Product Description

In Radio Free Albemuth, his last novel, Philip K. Dick morphed and recombined themes that had informed his fiction from A Scanner Darkly to VALIS and produced a wild, impassioned work that reads like a visionary alternate history of the United States. Agonizingly suspenseful, darkly hilarious, and filled with enough conspiracy theories to thrill the most hardened paranoid, Radio Free Albemuth is proof of Dick's stature as our century's greatest science fiction writer.

Product Details

• Amazon Sales Rank: #404213 in Books
• Published on: 1998-04-14
• Released on: 1998-04-14
• Original language: English
• Number of items: 1
• Binding: Paperback
• 224 pages

From Publishers Weekly
Here is another of the unpublished novels science-fiction writer Dick left when he died in 1982. It recounts the friendship of two California men, Nicholas Brady, a record store clerk and later a record company executive, and Philip K. Dick, a writer. During the several decades spanned by the novel, America slides into fascism, particularly under the presidency of Ferris F. Fremont, who comes into office in 1969. Once entrenched, Fremont begins tossing dissidents into camps and in some cases executing them. Brady, meanwhile, has been receiving communications from a Godlike intelligence which he dubs Valis (an idea the author utilized previously in Valis). Valis guides Brady in the secrets of the universe, in the conduct of his life, and in a plot to bring down the monstrous Fremont, a cause to which Brady is finally martyred. This bleak political vision is given extra force by its autobiogrphical tone. Though not one of Dick's best novels, it is an engrossing, non-stop excursion into a believable vision of Hell. Foreign rights: Scott Meredith. January 8
Copyright 1985 Reed Business Information, Inc.

From the Inside Flap
In Radio Free Albemuth, his last novel, Philip K. Dick morphed and recombined themes that had informed his fiction from A Scanner Darkly to VALIS and produced a wild, impassioned work that reads like a visionary alternate history of the United States. Agonizingly suspenseful, darkly hilarious, and filled with enough conspiracy theories to thrill the most hardened paranoid, Radio Free Albemuth is proof of Dick's stature as our century's greatest science fiction writer.

Customer Reviews

A brilliant portrait of our culture slipping into darkness.
To me, this was the accessible, sentimental VALIS. While it is not so rich in detail, one does not have to read the exegesis of Gnostic terminology found in VALIS. I believe the story benifits from this as it allowed Dick to focus more tightly on his main characters and their emotions.

Parts of this books made me feel like I was reading a later day addition to C. S. Lewis' Perlandria series. The feeling of divine contact and its sudden withdrawal was just devastating. I have rarely read such a clear portrayal of the emotions surrounding direct religious experiences.

The other aspect of this book I liked was its obviously autobiographical narrative, and its dark hints at Nixon's raw grasping for power and possible responsibilities for the loss of some of our most popular leaders of the '60s.

Radio Free Albemuth provides a fascinating alternative to VALIS, and can be enjoyed at several levels. It also combines in an accessible manner the important themes Dick wrote about in "A Scanner Darkly" and "Flow My Tears, The Policeman Said". While it is derrivative of these books, the insight and ideas have been honed to their essence.

Dick 201: Intro to VALIS
Set in California in the early 1970's, record producer and hipster Nicholas Brady is receiving communications from outer space that put him in the thick of a political plot to depose the despised U.S. President from Orange County, while Phil Dick is his science-fiction writer friend in this outrageous novel. Do these outcasts have what it takes to overthrow an authoritarian government and right the social wrongs of America? Not if the administration's goons have anything to say about it. A marvelous romp through faith, insanity, free will, and paranoia.

While not technically part of the "Valis" trilogy, this book deals with many of the same themes and occasionally even the same events, some of which supposedly really happened. It seems likely that the reason Dick never published this novel during his lifetime is because so much of this material had already been covered in his other books. But this work is far more novelistic, telling a chronological story about how two individuals decided to stick it to the Man, and less a scholarly treatise on the nature of God, reality, the universe, etc... For those who found "Valis" a little too methodological in its analysis of comparative cosmologies and so forth, "Albemuth" is a much more readable, straightforward science fiction novel. If you haven't read the "Valis" trilogy yet, read this book first.

The characters are pretty much standard for Dick: the everyman who overdid the drug culture during the 1960's, and the science fiction writer who tries to turn everything into a story. Since both of these are Dick's alter-egos, they serve to bring the writer into the action and let him toy with both autobiography and meta-fiction. As a general rule, Dick's style is easy enough to read, but his plots are often difficult to follow, since things are rarely what they appear to be and some dichotomies are never really resolved. Unlike some of his better known works, this book at least has a fairly clear-cut conclusion. The bottom line is: if you're a fan of imaginative fiction who is still unfamiliar with the work of this astonishing writer, then you need to tune in pronto. And while this may not be the master's tightest work, those new to Dick might just as well start here as anywhere.

A gripping novel with subliminal messages.
Browsing through the library I stumbled across this book; I hadn't read any Phillip K. Dick since The Man in the High Castle some years ago. Though the Russia/US conflict is dated now, the book doesn't suffer, as the main plot is the relationship between VALIS (aka God) and the characters. What really surprised me was the Christian theme running throughout, and the comparisons drawn between early christian believers and the believers in VALIS. While it is probably not theologically correct to say that VALIS and God are one and the same, I found his use of VALIS as a metaphor for God to be admirable. It's interesting too that in a time when worshipping God and Jesus is not cool, and something a lot of hipsters would snicker at, worshipping something like VALIS seeems a lot more palatable as it is placed in a context of being an extraterrestrial life form.