Product Description

How do we find the courage to always be true to ourselves—even if we are unsure of whom we are?

That is the central question of international bestselling author Paulo Coelho's profound new work, The Witch of Portobello. It is the story of a mysterious woman named Athena, told by the many who knew her well—or hardly at all. Among them:

"People create a reality and then become the victims of that reality. Athena rebelled against that—and paid a high price."
Heron Ryan, journalist

"I was used and manipulated by Athena, with no consideration for my feelings. She was my teacher, charged with passing on the sacred mysteries, with awakening the unknown energy we all possess. When we venture into that unfamiliar sea, we trust blindly in those who guide us, believing that they know more than we do."
Andrea McCain, actress

"Athena's great problem was that she was a woman of the twenty-second century living in the twenty-first, and making no secret of the fact, either. Did she pay a price? She certainly did. But she would have paid a still higher price if she had repressed her natural exuberance. She would have been bitter, frustrated, always concerned about 'what other people might think,' always saying, 'I'll just sort these things out, then I'll devote myself to my dream,' always complaining 'that the conditions are never quite right.'"
Deidre O'Neill, known as Edda

Like The Alchemist, The Witch of Portobello is the kind of story that will transform the way readers think about love, passion, joy, and sacrifice.

Product Details

• Amazon Sales Rank: #306389 in Books
• Published on: 2007-05-01
• Released on: 2007-05-15
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 288 pages

Features

• ISBN13: 9780061338809
• Condition: USED - VERY GOOD
• Notes:
• Click here to view our Condition Guide and Shipping Prices

From Publishers Weekly
Multimillion-seller Coelho (The Devil and Miss Prym, etc.) returns with another uncanny fusion of philosophy, religious miracle and moral parable. The Portobello of the title is London's Portobello Road, where Sherine Khalil, aka Athena, finds the worship meeting she's leading—where she becomes an omniscient goddess named Hagia Sophia—disrupted by a Protestant protest. Framed as a set of interviews conducted with those who knew Athena, who is dead as the book opens, the story recounts her birth in Transylvania to a Gypsy mother, her adoption by wealthy Lebanese Christians; her short, early marriage to a man she meets at a London college (one of the interviewees); her son Viorel's birth; and her stint selling real estate in Dubai. Back in London in the book's second half, Athena learns to harness the powers that have been present but inchoate within her, and the story picks up as she acquires a "teacher" (Deidre O'Neill, aka Edda, another interviewee), then disciples (also interviewed), and speeds toward a spectacular end. Coelho veers between his signature criticism of modern life and the hydra-headed alternative that Athena taps into. Athena's earliest years don't end up having much plot, but the second half's intrigue sustains the book. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Best-selling fabulist Coelho continues to transform his trademark combination of mysticism and storytelling into spellbinding examinations of the human soul. In this deceptively simple novel, a bereaved lover attempts to chronicle, dissect, and comprehend the often-twisted path followed by Athena, otherwise known as the Witch of Portobello Road. An orphaned Romanian gypsy, adopted as an infant by adoring Lebanese parents, Athena recognized and struggled with the power of her magical gifts at an early age. Spurred on by truths and passions inaccessible to most of her contemporaries, she traipsed around Europe and the Middle East in search of acceptance, enlightenment, and a truer path. Developing a cultlike following, she became the object of a modern-day witch hunt that seemingly culminated in tragedy. Unable to construct a typically straightforward chronicle of her life, her would-be biographer relies on the divergent recollections and reflections of the people who knew--or thought they knew--her best. Narrated from multiple points of view, the portrait of Athena that emerges is as provocative and spiritually complex as one would expect from the author of The Alchemist (1993) and The Devil and Miss Prym (2006). Margaret Flanagan
Copyright © American Library Association. All rights reserved

Review
Coelho (The Devil and Miss Prym, 2006, etc.) returns to his favored (and incredibly successful) territory of spiritual questing in this tedious account of a young woman's ascendancy as a guru.Athena is dead, and now a kind of hagiography is being pieced together to better understand this young woman of influence and mystery. A number of testimonies comprise the portrait of Athena, from her adoptive mother, to disciples, to the manager at the bank where she once worked. But instead of creating a rich and varied character study, the assorted narrators repeat the same facile analysis of the meaning of life. We learn that Athena was a Romanian orphan, adopted by a wealthy Lebanese couple. The two dote on their daughter, and turn a blind eye to her youthful visions and prophesies. When Beirut becomes uninhabitable, the family moves to London where Athena attends engineering school. Feeling unfulfilled she forces her student boyfriend into marriage so she can have a child to fill up the vast empty space in her soul; she flits from one endeavor to another to try to fill this unnamable void. She and her husband divorce and she takes up a kind of dervish-style dancing (which she shares with her coworkers at the bank - doubling all of their productivity levels), then moves to Dubai and learns calligraphy from a Bedouin, hoping the patience needed will fix her restlessness. When she goes to Romania to find her birth mother (she's sure this will help her gain a truer sense of herself), she meets a Scottish woman who becomes her teacher in the search for the universal Mother, a kind of New Age paganism that promises a healing path out of the chaos of modern living. When Athena moves back to London, her popularity (and skill in prophesy) increases, and she develops a following - as well as detractors: Christians who accuse her of Satanism and being a witch. At turns didactic and colorless, Coelho's narrative captures nothing of the wonder and potential beauty of a life devoted to the spirit - instead, Athena seems little more than a self-indulgent girl. A disappointing rehash of pretty conventional spirituality. (Kirkus Reviews)

Customer Reviews

A haunting read of a young woman's spiritual journey
I have read quite a lot of Paolo Coelho's works, my favorites being The Alchemist and By the River Piedra I Sat Down and Wept. This is another compelling work by Coelho. As in most of his works, there is an enigmatic main character, in this instance a woman who is dead at the beginning of the book - the rest of the book deals with piecing her life through a series of first-person accounts. Born of Gypsy origins, she is adopted by a Lebanese couple and later calls herself Athena. She also seems blessed with spiritual powers and is filled with a certain restlessness that leads her on an amazing if unfocussed personal journey finally finding a mentor in a woman called Edda who helps her deal with her spiritual powers. The story moves along and we get to read of Athena's rise and inevitably, her demise, made compelling mostly through Coelho's consummate narrative skills. As always, Coelho's stories are about spirituality & the search for inner truth/self & will apppeal to those who are interested in the subject matter.

New Age-y Mush
I read and enjoyed The Alchemist a few years ago, and my wife wanted me to
try this one, but it sure didn't do it for me. While I'm intrigued by the
story-told-by-many-viewpoints technique, there is very little story to tell for most of the book, just the vague spiritual quest of a little-characterized but seemingly very self-involved girl trying to understand why she Feels Different. She falls under the tutelage of a Pagan priestess, comes to understand she Is Different, develops a relationship with the Mother Goddess, takes on the mission to Spread the Love, flirts with martyrdom, etc. etc.
I'm sincerely open to alternative religious exploration, but the belief system described here is nothing but the sort of hazy, hippy sentiment you'd hear in any freshman dorm room through a cloud of incense and dope smoke. (Dance to commune with the goddess; Take your clothes off to Really Communicate with each other; Give up your Gender Hangups to achieve Sexual Freedom... None of this is made up, by the way).
The characters are never real enough for the book to be a commentary on how religion works in the real world, and the Spiritualism described is certainly not concrete enough for this to be considered a serious religious exploration, so we're left with a meandering story that's supposed to be Profound simply because the characters tell us it is.
I didn't buy it.

Witch captivates
Paulo Coelho of international fame for his book The Alchemist has here in The Witch of Portobello has woven a very unique and compelling tale. Part of what draws the reader in is the story itself and part is the very unique way it is written. Rather than a straight forward narrative, or a dialogue or even a series of letters this is a unique narrative technique. It is written as a series of first person accounts of individuals interactions with our unusual heroine Athena aka the Witch of Portobello.

These stories, taped interviews and letters have been compiled by a narrator we do not know until the end of the story. He has decided to let Athena's story be told as other's tell it, through their own words, and with all of their emotions, anger, support, respect or disgust. What we learn from these accounts is not only is Athena a bit of an enigma, from these accounts we could almost assume that almost every person encountered a different Athena, an Athena of the making in their own mind. The way the 'biography' is written it allows us to draw our own conclusions, rather than a traditionally researched biography that is colored by the lenses that cloud the vision of the biographer. Much as each of us look at the world through a series of lenses of our experiences, and cultural biases.

Athena is a young woman who tries to fill the spaces, the silences in her life. The more she tries to fill them the more dissatisfied she becomes. Until she learns that it is the silences between the notes that make the music so powerful. When she learns to embrace the silence, the spaces, she finds a power an energy. She becomes a spiritual leader, some see her as a saint and some see her as a sinner. She is both revered and feared. A saint and a demon. The compiled documents help us to see Athena for who she was.

So join our unknown biographer as we trace the life of a murdered young woman and journey around the world and into an unseen spiritual world. This book is better than some of Coelho's more recent offerings, and the narrative tool will draw you in and keep you turning the pages.

A warning though the book deals with earth religions and has some new age ceremonies in it, therefore it will not be for all readers.

(First Published in Imprint 2007-05-18 in the 'Book Review Column.)