Product Description

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. With this brilliantly imagined novel, Toni Morrison transfigures the coming-of-age story as audaciously as Saul Bellow or Gabriel García Márquez. As she follows Milkman from his rustbelt city to the place of his family’s origins, Morrison introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized black world.

Product Details

• Amazon Sales Rank: #21915 in Books
• Published on: 2004-06-08
• Released on: 2004-06-08
• Original language: English
• Number of items: 1
• Binding: Paperback
• 352 pages

Features

• ISBN13: 9781400033423
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
Morrison's earthy, poetic voice compliments perfectly the fantastical and mythical elements of Song Of Soloman. A world where fathers fly in clouds of rose petals, and women can cast spells. The text is perfectly suited for an audio rendition - as poetry, songs and the spoken word feature so heavily in the book.

Morrison narrates for three hours and lays out before us the complex lives and backgrounds of four generations of black family life in the south. Central is the character Milkman--an unfortunate nickname owed to his lengthy nursing period and delayed coming of age. Although a late starter, Milkman develops into a fundamentally strong person, who eventually learns to cherish his family and the importance of his roots.

The narrator breathes life into an intriguing and diverse set of characters--from violent criminals to devout parents. Through them Morrison explores complex social and racial issues using luscious lyrical language This text refers to the audiobook edition of this title.

Review
"When you know your name, you should hang on to it, for unless it is noted down and remembered, it will die when you die." And the scribbled no-name "Macon Dead," given to a newly freed black man by a drunken Union Army officer, has stained out a family's real name for three generations, and then we meet the third "Macon Dead," called "Milkman." Raised among the sour hatreds of the richest black family in a Michigan town, Milkman learns not to love or make commitments, learns to turn away from his father's hard, tight greed, his mother's unloved passivity, his sisters' sterile virginity. He stands apart from his outcast aunt Pilate (a figure reminiscent of Sula, living beyond all reason), a "raggedy bootlegger" who keeps her name in a box threaded to one ear. And he stands above the wild untidy adoration of his cousin Hagar, above the atrocities against blacks in the 1950s, even while his friend organizes a black execution squad. However, when Milkman's father opens the door to a family past of murder and flight, Milkman - in order to steal what he believes is gold - begins the cleansing Odyssean journey. His wanderings will take him through a wilderness of rich and wonderful landscapes murmuring with old tales, those real names becoming closer and more familiar. He beholds eerie appearances (an ancient Circe ringed with fight-eyed dogs) - and hears the electric singing of children, which holds within it the pulse of truth. Like other black Americans, Milkman's retrieval of identity from obliteration helps him to shake off the "Dead" no-name state of his forebears. And, like all people, his examination of the past gives him a perspective that liberates the capacity for love. Morrison's narration, accomplished with such patient delicacy, is both darkly tense and exuberant; fantastic events and symbolic embellishments simply extend and deepen the validity and grace of speech and character. The gut-soul of Roots, with which this will be recklessly, inevitably linked, and a handsome display of a major talent. (Kirkus Reviews)

Review
“A rich, full novel. . . . It lifts us up [and] impresses itself upon us like a love affair.” —The New York Times Book Review

“Exuberant. . . . An artistic vision that encompasses both a private and national heritage.”

“A rhapsodic work. . . . Intricate and inventive.” —The New Yorker

“Stunningly beautiful. . . . Full of magnificent people. . . . They are still haunting my house. I suspect they will be with me forever.” —Anne Tyler, The Washington Post

“If Ralph Ellison’s Invisible Man went underground, Toni Morrison’s Milkman flies.” —John Leonard, The New York Times Book Review

“It places Toni Morrison in the front rank of contemporary American writers. She has written a novel that will endure.” —The Washington Post

“Lovely. . . . A delight, full of lyrical variety and allusiveness. . . . [An] exceptionally diverse novel.” —The Atlantic Monthly

“Morrison is a terrific storyteller. . . . Her writing evokes the joyful richness of life.” —Newsday

“Morrison dazzles. . . . She creates a black community strangely unto itself yet never out of touch with the white world. . . . With an ear as sharp as glass she has listened to the music of black talk and uses it as a palette knife to create black lives and to provide some of the best fictional dialogue around today.” —The Nation

“A marvelous novel, the most moving I have read in ten years of reviewing.” —Cleveland Plain Dealer

“Toni Morrison has created a fanciful world here. . . . She has an impeccable sense of emotional detail. She’s the most sensible lyrical writer around today.” —The Philadelphia Inquirer

“A fine novel exuberantly constructed. . . . So rich in its use of common speech, so sophisticated in its use of literary traditions and language from the Bible to Faulkner . . . it is also extremely funny.” —The Hudson Review

“Toni Morrison is an extraordinarily good writer. Two pages into anything she writes one feels the power of her language and the emotional authority behind that language. . . . One closes the book warmed through by the richness of its sympathy, and by its breathtaking feel for the nature of sexual sorrow.” —The Village Voice

“Morrison moves easily in and out of the lives and thoughts of her characters, luxuriating in the diversity of circumstances and personality, and revelling in the sound of their voices and of her own, which echoes and elaborates theirs.” —The New Yorker