Product Description

"Sentimental, heartfelt….the exploration of Henry’s changing relationship with his family and with Keiko will keep most readers turning pages...A timely debut that not only reminds readers of a shameful episode in American history, but cautions us to examine the present and take heed we don’t repeat those injustices."-- Kirkus Reviews

“A tender and satisfying novel set in a time and a place lost forever, Hotel on the Corner of Bitter and Sweet gives us a glimpse of the damage that is caused by war--not the sweeping damage of the battlefield, but the cold, cruel damage to the hearts and humanity of individual people. Especially relevant in today's world, this is a beautifully written book that will make you think. And, more importantly, it will make you feel."
-- Garth Stein, New York Times bestselling author of The Art of Racing in the Rain

“Jamie Ford's first novel explores the age-old conflicts between father and son, the beauty and sadness of what happened to Japanese Americans in the Seattle area during World War II, and the depths and longing of deep-heart love. An impressive, bitter, and sweet debut.”
-- Lisa See, bestselling author of Snow Flower and the Secret Fan


In the opening pages of Jamie Ford’s stunning debut novel, Hotel on the Corner of Bitter and Sweet, Henry Lee comes upon a crowd gathered outside the Panama Hotel, once the gateway to Seattle’s Japantown. It has been boarded up for decades, but now the new owner has made an incredible discovery: the belongings of Japanese families, left when they were rounded up and sent to internment camps during World War II. As Henry looks on, the owner opens a Japanese parasol.

This simple act takes old Henry Lee back to the 1940s, at the height of the war, when young Henry’s world is a jumble of confusion and excitement, and to his father, who is obsessed with the war in China and having Henry grow up American. While “scholarshipping” at the exclusive Rainier Elementary, where the white kids ignore him, Henry meets Keiko Okabe, a young Japanese American student. Amid the chaos of blackouts, curfews, and FBI raids, Henry and Keiko forge a bond of friendship–and innocent love–that transcends the long-standing prejudices of their Old World ancestors. And after Keiko and her family are swept up in the evacuations to the internment camps, she and Henry are left only with the hope that the war will end, and that their promise to each other will be kept.

Forty years later, Henry Lee is certain that the parasol belonged to Keiko. In the hotel’s dark dusty basement he begins looking for signs of the Okabe family’s belongings and for a long-lost object whose value he cannot begin to measure. Now a widower, Henry is still trying to find his voice–words that might explain the actions of his nationalistic father; words that might bridge the gap between him and his modern, Chinese American son; words that might help him confront the choices he made many years ago.

Set during one of the most conflicted and volatile times in American history, Hotel on the Corner of Bitter and Sweet is an extraordinary story of commitment and enduring hope. In Henry and Keiko, Jamie Ford has created an unforgettable duo whose story teaches us of the power of forgiveness and the human heart.

Product Details

• Amazon Sales Rank: #14291 in Books
• Published on: 2009-01-27
• Released on: 2009-01-27
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 304 pages

Features

• ISBN13: 9780345505330
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From Publishers Weekly
Ford's strained debut concerns Henry Lee, a Chinese-American in Seattle who, in 1986, has just lost his wife to cancer. After Henry hears that the belongings of Japanese immigrants interned during WWII have been found in the basement of the Panama Hotel, the narrative shuttles between 1986 and the 1940s in a predictable story that chronicles the losses of old age and the bewilderment of youth. Henry recalls the difficulties of life in America during WWII, when he and his Japanese-American school friend, Keiko, wandered through wartime Seattle. Keiko and her family are later interned in a camp, and Henry, horrified by America's anti-Japanese hysteria, is further conflicted because of his Chinese father's anti-Japanese sentiment. Henry's adult life in 1986 is rather mechanically rendered, and Ford clumsily contrasts Henry's difficulty in communicating with his college-age son, Marty, with Henry's own alienation from his father, who was determined to Americanize him. The wartime persecution of Japanese immigrants is presented well, but the flatness of the narrative and Ford's reliance on numerous cultural cliches make for a disappointing read. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adutl/High School—Henry Lee is a 12-year-old Chinese boy who falls in love with Keiko Okabe, a 12-year-old Japanese girl, while they are scholarship students at a prestigious private school in World War II Seattle. Henry hides the relationship from his parents, who would disown him if they knew he had a Japanese friend. His father insists that Henry wear an "I am Chinese" button everywhere he goes because Japanese residents of Seattle have begun to be shipped off by the thousands to relocation centers. This is an old-fashioned historical novel that alternates between the early 1940s and 1984, after Henry's wife Ethel has died of cancer. A particularly appealing aspect of the story is young Henry's fascination with jazz and his friendship with Sheldon, an older black saxophonist just making a name for himself in the many jazz venues near Henry's home. Other aspects of the story are more typical of the genre: the bullies that plague Henry, his lack of connection with his father, and later with his own son. Readers will care about Henry as he is forced to make decisions and accept circumstances that separate him from both his family and the love of his life. While the novel is less perfect as literature than John Hamamura's Color of the Sea (Thomas Dunne, 2006), the setting and quietly moving, romantic story are commendable.—Angela Carstensen, Convent of the Sacred Heart, New York City
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Ford vacillates between a front story dominated by nostalgia and a backstory dominated by fear. The front story struggles to support the weight of the backstory, and the complexity Ford brings to the latter is the strength of this debut novel, which considers a Chinese American man’s relationship with a Japanese American woman in the 1940s and his son in the 1980s. Although Ford does not have anything especially novel to say about a familiar subject (the interplay between race and family), he writes earnestly and cares for his characters, who consistently defy stereotype. Ford posits great meaning in objects—a button reading “I am Chinese” and a jazz record, in particular—but the most striking moments come from the characters’ readings of each other: “Henry couldn’t picture bathing with his parents the way some Japanese families did. He couldn’t picture himself doing a lot of things with his parents. . . . He felt his stomach turn a little. His heart raced when he thought about Keiko, but his gut tightened just the same.” --Kevin Clouther

Customer Reviews

One of my favorite books ever
I was excited to read this book because I knew it was set in Seattle during the internment of Japanese Americans during World War II, and that's a time period that has always interested me. I expected an interesting trip through history, but what I got was so, so much more than that.

Henry Lee is still mourning the death of his wife when he learns that the belongings of Japanese Americans hidden in the basement of Seattle's Panama Hotel for decades have been discovered. Henry is drawn to the basement, and what he's searching for there opens a door he thought he had closed forever. The story switches back and forth between 1986 and the 1940s, when a 12-year-old Henry attending an American school (he's "scholarshipping" as his father likes to say) meets another international student working in the school kitchen. Keiko is Japanese American, the enemy according to Henry's father, but the two become best friends before her family is imprisoned in one of the relocation camps.

This book does a phenomenal job exploring the history and attitudes of this time period, and Ford's portrayal of Seattle's ethnic neighborhoods is amazing. But really, the thing that pulled me into this novel the most was the richness of the relationships -- Henry and Keiko, Henry and his father, Henry's mother and his father, and Henry and his own son. HOTEL ON THE CORNER OF BITTER AND SWEET looks at the best and worst of human relationships, the way we regard others, the way we find ourselves reenacting our relationships with our parents with our own children, the choices we make along the way. Mostly, though, this book reminds us that there is always room -- and time -- for forgiveness and redemption.

I finished this book in tears, moved by the people who came to life so vividly in this story and sad that it had to end at all. HOTEL ON THE CORNER OF BITTER AND SWEET is a perfect, perfect choice for book clubs or for anyone craving a compelling story about human nature at its worst and at its best. An amazing, amazing book. It will be one of your favorites, I can almost promise.

A story of hope
As I wipe my teary eyes, I am amazed at the extraordinary journey I have just experienced reading Jamie Ford's "Hotel on the Corner of Bitter and Sweet."

The hotel is the Panama Hotel, an old dilapidated landmark in Seattle. It's 1986 and 56-year-old Henry Lee is among the onlookers who witness the unveiling of recently discovered belongings left in the basement of the hotel by Japanese families in the 1940s. To Henry, however, the trunks, suitcases and crates and their contents are not just mere curiosities or historical artifacts. For him, they bring remembrances of the World War II years, of being twelve years old and trying to fit in an all-white school while following Chinese cultural traditions at home; of being Asian and his father's dread that he would be confused with the enemy, the Japanese. Most importantly, they bring back memories of a special friendship with Keiko, the only other kid of Asian ethnicity in school.

As Ford deftly switches the narrative from 1986 to the 1940s and vice versa, the readers are taken through a remarkable story that is both sweet and poignant. For me, it brought history to life. All too often we forget that behind the numbers, there were individuals and lives that were deeply affected by the fear, the uncertainty and the hatred. I confess that there were many moments that I was on the verge of tears, such as when young Henry looks on Japanese American families burning their personal belongings for fear that they would be accused of cooperating with Japan or when Keiko and Henry witness the "evacuation" of Bainbridge Island. I also felt moved by Henry, the adult, who is still reeling from the death of his wife. His inability to emotionally connect with his own son, and his struggle to find his own identity as both American and Chinese are familiar to me as I'm too the daughter of Chinese immigrants.

Ford's novel is a story with many layers. But I was most impressed and touched by the author's honest and unflinching portrayal of the sentiments that pervaded the years after the attack on Pearl Harbor. Sentiments that led to acts and events that we would rather trivialized or forget today. The fact that they were acted out not only by adults but also by children made them more painful to read about.

I highly recommend this novel to those who remember their first love, have heard about the Japanese American internment camps, or strive to bridge two cultural worlds and to those who just love a good story. To all of you, there is a room waiting at the "Hotel on the Corner of Bitter and Sweet."

Made Me So Happy I Cried
This is Henry Lee's story. He's fifty-six. He's a Chinese American. His wife has been dead for six months due to cancer. He has a strained relationship with his college age son, but not so strained as he thinks. He's sort of moping through life, not expecting much, not giving much. He's a lover of jazz, a collector of old jazz records. He's been looking for a rare and out of print jazz record by Oscar Holden his whole life. This is his obsession.

Then one day he chances upon the Panama Hotel. It's been boarded up ever since World War II, but it's recently been bought and the new owners have found the personal effects of several Japanese families who had been forceable evacuated to relocation centers in 1942. He sees something that reminds him of a girl he once loved and he has reason to suspect a copy of that record he's been looking for is in that basement.

And now we go back to 1942. Henry is twelve. He's going to Rainer Elementary, an all white prep school his father is making him attend, because he wants him to be a real American. He is being picked on by a bully who has been held back a couple grades. His father hates the Japanese. He hates jazz and all modern music as well. Actually, just about all the white people in Seattle have a thing for the Japanese, because of the war. Henry's father makes him wear a button proclaiming him to be Chinese. A new girl comes to school and now Henry isn't the only non-white there and he falls in love. Her name is Keiko. She's Japanese.

So Mr. Ford has sown the seeds of conflict and there's going to be plenty in this sad and joyful novel. These characters leapt off the pages, right into my heart. I felt Henry's pain when he was separated from Keiko and I so wanted them to reunite when the war finished, but it was not to be, so I kept reading, getting more and more involved with these story people. When I finished I was so happy I cried.