Product Description

OscarÂ(r) winner* Robert Duvall "is terrific" (The New York Times) in this "vividly realized" (Variety) drama co-starring Lucas Haas (Witness) and James Earl Jones (Field of Dreams). "Gracefully adapted to the screen" (Los Angeles Times) by Horton Foote (Of Mice and Men) and ably directed by Peter Masterson (Blood Red), this riveting tale of an unlikely bond is "a tasty feast" (LA Weekly)! In rural Texas 1902, 13-year-old Horace (Haas) toils on a run-down plantation to buy a tombstone for the father he lost a year earlier. Soll (Duvall), the crusty old Confederate who owns the plantation, has yet to pay the boy a pennyof the money he owes him. But on Christmas Eve, as Soll becomes obsessed with his own mortality, hemakes a grand promise forcing Horace to confront his fear of death and the harsh truths of a decadent society. *1983: Actor, Tender Mercies

Product Details

• Amazon Sales Rank: #17653 in DVD
• Brand: DUVALL,ROBERT
• Released on: 2005-04-12
• Rating: NR (Not Rated)
• Aspect ratio: 1.33:1
• Formats: Closed-captioned, Color, DVD, Full Screen, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: English, French, Spanish
• Number of discs: 1
• Dimensions: .24 pounds
• Running time: 93 minutes

Amazon.com
The works of Texas-born writer Horton Foote are always dealing with transition and transformation, caused by the intermingling of time and experience, and Convicts is a prime example of Foote's thematic consistency. It's also one of several fruitful collaborations between Foote and actor Robert Duvall, whose career has connected with Foote's at pivotal moments since Duvall's screen debut in the Foote-scripted classic To Kill a Mockingbird. And while Convicts may lack the emotional power of 1971's Tomorrow or the dramatic delicacy of 1983's Tender Mercies, it adds resonance to their mutual body of work. Here, in a story set in coastal Texas in 1902, Duvall plays an eccentric, dying sugar-plantation boss who takes a young boy (Lukas Haas) under his wing to teach him a few of life's harsher lessons.

His frontiers long since conquered, with slaves of the past now replaced by local convict laborers, the boss is a stubborn, violent, hardened relic of a bygone era, and Duvall's performance breathes feisty life into a man who's ready for death (well, almost), but not without firing a few more rounds from his trusty Colt .45. It's a bit theatrical (and veteran stage director Peter Masterson--Mary Stuart's father--approaches Foote's play adaptation with dry visual style), but Convicts is bathed in the candlelight of a passing age, and its tone is suitably wise and keenly observant. Barely released in theaters, this film is ripe for rediscovery. --Jeff Shannon

Customer Reviews

Convicts is a great movie
I bought this movie because I'm a Duvall fan. He is, in my mind, the American Olivier. I watched the movie once and turned around and watched it again, immediately. The setting, the interactions between Duvall's character (Old Soll) and those around him is an amazing window into a past era. Convicts has elements of being almost a stage playj. Convicts is a gem and another feather in the cap of our likely greastest living American actor.

Great film, great acting... a real "moment in time."
Robert Duvall is a direct descendent of Confederate General Robert E. Lee, according the IMDb.com movie database. After seeing this film, you may think Duvall's appearance is reincarnation at it's best.

One of my most favorite films. I wish the composer, Peter Rodgers Melnick had a CD or there was a soundtrack available. Wonderful scenery and music and "all too-true-to-life," especially for those of us that live in, or have moved to, the South. This is a "real moment in time." Life moves on, slowly, but "strangers we do not remain."

Very well done!
Robert Duvall gives a creditable performance as the supervisor of a convict farm in 1902 Texas. He befriends a young boy (Lukas Haas). The screenplay, written by Horton Foote, contrasts the difficulties of growing up and growing old. Duvall's character is aging and suffering ill health. He alienates himself from family and associates - except for a former convict assigned to his charge, the young boy who reminds him of his youth, and a couple who live in the village store.

It's a nice set piece, and the warm colors create a real feeling of turn-of-the-century South. While Duvall's character could have been fleshed out more, he does an excellent job as a man intent on dying on his own terms.