Released June 2005 Another Day on Earth is an ambient song cycle full of yearning and a mood that Eno calls "brave and resigned." Even in song, Eno is a master of ambience, creating detailed soundworlds and lyrics. It's taken him 15 years to make a new vocal album, and the songs span that time, with "Under," a beautiful hymn of loss and redemption that goes back to 1991's aborted My Squelchy Life album. Another of Eno's most sublime songs is "And Then So Clear," a paean of wasted longing with cycling rhythm, ethereal guitars, and pitch-shifted vocal harmonies. You can hear Eno's love of gospel music on "This" and "Bottomliners," and can picture them in a Baptist church with his double-tracked vocals emulating a solemn choir. It's not all minor-key reflection, Eno also unleashes a few fractured tunes, like "Bonebomb," which is from a project in which he mutated the meter of poets reciting their works. Another Day on Earth is a personal work from the ambient avatar, a recording of rare and meticulous maturity.

Track Listing

1. This
2. And Then So Clear
3. Long Way Down
4. Going Unconscious
5. Caught Between
6. Passing Over
7. How Many Worlds
8. Bottomliners
9. Just Another Day
10. Under
11. Bone Bomb

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Product Details

• Amazon Sales Rank: #50006 in Music
• Released on: 2005-06-14
• Number of discs: 1
• Dimensions: .13 pounds

Amazon.com
Another Day on Earth is an ambient song cycle that is full of yearning and a mood that Brian Eno has called "brave and resigned." Even in song, Eno is a master of ambience, creating detailed soundworlds and lyrics that don't so much make sense as create a feeling. It's taken him 15 years to create a new vocal album, and the songs span that time, with the welcome reprise of "Under," a devastatingly beautiful hymn of loss and redemption that dates back to 1991's aborted, unreleased My Squelchy Life album. It's turned up before on the Cool World soundtrack and Eno Box II: Vocals. Joining "Under" as one of Eno's most sublime songs is "And Then So Clear," a paean of wasted longing and hope with its cycling rhythm, ethereal guitars, and pitch-shifted vocal harmonies. You can hear Eno's love of gospel music on "This" and "Bottomliners," and can almost picture them in a particularly pensive Baptist church with his double-tracked vocals emulating a solemn choir. But it's not all minor-key reflection. Eno also unleashes a couple of fractured tunes, like "Bonebomb," which is from a project in which he mutated the meter of poets reciting their works. Another Day on Earth is a more personal album from the ambient avatar, a recording of rare and meticulous maturity. --John Diliberto

Eno in Song: Performer and Producer

For Your Pleasure, Roxy Music	Here Come the Warm Jets	Taking Tiger Mountain (By Strategy)
Remain in Light, Talking Heads	Heroes, David Bowie	The Joshua Tree, U2

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Customer Reviews

More, please.
How long has it been since he recorded with John Cale. 15 years, maybe? Eno's vocals are still haunting, his production remains forceful and organic. This is much better than a lot of the early reviews. The disc is inconsistent only in that he is throwing together a lot of different ambiant constructs. While a lot of folk are hoping for another Taking of Tiger Mountain, this really has a lot of Thursday Afternoon disassociation flowing through it. The fact that it's not for everybody only endears it more to his admirers. Don't kid yourself, this is one of the last giants doing what he does best.

Heartbreaking Beauty
First, I can understand Spike's issue with Eno's music. If you're not into ambient, this will kill you. But it's like Diana Krall for me - I just can't stand that soporofic bore, and I'M FROM CANADA!
Now, on to the disc at hand....
"This" is simply the best kick off song on a CD since "Come Together" opened ABBEY ROAD. It is thematically akin to what Eno did on his collaboration with John Cale, and would fit right in with "Spinning Away." It's beyond clever and absolutely perfect even to the way it deconstructs at the end. From there, clearly his most recent effort with Fripp, the haunting EQUATORIAL STARS, certainly has had an impact on the ambient moods he creates throughout this disc. It is in so many ways a reflection of how exhausted with the travail of living another day on earth can be, and yet there is something that just refuses to cave in, for all the existential weight.
"Bottomliners" will haunt you long after its conclusion, and seems almost to be the twin of "Bone Bomb", whose sudden ending is as profound a statement on death as you'll ever get. "Caught Between" resonates with an intensity of a life lived with eyes and sensibilities finely attuned. "Under" is more effectively presented than in its 1991 life.
Most reviews mention the hymn-like quality of the songs. They are indeed spiritual statements and certainly not pop songs. Given the comparative wealth of information among his credits - quite a rare thing - this must be, without giving away too much, as personal a statement of his life at this point as he's ever made. Fripp and Bowie, his daughters, key people in his career are given thanks. There is obviously something going on that he wanted to say. And in ways what he wanted to say is what remains left unsaid. He unsays it poetically. And there is just a heartbreaking beauty about the music he creates.
If you are like our buddy, Spike, or just have Dutch roots (what the h#ll were they thinking in rejecting the EU constitution - like they have a presence in the world!), you just are not going to like this CD. If you have enjoyed what Eno has brought to Bowie, Fripp, TH, U2 and Daniel Lanois, you'll find thid disc impossible to put down. As essential as ANOTHER GREEN WORLD, or MUSIC FOR FILMS, or even the Berlin trilogy, this is stunning and reflectively provocative.

The best of ambient and pop-rock worlds...
I must say that I'm not a huge fan of Eno's earlier non-ambient albums like Before and After Science or Another Green World. I still think that his best work is Apollo: Atmospheres & Soundtracks. And of course, the gorgeous ambient series...

But Another Day on Earth takes the best from both worlds. It has enough songs to satisfy his old pop/art-rock fans and enough space and atmosphere for ambient listeners (like me). The material is of highest quality and supreme maturity. Highly recommended.