Track Listing

1. Doolin-Dalton
2. Twenty-One
3. Out of Control
4. Tequila Sunrise
5. Desperado
6. Certain Kind of Fool
7. Doolin-Dalton [Instrumental]
8. Outlaw Man
9. Saturday Night
10. Bitter Creek
11. Doolin-Dalton/Desperado (Reprise)

Product Details

• Amazon Sales Rank: #9970 in Music
• Released on: 1990-10-25
• Number of discs: 1

Album Description
Japanese only SHM-CD (Super High Material CD - playable on all CD players) pressing. Warner.

Amazon.com
If ever a group of musicians had a clear vision of where they wanted to go and how to get there, it was these southern California boys who built a steady rolling FM hit factory on basic tenets of Gram Parsons's invention of country-rock. For their second album, the group decided concept was most important and set out to portray themselves as keepers of the old West--their outlaw image a natural for those born unto rock and roll soil. The hits are lazy, decadent, and unrepentant; "Tequila Sunrise" and the title track, feature the flawless harmonies and strong vocals of Glenn Frey and Don Henley. --Rob O'Connor

Customer Reviews

The Eagles' Masterpiece
I know this is not the majority opinion, but in my view, "Desperado" is easily the Eagles' best album and their most enduring work. "Desperado" is the Eagles' only "concept" album, and one of the best concept albums ever.

Besides a lyrical cohesiveness that far exceeds most "concept" albums, the musicianship demonstrated in this album eclipses anything the Eagles did before or after. It shows how much was lost when Bernie Leadon left the band.

The album presents the story of an outlaw using a loose historical reference to a member of the Doolin-Dalton gang at the turn of the century. The main character begins as a relative innocent with a taste for the fast life. He follows that instinct and finds himself unable or unwilling to break away from it. He senses it will overwhelm him, and in the end, it does.

The songs on the album have a subtle appeal ... they take time to appreciate, but both the lyrics and the melodies are superb. "Twenty-One" and "Out of Control" are terrific depictions of the life. Musically and lyrically, "Out of Control" is just that ... out of control. "Tequila Sunrise" and "Desperado" reflect the reality of the choices he's made ... when the lights are off and everyone goes home he's still all alone. He knows he's headed for trouble:

"You better let somebody love you, before it's too late."

In "Certain Kind of Fool", he chooses the wild life, but why?

"It wasn't for the money, at least it didn't start that way It wasn't for the running, but now he's running every day."

The transformation is complete in "Outlaw Man," which reflects the lonely reality of the wild life:

"All my friends are strangers, they quickly come and go; and all my love's in danger, cause I steal hearts and souls."

In the end, the life destroys him, "all alone in the center ring" and "with no time left to borrow." Musically, the last song on the album reprises the first: "Doolin Dalton." Here, the epilogue of his life and the reasons for his untimely end are made clear:

"The Queen of Diamonds let you down, she was just an empty fable; the Queen of Hearts you say you never met. Your twisted fate has found you out, and it's finally turned the tables; stole your dreams and paid you with regret."

Great stuff.

Hey, I know. It's only an album. Maybe it's because I spent a similar period of my life like a "Desperado" -- in a room full of people, yet somehow still alone. But I think it's a great album. Nothing the Eagles did before or since can touch it.

Talk About Peaking Early . . .
Hardcore fans will undoubtedly disagree, but for my money, The Eagles absolutely nailed it with "Desperado," which ranks with The Byrds "Sweethard of the Rodeo" and Gram Parsons' "Return of the Grevious Angel" as a high-water mark for '70's country rock.
Containing songs rich with Western/outlaw imagery, singers Glen Frey and Don Henley's trademark vocals were never better in delivering classics like "Tequila Sunrise," "Saturday Night," and the title track - and with Bernie Leadon still in the band, the authenticity of the group's country underpinnings were never stronger.

Once Leadon left, The Eagles became more of an arena band that tried to capture more of the mainstream rock audience (while still delivering the occasional country-tinged classic like "Lyin' Eyes" and "Best of My Love"). Obviously, they were wildly successful, but with the possible exception of "Hotel California," the band never again approached the creative genius that produced "Desperado."

Western Concept Album
I have, oh, I dunno. Maybe 550 LP records, some 200 casettes, and probably a like number of CD's. Of all of them, this record has been played more than any of them. In the early 70's I listened to it constantly. The concept, "modern rock and rollers as old west outlaws", was easily segued, by me, into my own life as a military elite.

The story of Bill Doolin and Bill Dalton was familiar to me. Seems that 3 Dalton brothers, Grat, Bob, and Emmitt, along with two others, tried to rob two banks at once in Coffeyville, Kansas. The attempt went horribly wrong, and 4 townspeople and 4 outlaws were killed, including Bob and Grat. Emmitt survived about 20 some wounds to live well into the 20th Century. Bill Dalton, another brother, then joined up with a gang member that didn't make the trip, Bill Doolin. The resulting Doolin-Dalton gang ran through the territory in a manner the original gang never imagined. It included members named Dynamite Dick, Tulsa Jack, Arkansas Tom, and a fellow named Bitter Creek Newcombe.

The Eagles used all this as an allegory to describe the life of a modern rock and roll star. Loneliness, uncertainty, fear, the road, wild times and hangovers, sudden death, love that is all too short. The feeling of being outside the mainstream. I loved it.

From the opening strains of "Doolin-Dalton", to the quiet, desperate "Saturday Night", the raucous full speed ahead of "Out of Control" followed by the painful "Tequila Sunrise", the Album explores all that. But the best song is the classic, "Desperado". It asks, is it all worth it, all this fast living on the edge, without love?

Bernie Leadon, Don Henley, Glen Frey and Randy Meisner are all good players, singers, and songwriters. This band does not have the virtuoso feel of the Joe Walsh/Don Felder bands on guitar, just good, solid country picking. Great singing on every song. A quiet, heartfelt classic, that really really speaks to me today, after all these years.