Product Description

The award-winning director journeys inside the world of film to illuminate the arduous process of creating movies, discussing the art and craft of directing, writers and actors, the camera, art direction, editing, sound tracks, distribution and marketing, and the studio role. Reprint. 35,000 first printing. NYT.

Product Details

• Amazon Sales Rank: #30881 in Books
• Published on: 1996-03-19
• Released on: 1996-03-19
• Original language: English
• Number of items: 1
• Binding: Paperback
• 218 pages

Features

• ISBN13: 9780679756606
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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Amazon.com Review
It's well known that a vast number of people work on any given movie in roles as varied as writing scripts, choosing locations, dressing sets, costuming the players, lighting scenes, manipulating the camera, directing actors, editing film, working on sound, advertising the finished product, and screening it to an audience. Have you ever thought about how these components are collated? Or why the director is most often considered the author of a film? Wonder no more, because Sidney Lumet's Making Movies is a terrific journey through each stage of filmmaking that is overseen by the director. Lumet, the veteran director of Twelve Angry Men, The Pawnbroker, Serpico, Dog Day Afternoon, Network, The Verdict, and many other fine movies, knows the ins and outs of American filmmaking as well as anyone. In this excellent, personable account, Lumet tells what he's learned about making movies in the course of the last 40 years. He shows why fine directors need to have strong imaginations, extraordinary adaptability, and skill in many different fields. His enthusiasm for his life's work, particularly his love of actors, is evident on every page of this book. As Herculean as the labors of film directing are, Lumet takes great pleasure in his work, almost guiltily admitting that the film director's job is "the best in the world."

From Publishers Weekly
Lumet, the acclaimed director of such films as Dog Day Afternoon and Network, presents an anecdotal insider's account of the key elements in filmmaking.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
Lumet's book is about the agonizing and ultimately rewarding art of filmmaking. And who better to elucidate the process than a legendary director, with credits such as 12 Angry Men, Dog Day Afternoon, and Prince of the City? Lumet discusses writers and actors, camera and editing techniques, art direction and sound. Yet Making Movies is anything but a clinical textbook. Lumet's career straddled the shift between studio management and the rise of financiers and talent agencies: he's seen both worlds and candidly reveals his predilections, including his disdain for teamsters, critics, and market researchers. He alludes to the tension between film as art and as business and shows that filmmaking is ultimately a capricious, collective enterprise with no sure formulas. Although overly mechanistic at times, Lumet is most lucid in examples drawn from his own experiences. A fascinating look at the artist at work; recommended for film studies collections.
-?Jayne Plymale-Jackson, Univ. of Georgia Libs., Athens
Copyright 1995 Reed Business Information, Inc.

Customer Reviews

Bought for the wrong reason...still worth it
A friend recommended this book saying, "I'm not sure you want to learn about making movies, but this is a great project management book."

Well...I could see his point, but I didn't feel the same way about the book. There's a thin thread throughout about the way Lumet conducts his movie project, most evident in the book's best chapter (7) entitled "Shooting the Movie: At Last!" The pieces of the puzzle all fall together at that point, and you get a true sense of everyone's responsibilities and how Lumet plans and uses these resources. So yeah, that's project management.

But if you're going to buy this book, buy it because you're interested in how movies get made, starting right from how a script is chosen, through to the preview. From that perspective, it's a great book. Again, in the book's best chapter, you get a sense for just how draining - and unglamourous - it is to actually shoot the movie. Early pick-ups, lots of work with stand-ins to get the set (esp. lighting) right, multiple takes, late-night viewing of rushes. This is tough work, and Lumet describes it clear, concise language. And he pulls no punches as to where his frustrations lay in the process.

Roger Ebert's cover blurb states "I am sometimes asked if there is one book a filmgoer could read to learn more about how movies are made and what to look for while watching them. This is the book." I'd say that's a very accurate summation of what you'll find here.

Director's On The Line.
I've read 'Making Movies' for my 'Visual Communication' class, in which we examined visual sources that ranged from pictorial representations to actual films. I must admit, however, that the book was a real joy to read, and Lumet a master to know closely.

As the other reviewers have mentioned, Lumet's style makes it easy for everyone to understand and get a grasp of what it takes to shoot a movie, from reading a scenario, to bringing together a cast, from dealing with actors to trying to stay within the budget. The book's procession is designed in such a way, that your curiosity increases as you flip through the chapters. (You begin to wonder if the film's going to get ready in time.)

Lumet, as the director of many films, should be considered as a real master in the film industry. He has worked with important actors such as Sean Connery frequently, and succeeded in putting together remarkable films, like 'Twelve Angry Men'. He tells the audience exactly how he's felt and what he's thought during the making of the movies. He expresses the stress he's had when the actors did not show up on time, when the weather conditions changed dramatically or when the production company announced to cut off a significant portion of the film budget. He also depicts his delight when he's got astonishing performance from his actors and actresses, when the cameraman managed to do a better job than he had even planned. His telling of these remarks are inspiring, indeed.

'Making Movies' is a great source, although not necessarily a technical source, for all people either working or interested in the film world. A wonderful book to both read and have in shelf.

Aptly titled, mostly
Get this book if you want to know what a year-in-the-life of a powerhouse filmmaker is like. If you are a beginner with an indie, much of Lumet's experiences are not going to apply. They are simply going to make you want to work harder on your indie so that you can get where he got! However, Lumet does NOT deceive. He never promises you any how-to information. He simply calls his book "Making Movies", and that is exactly the subject matter to which he sticks. His honesty does not go unnoticed, although he maybe should have called the book, "Making MY Movies".