Track Listing

1. Nocturne in C-Sharp minor (1830)
2. Nocturne in E minor, Op. 72, No. 1
3. Nocturne in C minor, Op. 48, No. 1
4. Ballade No. 2 in F Major, Op. 38
5. Ballade No. 1 in G minor, Op. 23
6. Waltz No. 3 in A minor, Op. 34, No. 2
7. Prilude in E minor, Op. 28, No. 4
8. Grande Polonaise for Piano and Orchestra (preceded by an Andante Spianato), Op. 22
9. Andante spianato in G Major
10. Grande Polonaise in E-flat Major
11. Moving to the Ghetto Oct. 31, 1940
12. Mazurka in A minor, Op. 17, No. 4

Product Details

• Amazon Sales Rank: #5378 in Music
• Brand: Sony
• Released on: 2002-11-26
• Number of discs: 1
• Format: Soundtrack
• Original language: English, German, Russian
• Dimensions: .20 pounds

Customer Reviews

Chopin and World War II
The film score to "The Pianist" has to be the best Chopin collection ever made for film and comprises one of the better film scores of recent years. The Chopin selections are all thoughtful and connect powerfully to images presented in the film. Pianist Janusz Oleiniczak is an extrovert Chopin performer captured in exemplary DDD sound. I think this is not only one of the better film scores for classical music, it is one of the better Chopin collections from recent years. The music is scrupulously selected to represent the emotions generated in the stark visual imagery -- from the melancholy Nocturne in C-sharp minor that represents the beginning of the end for thousands of Jews...to the powerful Ballade No. 1 played to a sympathetic German officer...to the Andante Spinato and Grande Poloniase Brilliant that triumphantly ends the flim over closing credits. "The Pianist" is a remarkable film that deserves its many plaudits and its score adds much to its reputation. The two are indispensable parts of an unforgettable artistic experince.

It's a Treasure!
I bought this CD after seeing the movie 'The Pianist' twice, and reading the book by Wladyslaw Szpilman once. I have listened to it at least 20 times by now and I am still not tired of it. I am not a musician, nor do I understand music, but I do enjoy great music, particularly classical music. I liked Chopin long before I saw this movie but now I am a big fan of Chopin. A lot of the credit goes to Roman Polanski who created a masterpiece, to Adrien Brody's superb acting, and the wonderful piano by Janusz Olejniczak. My most favorite piece is Ballade No.1 in G minor,op. 23 (#5 on the CD), which Szpilman's character in the movie plays for the German officer. I also love Nocturne in C sharp minor (#1 on the CD), which we hear at the beginning of the movie, and after the war is over. The Grande Polonaise at the very end (#9 on CD) fills me with great joy because to me it represents a happy ending, inspite of irrecoverable loss. I have listened to Chopin played by several other pianists, and I like Olejniczak's interpretation very much. The 'ghetto' piece by Kilar, though a bit out of place among the Chopin pieces, brings back memories of this wonderful movie. Without it, the CD would have been incomplete. My minor disappointment is that the cello piece played by the character Dorota, and the small portion of Moonlight Sonata, are not on this CD. I would have liked to see them included. Other than that, this is a wonderful CD and I am very happy with my purchase.

A Too-Easily Dismissed Artist
A previous reviewer considerately corrected others who are perhaps not as well versed as he is about classical music. That reviewer also quite cavalierly dismissed the playing of Janusz Olejniczak, chiefly it appears because this is a movie soundtrack.
A number of eminent pianists - Rubinstein, Bolet, Moravec, Ax, among many others - have recorded movie soundtracks. And, like them, Olejniczak has recorded a great deal more. For instance, his albums for the Opus 111 label, which also recorded Sokolov, should be sampled by all lovers of Chopin, if only because Olejniczak can be heard playing on one record an Erard piano from Chopin's time, and on another an even more remarkable Pleyel. It's fascinating to find the Erard really does have what Chopin called a "ready-made" tone; the Pleyel by comparison is a revelation.
But then so it the playing of Olejniczak. He was not discovered by Roman Polanski. Olejniczak was a prize-winner of the Warsaw Chopin competition at the age of 18. He is greatly respected in his native Poland and in Japan, which both know something about great Chopin playing.
Olejniczak is a forceful artist who nevertheless never pounds; one frequently is put in mind of how Chopin envied the powerful way Liszt played his etudes. Olejniczak's Polish "accent" is, of course, entirely appropriate for Chopin, as is his wonderful voicing of chords and sure but free rhythm. Olejniczak plays with a full-throated lyricism -- it is the Bellini of "Norma" rather than "Sonnambula" -- but the pianist can also be touchingly tender. Above all he is dramatic in the fullest sense, vividly characterizing each piece. It's easy to see why Polanski and other film directors have been drawn to him. Chopin clearly is Olejniczak's life blood.
That previous reviewer may sincerely prefer such very different musicians, one to the other, as Rachmaninoff, Rubinstein, Cortot and Argerich, but I hope no one will hold it against Olejniczak (who, by the way, I don't know personally -- no special pleading here!) simply because he is not as widely known as some other pianists. He is a genuine find, and Polanski should be thanked for sharing a superb talent with a wider public.