Product Description

Called a 'perfect novel' by Harold Bloom, Persuasion was written while Jane Austen was in failing health. She died soon after its completion, and it was published in an edition with Northanger Abbey in 1818.

In the novel, Anne Elliot, the heroine Austen called 'almost too good for me,' has let herself be persuaded not to marry Frederick Wentworth, a fine and attractive man without means. Eight years later, Captain Wentworth returns from the Napoleonic Wars with a triumphant naval career behind him, a substantial fortune to his name, and an eagerness to wed. Austen explores the complexities of human relationships as they change over time. 'She is a prose Shakespeare,' Thomas Macaulay wrote of Austen in 1842. 'She has given us a multitude of characters, all, in a certain sense, commonplace. Yet they are all as perfectly discriminated from each other as if they were the most eccentric of human beings.'

Persuasion is the last work of one of the greatest of novelists, the end of a quiet career pursued in anonymity in rural England that produced novels which continue to give pleasure to millions of readers throughout the world.

Product Details

• Amazon Sales Rank: #612883 in Books
• Published on: 2001-06-12
• Released on: 2001-06-12
• Original language: English
• Number of items: 1
• Binding: Paperback
• 224 pages

Review
“Critics, especially [recently], value Persuasion highly, as the author’s ‘most deeply felt fiction,’ ‘the novel which in the end the experienced reader of Jane Austen puts at the head of the list.’ . . . Anne wins back Wentworth and wins over the reader; we may, like him, end up thinking Anne’s character ‘perfection itself.’” –from the Introduction by Judith Terry


From the Hardcover edition.

From the Inside Flap

Called a 'perfect novel' by Harold Bloom, Persuasion was written while Jane Austen was in failing health. She died soon after its completion, and it was published in an edition with Northanger Abbey in 1818.

In the novel, Anne Elliot, the heroine Austen called 'almost too good for me,' has let herself be persuaded not to marry Frederick Wentworth, a fine and attractive man without means. Eight years later, Captain Wentworth returns from the Napoleonic Wars with a triumphant naval career behind him, a substantial fortune to his name, and an eagerness to wed. Austen explores the complexities of human relationships as they change over time. 'She is a prose Shakespeare,' Thomas Macaulay wrote of Austen in 1842. 'She has given us a multitude of characters, all, in a certain sense, commonplace. Yet they are all as perfectly discriminated from each other as if they were the most eccentric of human beings.'

Persuasion is the last work of one of the greatest of novelists, the end of a quiet career pursued in anonymity in rural England that produced novels which continue to give pleasure to millions of readers throughout the world.

About the Author

Jane Austen was born in Steventon, Hampshire, on December 16, 1775. Her father, the Reverend George Austen, was rector of Steventon, where she spent her first twenty-five years, along with her six brothers (two of them later naval officers in the Napoleonic wars) and her adored sister, Cassandra. She read voraciously from an early age, counting among her favorites the novels of Samuel Richardson, Henry Fielding, and Fanny Burney, and the poetry of William Cowper and George Crabbe. Her family was lively and affectionate and they encouraged her precocious literary efforts, the earliest dating from age twelve, which already displayed the beginnings of her comic style. Her first novels, Elinor and Marianne (1796) and First Impressions (1797), were not published. The gothic parody Northanger Abbey was accepted for publication in 1803 but was ultimately withheld by the publisher.

In 1801 the family moved to Bath, where for four years Austen was able to observe the fashionable watering place that would later figure prominently in her fiction. Austen was sociable in her youth, and was briefly engaged in 1802. Two years later she began work on The Watsons, a novel that remained unfinished. After the death of her father in 1805, she lived with her mother and sister in Southampton for a few years before moving with them to a cottage at Chawton in Hampshire. This would be her home for the rest of her life, and she wrote many of her novels in its parlor. She continued to revise her earlier unpublished work, and in 1811 a version of Elinor and Marianne was published as Sense and Sensibility, followed two years later by Pride and Prejudice, a reworking of First Impressions. In the next few years she published Mansfield Park (1814) and Emma (1816).

Austen became ill in 1815, perhaps with Addison's disease, and she died on July 18, 1817. Persuasion, her last novel, and the earlier Northanger Abbey appeared the following year. Of her last days her brother wrote: 'She wrote whilst she could hold a pen, and with a pencil when a pen was become too laborious. The day preceding her death she composed some stanzas replete with fancy and vigour.' Although Austen received some praise from her contemporaries--notably Sir Walter Scott, who discerned in her work 'the exquisite touch, which renders ordinary commonplace things and characters interesting, from the truth of the description and the sentiment'--her detractors included Charlotte Bronte ('very incomplete and rather insensible') and Ralph Waldo Emerson ('vulgar in tone, sterile in artistic invention'), and her books did not immediately find a wide readership. The turn in her reputation came late in the nineteenth century, and has been succeeded by an enduring popularity and widespread critical praise in the twentieth.

Customer Reviews

Persuasive tale of a second chance at love
I thoroughly enjoyed this novel because of Jane Austen's lyrical prose, her timeless subjects of family relationships, love (and/or the search for it), her heartwarmingly drawn characters that I think any reader anywhere and at any time can relate to easily, and her usual witty and critical social commentary. I find it amazing to think that she wrote this novel nearly 200 years ago! I can think of several people in my own family and among friends, colleagues, and acquaintances who match her descriptions of Anne Elliot, her father and sisters Walter and Elizabeth Elliot and Mary Musgrove, Lady Russell, Captain Wentworth, etc. Times and mores may have changed in 200 years, but human nature has not changed! Reading her descriptions of these characters and well imagining Anne's reaction to them, whether it is with resignation, amusement, or exasperation mirror my own thoughts on them.
Austen has created a wonderful character in Anne Elliot. I found that I liked her more and more as I read the novel, and, had she been real, would liked to have had her as a sister, friend, or relative. She is such a wonderful character because readers have a chance to see how she has grown up, has changed, and is willing to go for what she wants now that she is older and wiser (much like anyone else).
The story is not like Austen's other novels (Pride and Prejudice, Emma) because it deals with the issue of a true rarity in life--a second chance at love. Anne Elliot met and fell in love with Captain Frederick Wentworth, a naval officer, when she was 19 years old. Against her better judgment, she is "persuaded" by family in the form of family disapproval of her choice. Her mother is dead, her father and her elder sister Elizabeth (who have a very strange, almost-marriage-like relationship themselves) are social snobs and do not consider a mere captain in the British navy good enough to marry into their family because they are ranked above him socially. Anne's feelings, Frederick's feelings, and the possibility that he could earn a great deal of money by capturing privateers and enemy ships, or be rewarded with a title for distinguishing himself in battle does not occur to them. Anne is also strongly influenced by Lady Russell, a close family friend and a particularly close friend to Anne. Lady Russell, since the death of Anne's mother, has become a mother-figure/friend to Anne (since Anne is ignored by her father and sister Elizabeth). Lady Russell also disapproved of Anne marrying Captain Wentworth, and Anne, because she was young and easily influenced by those around her at age 19, breaks off her engagement to Captain Wentworth. She has regretted it ever since, and has not met anyone (her father and sister went out in Society, but did not take Anne with them; her younger sister Mary is married, but spends her time complaining about non-existent ailments and about all the wrongs and hurts she has suffered at the hands of family and friends to take any interest in introducing Anne to eligible young men) she would consider as a husband. Eight years pass, and, by chance, Captain Wentworth (now considerably wealthier though not titled) re-enters her life due to the temporary lull in the Napoleonic Wars. He too was very hurt by Anne's breaking off of their engagement, but, like Anne, he has not met any other women who compare to her. Both are wary of eachother--and Austen handles both their introspection and their gradual establishment of a stronger, more mature love for eachother with sensitivity and passion. I loved this story because it clearly shows an older (though still young) heroine who is offered the rarest of all things--a second chance at love with the love of her life. She is wise enough to reject the opinions of her family and Lady Russell this time, accepts the love offered, and offers her own love in return! Captain Wentworth's letter to Anne at the end of the novel is the kind of love letter every woman would cherish. Wow! What a beautiful letter! It warms your heart, touches your soul, and nourishes your spirit. The story is all the more poignant because Anne and Captain Wentworth appreciate eachother and their relationship because they know what they have and what they could have missed had they followed social conventions.
For the die-hard Austen fans, there is plenty of social commentary, and I thought that Austen illustrated the snobbishness of the upper classes very well in her characterizations of Anne's father and sisters. The criteria they use to accept or reject a person are based on such things as whether the man owns property and how much, how many servants he has, title, family background, connections, and, in her father's case, physical appearance is very important. None of these things have any intrinsic value compared to whether Anne is loved and respected by Captain Wentworth, how he treats people, his ethics, morality, etc. Austen's subtle humor and way of poking fun at these values contribute to the tone of this novel.
Give this novel a try. I do not think that you will be disappointed. I highly recommend it.

An Austen Masterpiece - And An Extraordinary Romance!
"Persuasion" is a great literary work, and, to my mind, Jane Austen's finest book. This was her final completed novel before her death, and was published posthumously. As is often the case with Ms. Austen's fiction, "Persuasion" deals with the social issues of the times and paints a fascinating portrait of Regency England, especially when dealing with the class system. Rigid social barriers existed - and everyone wanted to marry "up" to a higher station - and, of course, into wealth. This is also a very poignant and passionate story of love, disappointment, loss and redemption. The point Austen makes here, is that one should not ever be persuaded to abandon core values and beliefs, especially for ignoble goals. There are consequences, always.

Sir Walter Elliot, Lord of Kellynch Hall, is an extravagant, self-aggrandizing snob, and a bit of a dandy to boot. He has been a widower for many years and spends money beyond his means to increase his social stature. His eldest daughter, who he dotes on, is as conceited and spoiled as he is. The youngest daughter, Anne, is an intelligent, sensitive, capable and unassuming woman in her late twenties when the story opens. She had been quite pretty at one time, but life's disappointments have taken their toll and her looks are fading. She and her sister are both spinsters. Anne had once been very much in love with a young, and as yet untried, navel officer. A woman who had been a close friend to Anne's mother, persuaded Anne to "break the connection," convincing her that she could make a much better match. After much consideration, Anne did not follow her heart or her better instincts, and she and her young officer, Frederick Wentworth, separated. She has never again found the mutual love or companionship that she had with him. Anne's older sister never married either, because she hadn't found anyone good enough! She still hopes, however, for an earl or a viscount.

The Elliot family is forced to financially retrench because of their extravagance. They lease Kellynch Hall to...of all people...Wentworth's sister and her husband. Elliot, his oldest daughter and her companion, move to a smaller lodging in Bath for the season, leaving Anne to pack up their belongings before joining them. She gets the Cinderella treatment throughout the book. Anne decides to first visit with her middle sister, an abominably spoiled, whiny hypochondriac, Mrs. Musgrove. She has made a good, but not brilliant match to a local squire. Her husband, Charles Muskgrove, his parents, and their two younger, eligible daughters, Louisa and Henrietta, are delightful. They all tolerate Mrs. Muskgrove, barely, and adore Anne. It is at the Muskgrove estate that Anne meets Frederick Wentworth again, after his absence of seven years. He is in the neighborhood, because his sister is now in the area, residing at Kellynch, of course. Wentworth is now a Captain in the Royal Navy and quite wealthy. When their eyes meet for the first time, you can absolutely feel Anne's longing and remorse. He is aloof with Anne, although civil. The man was hurtfully rejected once before and it appears that he still feels her snub. Now Wentworth is on the marriage market and Louisa sets her cap for him. Accidents and various adventures ensue, from the resorts of Lyme and Bath to the Muskgrove estate, bringing Anne and Wentworth closer together. The passion between the two is sooo palpable, although Very understated, (this is Regency England after all). I think this is Ms. Austen at her most passionate. Some scholars say that she modeled Anne Elliot after herself.

This remarkable novel, and the issues it tackles, is just as germane today as it was when written. And the romance...well, no one does romance better than Jane Austen.

Romance-- clear-eyed, tender, true
The experience of reading _Persuasion_ is closer to that of reading _Jane_Eyre_ than it is to reading _Emma_ or _Pride_and_Prejudice_. Anne, our heroine, is a cut above those around her. She suffers through her social life and keeps her observations to herself. As in Austen's other books, there's plenty of wit to enjoy from the outside. But there's also a deep identification with Anne that brings out the poignancy and suspense of the romance until by the last twenty pages I could hardly stand it. And ahhhh, the payoff. Wonderful.