Product Description

Edward Yang's award-winning masterpiece follows the lives of NJ Nian, his wife, Min-Min and their 2 children who share their Taipei apartment with Min-Min's elderly mother. Now in his mid-40's NJ is a partner in a computer hardware firm which made big profits last year but which will soon go bankrupt if it doesn't change direction. Things start to go wrong for the Jians on the day that Min-Min's brother A-Di gets married. That's the day when Min-Min's mother suffers a stoke and is rushed to the hospital in a coma. It's also the day when NH bumps into his childhood sweetheart (married to an American) who he hasn't seen for 20 years. In the following weeks the family will have to reevaluate who they are and what their lives have become.

Product Details

• Amazon Sales Rank: #59242 in VHS
• Released on: 2002-02-19
• Rating: NR (Not Rated)
• Formats: Color, Letterboxed, Subtitled, Widescreen, NTSC
• Original language: English, Japanese
• Number of tapes: 2
• Running time: 173 minutes

Customer Reviews

Film in the purest form
Once in a while you walk out of the theatre and you find yourself giving a big sigh. When that happens, it's not because you're tired about a movie you just have seen. On the contrary. In my case it means that I just experienced an artform that cannot be compared with any other kind of art. Yi Yi is a good example of this. For those who watch carefully, they will discover that the story of Yi Yi is not more than a saga, perhaps even a soap plot of a ordinary middle class family in Taipei. But those who have patience to go beyond the facade of the ordinary, they will see a movie dealing about individualism, childhood, commitments, second chances, urban loneliness, broken promises, families, despair and death. But Yi Yi also shows us the small qualities of life: humour, laugther, life questions posed by a diligent and intelligent young kid, first love, courage, the meaning of life and the search for happiness. But Yi Yi is told without the explosivity of American Beauty. Instead, we witness (instead of watching passively) most of the narrative through windows and doors. Just as we're the neighbours of the protagonists of this film. Sometimes we will find ourselves shedding a tear. Sometimes we laugh. And that, my friend, is the reality of life. Shame that this one was overlooked by the Academy Award Association. Crouching Tiger, Hidden Dragon couldn't be a match to this one.

A slow-burning masterpiece
Ostensibly, Edward Yang's Yi Yi (A one and a two) is a movie focusing on a family in contemporary Taipei, living through exceptional and unexceptional challenges that any one of us might be confronted with. But what the film really succeeds in capturing through its characters and events is the enormity of human existence; the challenges and rewards of living on this earth. It does so in a slow, penetrating manner that works its magic during the film, but even more so once after the film has ended.

The movie is rich with well developed characters and subplots that justify its three hour length. Yet in the course of all the seemingly tumultuous events that take place, little changes in the long term once the credits roll. But then, everything has changed; the movie begins with a wedding, tosses in a birth in the middle, and ends with a funeral. In between all these greater moments are the smaller though no less important things in life that almost every one of us can relate to at some level; love lost, regret, guilt, second chances, self-expression, happiness, sadness. The movies ambitions seem almost epic until you realize that there is nothing 'epic' about this family and its interactions. That is where the magic of this film really lies. Cultural differences don't matter here; you can always find a way to relate to Yang's characters through their common humanity. For many, we see emotional reservation, but Yang is able to expose even these characters through their confessions to their grandmother, who is comatose after a stroke. And then there is Yang Yang, the little boy of the family who is able to expose the nature of truth and exploration in a way only a little boy could.

I suppose that the thing that I enjoyed most about this film is that, even after seeing it a few days ago, I grow to appreciate it more, even as I write this review. Yi Yi is just an amazing film, perhaps the best ever made about a family, but to classify it as such is wrong. The movie is really a mirror; it is a beleivable, honest reminder of how life can be wonderful, and a pain, all at the same time.

Art at its most inspired and inspiring
Cinema doesn't get any better than this. If you haven't seen this film then don't hesitate - buy the DVD right now, and play it when you're most in need of inspiration - it will dispel any doubts you might harbour about the power of film, the worth of art. The ability of Edward Yang to fuse imagination with, it must be assumed, an amazing honesty in reflecting upon his own life, to share what he holds most dear, and what evokes the most wonder, is something we, as an audience, can only marvel at and give thanks for. To say that 'Yi-Yi' inhabits the points of view of a child, an adolescent, an adult, a parent, a matriarch, the points of view of both male and female, that of the earnest, the honest, the ironic and idealistic, is to say that it truly touches upon life's richness. At one point in the film a character comments that films allow us to live life three times over, that's to say, they show us three times as much life as we could live by ourselves - most films give lie to this optimism, but 'Yi-Yi' itself makes such a statemest seem miserly. One of the best films I've ever seen.