Product Description

Nick and Norah's Infinite Playlist is a comedy about two people thrust together for one hilarious, sleepless night of adventure in a world of mix tapes, late-night living, and, live, loud music. Nick (Michael Cera) frequents New York's indie rock scene nursing a broken heart and a vague ability to play the bass. Norah (Kat Dennings) is questioning pretty much all of her assumptions about the world. Though they have nothing in common except for their taste in music, their chance encounter leads to an all-night quest to find a legendary band's secret show and ends up becoming the first date in a romance that could change both their lives.

Product Details

• Amazon Sales Rank: #2776 in DVD
• Brand: SONY PICTURES HOME ENT
• Released on: 2009-02-03
• Rating: PG-13 (Parental Guidance Suggested)
• Aspect ratio: 1.85:1
• Formats: AC-3, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: English, French
• Dubbed in: French
• Number of discs: 1
• Dimensions: .25 pounds
• Running time: 90 minutes

Amazon.com
In the big-screen version of Rachel Cohn and David Levithan's popular young adult novel, two high-school seniors fall in love over the course of one eventful evening. A straight bass player in a queercore band, Nick (Juno's Michael Cera) has just been dumped by the two-timing Tris (Alexis Dziena). He's committed to making more self-pitying mix CDs until his bandmates convince him to help track down a top-secret rock concert. Meanwhile, Norah (Charlie Bartlett's Kat Dennings) and her hard-partying pal, Caroline (Ari Graynor), set off on the same journey. Nora had never met Nick, but she already had a crush on him (While attending the same school as Tris, she's been enjoying the mixes Nick keeps making--and Tris keeps throwing away). When the inebriated Caroline goes missing, they spend the rest of the night racing around the Lower East Side in his Yugo looking for the friend, the show, and trying to avoid Tris (Norah's ex-boyfriend, Tal (Tropic Thunder's Jay Baruchel), presents further complications). Peter Sollett's follow-up to Raising Victor Vargas aims to please several audiences at once. It starts out like a less dirty-minded Superbad, morphs into a post-millennial After Hours, and ends as a Big Apple take on Before Sunset. It's sweet and funny, but could use more of its own identity, though Cera and Dennings make for an appealing couple and the supporting performers, especially Graynor and Kevin Corrigan in a wordless cameo, enhance the proceedings considerably. --Kathleen C. Fennessy

Stills from Nick & Norah's Infinate Playlist (click for larger image)

More Nick & Norah's Infinate Playlist

Paperback Book

Soundtrack CD

Customer Reviews

nick&norah`s infinite playlist
I am over 50 and even though this movie is probably aimed at teenagers
i found it really enjoyable,this was due to really clever writing and
a excellent cast that seemed to work well together.
I had allready borrowed this movie from my brother and decided after
watching it to buy a copy for myself from the U.S. (i`m in australia)
that`s how much i enjoyed this movie.
The picture and audio is very good as you would expect with blu-ray
and this movie had some fantastic music.

An "After Hours" Revamp as a Smart, Affecting Teen Comedy with an Indie Rock Beat
I was all prepared to trivialize this movie for what I expected to be another hipster teen comedy taking advantage of the success of Juno and Superbad, especially given that Michael Cera is the co-star of all three films. However, this 2008 movie is really a quirky, sharply played variation on Martin Scorsese's 1985 After Hours, this time focusing on two misfit teens, kindred spirits when it comes to their taste in music, who find themselves traipsing through New York's indie rock scene for one hilariously sleepless night. Their chemistry is predestined by their names, a tribute to the scintillating married couple played by William Powell and Myrna Loy in The Thin Man series of golden-era Hollywood classics. Their nocturnal misadventures are driven by Nora's search for her hard-partying best friend Caroline, who escaped in a fit of paranoia out of a van, while gay-band bassist Nick is nursing a broken heart over Tris, the shallow, man-baiting ex-girlfriend who continues to play him.

If the movie simply limited itself to the odyssey, it would have been satisfying enough for its intended audience, but what director Peter Sollett and screenwriter Lorene Scarfaria have done to transcend the genre is make the lead characters' mutual passion for music the focal emotional point of their growing attraction for one another. Nick keeps sending Tris idiosyncratic mix CDs (like "Road to Closure, Vol. 12"), which she tosses into the trash only to provide Nora an opportunity to retrieve them and listen to reflections of his broken heart. Neither is able to articulate their feelings otherwise, as shown by their comically bumbling conversations, so the music plays a vital part of their burgeoning relationship. I still don't find Cera terribly versatile, but he has been resourceful in using his now-familiar screen persona of a dweebish sad-sack in suitably well-turned material.

Familiar as Catherine Keener's edgy but ultimately caring daughter in The 40-Year-Old Virgin, Kat Dennings comes into her own as Norah, capturing the insecurity of a character who leaves herself wide open to the pain inflicted by those around her. There are scene-stealing turns by Ari Graynor as the constantly drunken Caroline, Alexis Dziena as self-appointed goddess Tris, and Rafi Gavron and Aaron Yoo as Nick's club-friendly gay bandmates. There are a couple of Saturday Night Live cast cameos thrown in - "newscaster" Seth Meyers as the horned-up passenger mistaking Nick's yellow Yugo as a cab (with Scarfaria as his girlfriend) and Andy Samberg as a bum lurking on the steps of St. Patrick's Cathedral. The alt-rock music is appropriately underground to fit the story. There really isn't that much more to the movie since the fate of these characters is clear from the outset.

It's simply that the film has good energy fueled by the constant barrage of music and smart dialogue to fill the love story that emerges from their long night's journey into morning. There are a surprising number of extras with the 2009 DVD starting with two separate commentaries, the first with Sollett, Cera, Dennings and Graynor discussing the production details, and the second with Sollett and the source novel's writers, Rachel Cohn and David Levithan, in which they discuss more of the story and screen adaptation. There are deleted scenes and outtakes, some quite funny but understandably excised, and an amusingly off-kilter Nick & Norah puppet show by Dennings. Rounding out the extras are storyboards, photo galleries, Graynor's video diary, a music video, and a funny faux-interview with Cera and Dennings.

The Music Scene at Night
"Nick and Norah's Infinite Playlist"

The Music Scene at Night

Amos Lassen

Two people are thrust together for one wild night in New York City and they experience a sleepless world of adventure, of late-night fun and very loud music. Michael Cera is Nick and he is a member of a rock band. He is trying to get over a broken heart. His band where he is the only straight member and plays bass is "Jerk Offs" which is classified as queercore. Nick meets Norah (Kat Dennings) at a show where the band is finishing playing "Screw the Man". As the two begin their adventure together, Norah questions her assumptions about the world. The two seem to have little in common aside from their love of music but their chance meeting leads them on an all night quest to locate where a band is doing their secret show. They soon realize that they are actually on a first date and involved in some kind of romance that could change their lives. They with Tom and Dev, two gay members of Nick's band, set out to find the other band. We get a new kind of romantic comedy in which gay people are just people. As Nick and Norah hold hands, they embark on a night that they will never forget.
It is nothing new to see two people make a connection through music and here it is done in a fun manner and as we watch we begin to empathize with the characters and grow to love them. The success of the film is because of the amazing cast, the wonderful screenplay by Lorene Scafaria and the direction by Peter Sollett. The movie succeeds because of these and as a teen comedy it is sweet and gives a balance between Nick and Norah that we do not often see. It is a character driven film and the actors do their jobs with élan. Ari Graynor shines as a ridiculously likeable drunk.
The movie is all about love and if you are not in love, the movie makes you want to be. It also provides laughs and the magic of music. Can we ask for anymore than that?