Product Description

Ten years after the publication of Wicked, beloved novelist Gregory Maguire returns at last to the land of Oz. There he introduces us to Liir, an adolescent boy last seen hiding in the shadows of the castle after Dorothy did in the Witch. Bruised, comatose, and left for dead in a gully, Liir is shattered in spirit as well as in form. But he is tended to at the Cloister of Saint Glinda by the silent novice called Candle, who wills him back to life with her musical gifts. What dark force left Liir in this condition? Is he really Elphaba's son? He has her broom and her cape—but what of her powers? Can he find his supposed half-sister, Nor, last seen in the forbidding prison, Southstairs? Can he fulfill the last wishes of a dying princess? In an Oz that, since the Wizard's departure, is under new and dangerous management, can Liir keep his head down long enough to grow up?

For the countless fans who have been dazzled and entranced by Maguire's Oz, Son of a Witch is the rich reward they have awaited so long.

Product Details

• Amazon Sales Rank: #7942 in Books
• Published on: 2006-10-01
• Released on: 2006-09-26
• Original language: English
• Number of items: 1
• Binding: Paperback
• 352 pages

From Publishers Weekly
Starred Review. The death of Elphaba Thropp, the Wicked Witch of the West, brings about spectacular changes in this masterfully imaginative sequel to Maguire's 1995 blockbuster Wicked—most notably, the startling possibility that Elphaba had a son. Scattered among the ruins of great portions of Emerald City, many residents have been skinned and bloodied, supposedly by the barbaric Yunamatas. Travel caravan leader Oatsie Manglehand stumbles upon the body of an unknown young man, badly beaten but still alive. She presents him to the wise Superior Maunt, who recognizes the hurt boy as Liir, rumored to be the dead Witch's secreted son. A mute waif named Candle revives him with her haunting, ethereal music and hidden affections. Meanwhile, Maguire supplies alternating chapters of extensive, mesmerizing backstory of Liir's boyhood, from the witch's watery demise, to the trek to the Wizard's Castle with Dorothy and company, his search for the imprisoned princess Nor, and a long stint in the Munchkinland Army, all while donning his mother's black cape and clutching her magic broom handle. Along the way, a headspinning cast of vividly described, eccentric characters emerges, but nothing prepares Liir for Candle's shocking surprise announcement. Tucked into Maguire's enchanting fable are carefully calibrated object lessons in forgiveness, retribution, love, loss and the art of moving on despite tragic circumstances. Ten years after Wicked (which is still on Broadway), fans will once again be clicking their heels with wonderment.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School–Son picks up where Maguires highly successful Wicked (HarperCollins, 1995) left off, with the death of Elphaba the Wicked Witch of the West. She left behind a daughter, Nor, and Liir, who may or may not be her son. After her death, he enters into a decade of listless soul searching. He travels for a time and then joins the military, enjoying the structure it provides his life. But eventually his rearing by the Witch as well as his possible heritage catch up to him and he finds himself in demand to start a new revolution against the tyranny of Emerald City. An odd series of disfiguring murders starts occurring all across Oz. Liir discovers that the new Emperor sits behind the machinations and uses the strange killings to spread distrust among the various races of the land. Wielding Elphabas flying broom and donning her magical cape, Liir makes some small but bold gestures that help the populace of Oz and replants the seeds of hope that Elphaba spread a generation before. Son is a tighter work than Wicked, making deft use of flashbacks and varying viewpoints to create a quicker pace. And Liirs quest–both to find himself and to save the people of Oz–is easier to believe than the motivations that drove the bitter yet heroic Elphaba. A well-written, well-crafted fantasy that can stand on its own.–Matthew L. Moffett, Northern Virginia Community College, Annandale
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
The best-selling Wicked, Maguire’s adult spin on L. Frank Baum’s classic, became a Tony Award-winning Broadway musical; by contrast, this sequel is a typical middle book, a bridge to a better novel to come, perhaps. Maguire introduces powerful, whimsical, and cruel characters and adds ethical and sexual complexities to the original story—if you can keep all the characters, flashbacks, and plots straight. Although Son, which starts where The Wizard of Oz leaves off, has the same wit and complex moral themes of its predecessor, they fall flatter here. Finally, though some readers will welcome Dorothy’s entrance, many will find the entire story too constructed for their taste. But the cliffhanger ending will keep them waiting for the third installment.

Copyright © 2004 Phillips & Nelson Media, Inc.

Customer Reviews

Lost time.
I liked Wicked. He did a great job creating a backstory and giving the characters depth. The "big" events in Wicked didn't need to be written as we're to remember them from the movie. Son of a Witch was written in the same way (i.e. just mentioning big events) but without giving the characters any depth. Just poorly done all the way through. Constantly waiting for something to happen, for some suspense to be created, but it didn't happen. Since I've only read two of his works, I don't know if he phoned this one in as a way of cashing in on the musical or if this is par for the course. What I do know, however, is that I won't be finding out 'cause I won't be spending any more money on his novels. Unfortunate.

an insult to Baum and readers
Liir, presumed son of the Wicked Witch (Elphaba), is on a quest to find his identity and his (maybe) half-sister. And nothing happens. As a fan of Baum's quirky and lovely original books, I can't quite get on board with Maguire. He sucks the magic and mystery out of Oz by soaking it in political and religious rhetoric and endless boring discussions on those matters. It is as if he doesn't trust readers of fantasy to be able to understand allegory. Baum did, and he was writing for children. Maguire's story is bogged down with these aspects, taking away from the characters and the magic, and boring his readers to tears. The novel rambles and seems to lack any point at all. His language is as silly as it is pointless, particularly is constant similes/metaphors, for instance, comparing the Cowardly Lion in the rain to "a stone lion in a fountain". He uses obscure vocabulary that breaks the flow of the reading. And, as a fan of the original works, I can't understand why he even bothers to place his work in Oz except as an excuse to cash in on another's work and shock the readers by making something so fluffy and light as Oz into a dark and political world. It's pretentious. I won't be reading anything else by this author, and I chucked out all his other books. Grade: F

A pointless read
To start off, I have to say that I enjoyed reading "Wicked," and have waded through all of Maguire's work with varying degrees of interest. As for "Son of a Witch," I stopped reading after 72 pages - it is horrible. Maguire is increasingly and pointlessly genital-centric in his novels, which becomes both frustrating and antagonizing after just the first few scenes. While I certainly have no problem with sex and sexuality in fiction and literature, Maguire is simply absurd. Freud would have had a field day with him - I just couldn't make myself turn another page.