Product Description

Time-tested lighting strategies that will improve the quality of a portrait are detailed in this book for beginning photographers. Terminology used by industry pros is explained, the equipment needed to create professional results is outlined, and the unique role that each element of the lighting setup plays in the studio is explored. Photographers learn how color, direction, form, and contrast affect the final portrait. The concise text, photo examples, and lighting diagrams enable photographers to easily achieve traditional lighting styles that have been the basis of good portraiture since the advent of the art.

Product Details

• Amazon Sales Rank: #15871 in Books
• Published on: 2004-04-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 128 pages

Features

• ISBN13: 9781584281252
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

About the Author
Christopher Grey is the author of Creative Techniques for Nude Photography and Photographer's Guide to Polaroid Transfer. He lives in Minneapolis, Minnesota.

Customer Reviews

Definitely worth it! A must buy!
I'm a third year commercial advertisment photography student and I have to say that I wish I had found this book in my first year. Christopher Grey really knows his stuff. He has diagrams along with his photographs to explain each type of lighting situation. I actually learned quite a bit about different lighting accessories used for various lighting like hairlights, and different ways to show separation from the background. This is definitely a great book to have around to review a few pointers before a shoot. I'm half way through the book and I just got it yesterday night. It's very easy reading. The format just flows. The techniques and suggestions are great building bases. If you've already taken portraiture classes, some of this will be review (Part I-The Principles of Portrait Lighting), but I still think this is a great book to have. Part II is Portrait Lighting in Practice. It gives one or two examples in each category. Editorial, corporate, ...etc. If you have any hesitation on your technique and possible outcomes, this is a great book. It'll reaffirm your confidence in the way you do things; moreover, you may be reminded of something that you might have forgotten.

Learning from a master
Christopher Grey is a master of photographic lighting, and this expertise shines through in his latest book, appropriately titled, Master Lighting Guide for Portrait Photographers. Grey eases his readers into the topic with a discussion on the properties and quality of light and a review of modern lighting equipment, both store-bought and homemade. Then, after an informative chapter on lighting ratios (a frequently misused and misunderstood term) he embarks on an instructive and comprehensive journey that covers everything from classic lighting styles to the advanced lighting methods used by today's top studio photographers. Beautiful color photos and helpful diagrams complement each scenario.

Grey's writing is conversational and witty, which is a blessing when one is digesting material that, in duller texts, can quickly veer off into technical mumbo jumbo. In addition to his lighting information, he sprinkles every chapter with plenty of useful advice - things he's learned during his 30-year career - for saving money, choosing backdrops, building trust with subjects, capturing better expressions and much, much more. I'd recommend the book to anyone interested in portrait photography. The photographs alone are well worth the purchase price, but the lessons enabling readers to create similarly stunning photos make the book an extremely good value.

Buy this! learn this, and kick up your quality 2 notches!
This is a powerful, concise, and well written book.

With his diagrams, accompanying photos, and explanations, Mr. Grey has opened my eyes to light and lighting options in ways I hadn't realized...and now makes me look far more carefully at portraits than ever before, to appreciate how the lighting and well placed shadows emphasize the client's best qualities.

I confess I hesitated before buying a "mere" 128 page book, and quickly realized he cuts out the usual fluff and shares "secrets" freely. One must savor each page's wisdom, rather than rushing through it, to greatly enhance your skills.

Learn about key light characteristics, softboxes, hair lights, different umbrella effects, lighting ratios and so on...you needn't use some or all on every session, it's there to just let you know how to use these when and if a situation arises...and you'll have the knowlege of how to use them without recreating or reshooting the wheel!

Whether you are a film or a digital photographer, this gives knowledge that benefits either medium, by encouraging you to creatively previsualize the lighting of finished product, long before you click the shutter.

While it's far easier for me to properly light a subject before shooting (I am comfortable with film and slowly learning digital/Photoshop) it gives hints that can be used creatively in "Photoshopping" an image later, in the computer, to enhance a mood, or de-emphasize a highight accordingly. (Katrin Eismann's Photoshop Restoration & Retouching, 3rd ed. is quite helpful, as is Scott Kelby's comfortably cookbook aproach in his Photoshop CS book for Digital Photographers).

This is a pearl that deserves to be read appreciatively, savoring each page at a time!