Product Description

TWO FAMILIES FROM DIFFERENT CULTURES COME TOGETHER FOR AN ARRANGED MARRIAGE IN NEW DELHI DURING THE MONSOON SEASON. BETWEEN A STRESSED-OUT FATHER, A BRIDE WITH A BURNING PASSION FOR SOMEONE ELSE, AND A WEDDING PLANNER WITH HER OWN AGENDA,FORGET THE RAIN, IT'LL BE A MIRACLE IF THE WEDDING HAPPENS.

Product Details

• Amazon Sales Rank: #2311 in DVD
• Brand: UNI DIST CORP. (MCA)
• Released on: 2002-09-24
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Formats: Color, DVD, Widescreen, NTSC
• Original language: English, Hindi, Punjabi, Urdu
• Subtitled in: English, Spanish, French
• Number of discs: 1
• Dimensions: .25 pounds
• Running time: 114 minutes

Amazon.com
Monsoon Wedding is a return to form for Mira Nair, director of 1988's Salaam Bombay! Nair's gift for observation of the everyday and her love for her characters make for a delightful film, which spins a web of family relationships that knit and break during a wedding at a perfect pace. The excellent performances exceed the often stereotypical roles on offer (including the incomparable Nasiruddin Shah as the harassed father, Kulbhushan Kharbanda as the comic uncle, and Shefali Chaya as the orphaned cousin). Nair's sympathetic eye for the unnoticed and the harassed is at its best with the tender romance between the servant and Dube (Vijay Raaz), the marigold-munching, upwardly mobile wedding coordinator, who brings pathos and humor to the often unseen servant classes. The handheld camera gives a docudrama feel to this celebratory look at the upper-middle-class Hindu Punjabi joint family, while paying tribute to modern Indian public culture of music, television, and, of course, "Bollywood." --Rachel Dwyer

From The New Yorker
Mira Nair's new picture has been hailed as a feelgood spree, but it's better than that-a barely stable compound of the wounding, the confusing, and the appealing. The action takes place in Delhi, where a pair of middle-class parents (Lillete Dubey and Naseeruddin Shah) work themselves into a froth over the nuptials of their daughter (Vasundhara Das). Her marriage is, of course, arranged; for all the racket and buzz of the film's modernity, it finds time to make the suggestion-bewildering, perhaps, to audiences here-that from this archaic arrangement can spring an enduring love. The groom is flying in from Houston, Texas; another relative travels from Australia, and you brace yourself for the cultural collisions. The result is a comedy, but only just. India's stressful poise between orthodoxy and innovation (listen for the clash of peacock and cell phone) leads to a devastating family fracture that is only half-healed by the celebrations at the end. In English and Hindi, sometimes within a single conversation. -Anthony Lane
Copyright © 2006 The New Yorker

Customer Reviews

ALL IN THE FAMILY
This is another outstanding film by director Mira Nair, who has previously directed such wonderful films as Academy Award nominee "Salaam Bombay", the lush and erotic "Kama Sutra: A Tale of Love", and "Mississippi Masala". This is a director whose very touch turns all her films to gold. She is truly an artist, and her films are palpable with feeling and emotion that move the storyline.

Though a low budget film, it features high budget, quality acting, as well as an absorbing story and world class direction. It focuses on the arranged marriage of a young, upper class, Punjabi woman in Delhi, India, which is a mecca for Punjabis. It offers a birdseye view at a family in transition, one that is ringing in new values, while maintianing the old ones. Moreover, as in all families, there are many joyous moments, as well as troubling ones.

While the focus is on the wedding celebration and all the preparation and rituals surrounding it, there are five subplots in the film, all of which are interesting, but it is the acting by the ensemble cast that makes the film so memorable. Naseeruddin Shah gives an award calibre performance as Lalit Verma, the financially strapped patriarch who wants all to go right with the wedding, but who, at the eleventh hour, is forced to confront a secret tragedy from the past and make a decision that shows his sensitivity and love for his family. His is truly a magnificent performance.

Shefali Shetty, with her large, expressive eyes, is superb as Ria Verma, Lalit's dead brother's daughter, who is forced to reveal a terrible secret from her past in order to prevent a tragedy from taking place in the present. She gives a performance so soulful that the viewer cannot fail to be moved. Aditi, the daughter who is to be married, is a walking paradox, agreeing to an arranged marriage, while simultaneously having an affair with a married man. The role is beautifully played by relative newcomer, Vasundhara Das, who in real life is an Indian pop star. Her prospective bridegroom, Hemant Rai, is played with modern sensiblility, by the very attractive Parvin Dabas, a real life, male fashion model, in his first silver screen role.

Vijay Raaz, in a breakout performance as P. K. Dubey, the wedding events coordinator, adds a deft comedic touch. It is his poignant wooing of the Verma family's maid, Alice, that nearly steals the show. Look for the nightime marigold scene in which Dubey puts Shakespeare's Romeo to shame. Tilotama Shome, in her first silver screen role, brings a subtle, sensual shyness to the part of Alice that is touching. Theirs is an interesting coupling, as P. K. Dubey personifies the new India, with his cell phone, his entreperneurial flair, and his email address, while Alice, the shy servant girl who is always dressed in a sari, seems to symbolize a more traditional India.

The film is a polyglot of languages, with English, Hindi, and Punjabi spoken at different times by various family members. I confess that I found it a little confusing to have the subtitles crop up, on and off, and I also found the English spoken a little difficult to understand, at times. So, thanks to DVD technology, I was able to watch the film with English subtitles on the entire time, so as not to miss a thing. The cinematography is beautiful in this film, with lush, vibrant colors throughout. The occasional use of handheld cameras throughout the film gives it the feel of a docudrama, at times, which is very effective, as the film is a voyeuristic look into a family. Moreover, this filming technique adds to the cacaphony of feeling and emotion that abounds in this film.

The DVD offers a limited number of features, the most interesting one being the director's commentary, which is an insightful look into the making of the film, as well as the backround and reasons for each scene. It is clear that for the director, who is herself Punjabi, this film was a labor of love. Bravo!

colorful, joyous Indian film
Occasionally, we Americans are treated to a delightful foreign film. I suspect that lots of these are made every year, but the powers that be long ago decided that we have neither the patience nor the inclination to watch them. One that did get through was the joyous Indian treat, "Monsoon Wedding".

A family in Delhi is overjoyed after one of its daughters accepts an arranged marriage with a successful Indian engineer who lives in Houston, TX. The girl's reason for accepting isn't out of respect for tradition. She's simply given up hope that her married lover will ever divorce his wife. When the prespective groom arrives, he turns out to be a really nice guy, and the bride-to-be agonizes over whether or not to be honest about her past. Meanwhile, the man hired to build the wedding tents finds himself head over heels in love with the family's shy young maid.

There are lots of laughs in "Monsoon Wedding", as well as many witty and insightful observations about middle-class Indian society. While there is a fascination in seeing some of the more exotic aspects of life in India, the most satisfying aspect of the film is its way of showing how universal the joys of love and of family are.

Typical of cosmopolitan families outside of the USA, the characters often switch from one language to another while speaking. In this case, they speak Hindu, Punjabi and English. I know some moviegoers can't stand subtitles, but, to me, the use of multiple languages simply adds to this film's charms.

Dancing in the Rain!
Grinning from ear to ear for hours after watching this movie, I happily commend it to the humble viewer.

From the opening sequences, the fabulous scenes of monsoonal India, this lovingly detailed film is part Shakesperean comedy with Dubaie the event planner as [...] part realistic family drama, and round to pure escapist romance.

The movie follows a couple of tangents, and various romantic subplots, but is set around a wedding (as the title shouts).

Deciding she can not wait any longer for her married lover to divorce his wife, Aditi asks her parents to arrange a marriage for her and is hopeful that moving to America to live with her new husband will help her overcome her heartbreak and build a new life.

Her doting parents are struggling to put on the most wonderful celebration they can afford, and preparing to receive all the extended family members who are arriving for the wedding.

The parents utter absorbtion in the task is demonstrated when the mother nearly leaves the house with her curlers still in - a feeling mother's around the world about to launch their children into married life would relate to!

When Dubaie (the wedding planner/event manager) first debut's in the movie, he comes across as an abrasive, obnoxious cockrell, entirely self absorbed until someone else intrudes on his sphere, then he falls desperately in love.
I thoroughly enjoyed his portrayal, his ability to skull water whilst grinning cheesily, and the wonderful quote "10 minutes exactly & approximately", which is just such a commentary on the Indian schedules. The meddling workers were also a delight.

Aditi's cousin Ria is troubled by Aditi's decision to go through with the arranged marriage, and proves herself a wise counsellor with a fierce love for family. Her character is well fleshed out with another thread involving some painful family secrets, which I must confess, I saw coming.

Nontheless the film, and the characters, handling of the emotions is superbly done, and very tear-inducing.

The moment the taps really turned on for me, was when Aditi's father (in a sublime performance)says "sometimes when I look at my children, I feel love which I almost cannot bear" which is a sentiment I relate to on such a deep level.

On another note, it was refreshing to see so many "full figured" girls. They were beautiful in their bounty, and in particular Ria was a gorgeous full-bodied celebration of womanly curves & the appeal of a warm smile and glowing personality. She (the actress) look strikingly similar to Elizabeth Taylor in her Cleopatra!

I was amused to see the "Australian cousin" what a genuine accent he had, and if you watch, do notice how even with his broken finger he is the one who ends up carrying everything (all the time) as well as serving at the bar, which is a bit of a comment on his heritage isn't it!

Loved the wonderful Indian accents, and their sharp little witticisms that were peppered through the script, and the interesting variation in their colouring. Half the families relatives looked no more than partly Indian, in particular the main villian.

Last thoughts?
I want an Indian Wedding with the amazing bamboo construction bedecked in silks & flowers! (and I wouldn't mind the roominess of a sari, come to think of it!)

Interestingly after I pressed my father to watch it, he had an entirely different reaction, commenting on the degradation of their society & integration of Western values. But that's a different review all together.

There are moments of sublime beauty, the cinematography and the eye to fine detail are exquisite, and this combined with the script, actors (That and the constant procession of gorgeous males) & humanity of the film found me elated by the final scenes.

kotori Dec 2004 - ojadis@yahoo.com