Product Description

Today’s writers need more spunk than Strunk: whether it's the Great American e-mail, Madison Avenue advertising, or Grammy Award-winning rap lyrics, memorable writing must jump off the page. Copy veteran Constance Hale is on a mission to make creative communication, both the lyrical and the unlawful, an option for everyone.

With its crisp, witty tone, Sin and Syntax covers grammar’s ground rules while revealing countless unconventional syntax secrets (such as how to use—Gasp!—interjections or when to pepper your prose with slang) that make for sinfully good writing. Discover how to:

*Distinguish between words that are “pearls” and words that are “potatoes”

* Avoid “couch potato thinking” and “commitment phobia” when choosing verbs

* Use literary devices such as onomatopoeia, alliteration, and metaphor (and understand what you're doing)

Everyone needs to know how to write stylish prose—students, professionals, and seasoned writers alike. Whether you’re writing to sell, shock, or just sing, Sin and Syntax is the guide you need to improve your command of the English language.

Product Details

• Amazon Sales Rank: #24014 in Books
• Published on: 2001-03-20
• Released on: 2001-03-20
• Original language: English
• Number of items: 1
• Binding: Paperback
• 320 pages

Amazon.com
You gotta love a grammar guide that calls verbs "moody little suckers" and adverbs "promiscuous." Constance Hale (Wired Style) relishes prose that is deliberate, beautiful, and bold. Go ahead and break the rules, she says; just know the rules first, and know why you are breaking them. In Sin & Syntax, Hale examines the elements of grammar from four angles: the "bones" (the grammar lesson), the "flesh" (the writing lesson), "cardinal sins" (what she calls "true transgressions"), and "carnal pleasures" (the beauty that results from either "hew[ing] exquisitely to the underlying codes of language," or not).

For illustration, Hale hails Walt Whitman and Roger Angell, and rails upon Alexander Haig and the Gump's catalogue. She hauls in Joan Didion to make a case for writing in the first person, Mark Twain to promote the killing of adjectives, C.S. Lewis to advocate showing rather than telling, and Loudon Wainwright III to lament the abuse of the word like. But Hale has no problem making her own points. "Euphemisms," she says, "are for wimps." She dismisses a particularly heinous example of scholarly prose as "a bunch of big words thrown into an Osterizer." Even other grammarians don't escape her derision: "Get a grip," Hale says. "Hopefully as a sentence adverb is here to stay." But what distinguishes Sin and Syntax most is its enthusiasm for prose that takes risks. "Even if you have to check with a lawyer," says Hale, "isn't a kick-ass piece of writing worth the effort?" --Jane Steinberg

From Library Journal
Hale, editor of the hip Wired Style (LJ 10/1/96), has put together a writing/grammar manual that is fresh and fun. The basic rules are here, and they are well explained. The "sin" from the title is partly advice on when and how to break these rules. The other sins are examples of oft-repeated mistakes. Readers will not be told how to write a novel, a poem, or a newspaper article, but if they are writing one this guide will help them use effective and artful language. The examples range from Dr. Seuss books to John F. Kennedy's speeches to commercials, and a short bibliography of books on writing, grammar, and language is included. Easy to understand and appealing to a broad range of readers, this book is highly recommend for all libraries.ALisa J. Cihlar, Monroe P.L., WI
Copyright 1999 Reed Business Information, Inc.

From Booklist
Wired editor Hale expertly coaches experienced and would-be writers in how to craft sinfully good prose. She examines the underlying codes that "give prose its clarities yet fail to explain its beauties." The book is divided into three parts: "Words," "Sentences," and "Music." Each chapter offers a section on "cardinal sins," the words and patterns to shun (e.g., wimpy euphemisms, dead metaphors), and a section on "carnal pleasures," the patterns to relish (e.g., high-octane verbs, rhythm). The examples, carnal or otherwise, always enlighten and entertain. For instance, Hale draws on the "mischievous prepositions" in a letter from Charles Dodgson Sr. to his young son (later known as Lewis Carroll); on the metaphorical wit of president Teddy Roosevelt, who accused McKinley of having "all the backbone of a chocolate eclair"; and on the rhythms of rap. Whether this hip guide (spunk) will replace the standard classic (Strunk) is debatable, but it should foster more than a few of our future storytellers. Philip Herbst

Customer Reviews

I've bought 5 copies of this book over the last 5 years
My sister stole my first copy, my other sister stole my second copy, I gave my third copy to a friend (but only because I knew she would love it as much as I do). My fourth copy doesn't have the dog-eared pages and underlining that my first copy had (I fall into the category of people who think tattered edges and scribbly notes add character to books). And I gave a fifth copy to another friend who was frustrated drafting an admissions essay for grad school. One of the best books on writing (generally) on the market. Funny and entertaining, with excellent advice.

Excellent book, poor quality control
This is a fine book about the mechanics of writing. Here's the rub. Appendix 1 and 2 were replaced by duplicates of chapters 14 and 15 in the book I read. Otherwise this book is worth 5 stars.

a wickedly effective book
wow. this book is a must for any writer, experienced or novice. not only is it a useful tool, but it is a fabulous read with witty references and comments throughout.