are continuing to grow.

A summary of the plot follows:

When a shuttle between Mars and Earth crash lands in the Pacific Ocean with body partsfrom the passengers strewn throughout the ship, COLONY Executives Sevgi Eretkin and senior partner Tom Norton are called in to investigate and find out which passenger woke up prematurely, used the autosurgeon to cut up and eat all the sleeping passengers. They discover that a Thirteen a genetically enhanced soldier that had been banished to Mars (or to a resettlement area)after they were no longer useful and deemed a threat was behind the murders eating the crew because his sleeping chamber opened prematurely. Now he is on a killing spree and they aren't sure why.

They partner up with Carl Marsalis another Thirteen who makes a living hunting other Thirteens and either bringing them in for resettlement or killing them. Seen as a traitor to his own kind and never accepted by humanity, Marsalis is a bruised outcast who tries to do the right thing while surviving in a world where he's not welcome. When it comes to light that the escaped Thirteen Alan Merrin had help in escaping and that he's part of a far larger plan, Marsalis and Ertekin feel compelled to track him down and find out the larger truth behind his escape.

End of summary:

At over 500 pages Morgan attempts to create a character as compelling as his protagonist Takeshi Kovacs the anti-hero of three of Morgan's five novels. While Carl Marsalis is, indeed, an interesting character equally as flawed as Kovacs, the story that Morgan has here careens out of control at time. The convoluted story takes a little too long to get going and once it does the shifting from one subplot to another isn't as smooth as some of his other novels. Morgan's world here is just as brutal and uncompromising as the world(s)that Kovacs inhabits with its noirish touches. The mystery at the heart of the novel just isn't quite as compelling and the plot strands don't hold together quite as well as his previous books.

THIRTEEN is still an enjoyable novel and worthwhile for those patient enough to follow Morgan's ambitious novel to its conclusion. The main drawback to the novel is that Morgan's many supporting characters aren't quite as compelling as his anti-hero Marsalis and we spent too much time with them. THI1RTE3N is a flawed but very good book that Morgan fans will enjoy. I'd suggest ALTERED CARBON or BROKEN ANGELS as a first read before this. I continue to look forward to Morgan's other efforts. Once he's able to create a cohesive novel with the power of his Kovacs novels (particularly BROKEN ANGELS the best of the series)and with as many plot strands as this novel, we'll be in for a rare, rich treat.

And Kovacs Cried ...
The Takeshi novels were great. Kovacs' predisposition to violence accompanied by somber soul-searching was fun. The trilogy raised interesting philosophical issues to ponder while delivering a quick-paced, bizarre, and engaging plot.

Th1rte3n does not do this. Sadly, Thirteen, like it's l33t-speak title, seems content to mindlessly chant those well-worn cliches that we've already grown tired of. The reader is pounded with paragraph after paragraph describing items and places unrelated to the plot, and filling us in on the background for how tragically stereotypical the future will turn out to be.

The book appears at times to try to weave Market Forces and Kovacs references together in an attempt to please all audiences. But, just like the cameo appearances of actors in sequels, the effect is more cloying than creative.

Morgan is a great writer. I expected better.