The Dark Crystal (25th Anniversary Edition)
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Average customer review:Product Description
Enjoy incredible footage from the Henson archives in this 2-disc 25th Anniversary Edition of THE DARK CRYSTAL. Travel back in time to the faraway planet of Thra. Cheer on the Mystics as they fight to overthrow the evil Skeksis and take back control of their planet! When Jen a member of the Gelfling tribe sets out to find the crystal s missing shard his dangerous journey brings him face to face with monsters at every turn. Determined to restore peace to their planet Jen will not back down! From the brilliant imagination of Jim Henson this masterpiece of animation recounts the timeless tale of good vs. evil and has become a cult favorite of children and grown-ups alike!System Requirements:Running Time: 93 Mins.Format: DVD MOVIE Genre: SCI-FI/FANTASY Rating: PG UPC: 043396185807 Manufacturer No: 18580
Product Details
- Amazon Sales Rank: #26538 in DVD
- Brand: Sony
- Released on: 2007-08-14
- Rating: PG (Parental Guidance Suggested)
- Aspect ratio: 2.35:1
- Formats: AC-3, Closed-captioned, Color, Dolby, NTSC
- Original language: English
- Subtitled in: English, French, Japanese
- Dubbed in: Japanese
- Number of discs: 2
- Dimensions: 1.00 pounds
- Running time: 93 minutes
Editorial Reviews
Amazon.com
Jim Henson's fantasy epic The Dark Crystal doesn't take place a long time ago in a galaxy far, far away, but like Star Wars it takes the audience to a place that exists only in the imagination and, for an hour and a half, on the screen. Recalling the worlds of J.R.R. Tolkien, Henson tells the story of a race of grotesque birdlike lizards called the Skeksis, gnomish dragons who rule their fantastic planet with an iron claw. A prophecy tells of a Gelfling (a small elfin being) who will topple their empire, so in their reign of terror they have exterminated the race, or so they think. The orphan Jen, raised in solitude by a race of peace-loving wizards called the Mystics, embarks on a quest to find the missing shard of the Dark Crystal (which gives the Skeksis their power) and restore the balance of the universe. Henson and codirector Frank Oz have pushed puppetry into a new direction: traditional puppets, marionettes, giant bodysuits, and mechanical constructions are mixed seamlessly in a fantasy world of towering castles, simple huts, dank caves, a giant clockwork observatory, and a magnificent landscape that seem to have leaped off the pages of a storybook. Muppet fans will recognize many of the voice actors--a few characters sound awfully close to familiar comic creations--but otherwise it's a completely alien world made familiar by a mythic quest that resonates through stories over the ages. --Sean Axmaker
Customer Reviews
When three suns align
Whenever you think of Jim Henson's Muppets, the fuzzy kooky variety shows and entertaining adventures of Miss Piggy, Gonzo and Kermit the Frog come to mind.
But these versatile puppets have been used for far more dramatic effects in "The Dark Crystal," an exquisite little fantasy story that happens to be entirely populated by puppets. Not a live person in sight, from start to finish. Henson and Brian Froud conjured up a gloriously detailed world -- full of fantastical flora and fauna, crystalline castles and strange creatures -- and wrapped it around a solid coming-of-age story.
On another world, there are two strange races that appeared one thouysand years ago -- the enormous, gentle, peaceful Mystics, and the nasty, vulture-like, vicious Skekses who ruin the surrounding lands. Both races are somehow connected to a massive crystal that was broken a thousand years ago, and now a shard is missing from it. What's more, three suns are about to come into conjunction, and the shard has to be back in place when that happens.
The Mystics have cared for one of the last Gelflings, an orphan named Jen whom they rescued from the insectile Garthim. As the conjunction approaches, they send him out to find the lost shard. Along the way, Jen gains the crystal shard for himself, and meets the only other living Gelfling, Kira. Now they must both evade the Skekses' Garthim henchmen and bat-winged spies, and somehow infiltrate their castle. But what will happen when the suns line up, and the crystal is completed?
Many fantasy movies slap together a story that has been told many times before, but increasingly without interest -- throw in swords, some monsters, a brave prince or farm boy, and some evil witch/queen/wizard/Dark Lord. But fortunately nothing is so simple in "The Dark Crystal" -- although the origins of the Skekses and Mystics are pretty obvious from the very start of the movie, the journey along with Jen is what really makes this interesting.
Instead of some pan-medieval land, "The Dark Crystal" aims at portraying a truly alien world, and Brian Froud's slightly weird designs make it seem so -- strange swamp reptiles, colorful anemones, vast crystalline castles, desiccated vulture-like creature, shrieking fuzzballs, and gorgeous forests full of strange plants and animals that tend to move and act in unique ways. "The Dark Crystal" leaves you feeling like you've been transported to some other planet.
Additionally, this film also has the honor of being the first major movie to entirely star puppets, with nary a human being in sight -- some of those puppets still walk in a herky-jerky Muppet manner, but their design is utterly detailed and believable, from Jen's sort-of-human, fawnlike features to the vast four-armed Mystics, and the rattling armored Garthim soldiers. And the special effects end up being pretty spectacular, especially during the chaotic literally earthshattering climax -- while the finale is rather predictable, it is no less awe-inspiring for that.
At times it feels like the characterization gets a backseat to the movie's visuals, but Jen and fellow Gelfling orphan Kira are fairly likable, naive young heroes who develop a cute little romance throughout the story. The various Skekses are given individual quirks and personalities (such as the annoying Chamberlain who won't stop humming). Not to mention the abrasive, lumpy witch Aughra, who's an absolute riot ("Whole world might burn up... hmph... end of Augra!") and Kira's toothy fuzzball Fizzgig.
"The Dark Crystal" has some predictable plot twists, but it is also a glorious visual feast and a coming-of-age journey with the Gelflings, leading to a finale both awe-inspiring and bittersweet. Definitely a must-see.
A Dozen Great Fantasy Films at The Castro Theatre in SF August 8 to 14
August 8
Return To Oz, Beetlejuice, Meet The Feebles
August 9
Labyrinth, The Never Ending Story
August 10
THE DARK CRYSTAL, Legend
August 11
Flash Gordon, Heavy Metal
August 13
Ladyhawke, Beast Master
August 14
Conan, Flesh & Blood
IMPORTANT NOTE: If good sound is important to you, contact theatre prior to visit to ask if they got a print with good Stereo sound!!
Would have worked better as a cartoon
The Dark Cyrstal opens up with a fairly good start. By the serious and profound voice of the narrator you'll be thinking that this is going to be good. But as the film rolls on its many flaws and weaknesses begin to show through.
Jim Henson is talented and it's amazing the different kinds of puppetry and animatronics he blends together to create this other world, but I'm sorry to say it just isn't good enough. The mystics movements are so slow that it's a wonder they make it to the Skeksis castle even by the end of the film! I know they're old but come on! Then theirs our hero the gelfling. It's impossible for him to evoke any sympathy or emotion from the viewer because since he's a puppet he's not capable of facial expressions! The only way we know that he is sad or happy is by his voice. The puppet even with that still seems lifeless.
Another problem is the story. Though we are told that the Skesis are corrupt wizards and the mystics good wizards, we NEVER see ANY wizardry from either of them whatsoever. If you are hoping for a great wizard finale, look elsewhere. They don't ever cast any spells; they don't ever have magic objects with them or concoct amazing potions; they're just there really.
Again with the puppetry. There is a scene where the Skesis' Garthim come barging into the ugly wise old woman's laboratory to get the gelfling. This was intented to be an exciting sequence. The gelfling just misses a Garthim's clutches before he gets on the old hag's rotating planet thingy, but because of the cheap, crude, silly movements of the character it looks too fake and lackluster.
This film would have worked so much better if it was animated by some talented artists. Having more believable and smoother movments from the characters, facial expressions, and beautiful artwork and scenery would have turned this sad yarn into what it was intended to be: an enjoyable fantasy epic.
Also a pet peeve of mines is the chamberlain Skesis. Oh my Lord! Give me a ax to hack that thing with! I know Jim Henson is trying to give individuality to his characters; give them certain traits to make them memorable and distinct from the others, but come on! All his stupid whining and 'Hmmmmmm..." sounds happened pratically every time he comes in the scene.
You can't say that I'm juding this film unjustly because I am an adult. You can't say that if I was a child then I wouldn't have noticed these things and would have enjoyed it. Sorry wrong. I hated this film as a child and still do. I thought that now that I am older and more open minded about things I used to dislike that I might care for this. Nope. Still stupid. Still sucks.
You want a good fantasy? See the Neverending story, Willow, Castle in the Sky, The Secret of Nimh, or even Henson's Labyrinth. They all work much better and are better films.





