Product Description

One of the world's most talented and best-loved performers, Julie Andrews reaches new heights in the most challenging role of her career as a woman pretending to be a man impersonating a woman! Filmed on the Broadway stage in 1995 (and based on the 1982 film), the immensely popular Victor/Victoria is a warm, funny, wildly energetic look at the nature of love, gender perceptions and the battle of the sexes. Written and directed by Blake Edwards, with an unforgettable score by Henry Mancini and Leslie Bricusse, Victor/Victoria tells the story of an out-of-work singer whose life changes when she meets the flamboyant Toddy (Tony Roberts). With his help, she becomes "Victor," an overnight singing sensation in the nightclubs of Paris. But success becomes hilariously complicated when she meets the love of her life, King Marchan, a macho Chicago gangster (Michael Nouri). Adding her two cents to the couple's troubles is Marchan's ex-girlfriend, the ditzy Norma Cassidy (Rachel York). From the electrifying excitement of "Le Jazz Hot" to the contemplative "Crazy World," from the humor of "Chicago, Illinois" to the touching "Almost a Love Song," this truly classic musical has it all. 146 minutes. Filmed in High-Definition video. 16x9 anamorphic widescreen transfer.

Product Details

• Amazon Sales Rank: #15134 in DVD
• Brand: ANDREWS,JULIE
• Released on: 2000-04-04
• Rating: NR (Not Rated)
• Aspect ratio: 1.78:1
• Formats: Anamorphic, Color, Dolby, DVD, Widescreen, NTSC
• Original language: English
• Number of discs: 1
• Dimensions: .20 pounds
• Running time: 146 minutes

Amazon.com
Fans of Julie Andrews will delight in this 1995 videotaping of the stage musical Victor/Victoria, based on the 1982 movie of the same name. The plot has been kept intact: an out-of-work British soprano (Julie Andrews) in Paris falls in with a down-on-his-luck gay man (Tony Roberts), who gets the idea to present Victoria as the world's greatest female impersonator, Victor. The plan is a phenomenal success until a Chicago mobster on vacation (Michael Nouri) sees Victor in a nightclub and falls in love--and refuses to believe that Victor is a man. Due to the needs of the stage, the musical doesn't have the snap, crackle, and propulsive drive of the movie, which is a sprightly romp; to make up for this, the story has been expanded (some might say padded) with extensive dance numbers and new songs by Henry Mancini and Leslie Bricusse, with additional musical material by Frank Wildhorn. While Roberts and Nouri don't quite have the charisma of Robert Preston and James Garner, who played their roles in the movie, they're seasoned stage performers and make the most of things--Nouri in particular has a strong singing voice, which may surprise people who only know him from his movie career. And Julie Andrews is Julie Andrews; at this point in her career, you either love her or you don't. Victor/Victoria isn't going to change anyone's mind, but Andrews knows her audience and knows how to give them what they want. --Bret Fetzer

Customer Reviews

The last of Julie's voice?
Knowing that his wife possessed one of the best examples of on-stage charisma in all of the theater, Blake Edwards (and company) crafted an old-fashioned musical extravaganza specifically to showcase the wonderful talents of Julie Andrews. In an unusual move, Edwards adapted his 1982 film VICTOR/VICTORIA for the Broadway stage, thereby serving up Andrews in conjunction with one of his biggest film hits, and one of her best movie roles. Adapting the farce for the theater required filling out the film's score, and re-structuring the story in order for it to work on stage. The final result was terrific fun to watch, but rather disconcerting for those who loved the movie version. Andrews was a hit, of course, and the play moved along with pace and flair. This new DVD is a high-definition tape version of a performance of the play that was prepared for Japanese television. It looks great, letterboxed at about 1.75:1, with the camera(s) moving subtly to give us different angles that we would never have seen from the theater seats.

The sound is a problem, however, in that the Dolby Digital 5.1 tracks isolate the front channels to the two left/right front speakers, with the center channel only occasionally coming into active play. This makes the sonic experience rather hollow-sounding, and oddly displaces the action. The cast and orchestra sound fine, but pulling the sonic field toward the edges, as it were, is unsettling.

But at least we have the show documented, and that is a major triumph, as this production marks the last time that Julie Andrews sang in public before losing her voice to botched vocal chord surgery. The stunning impact of that loss is shocking to think about, as it means that one of the finest, most versatile and appealing musical theater performers of the last century has been silenced. It's therefore wise to enjoy and hold onto this copy of the production, despite its shortcomings, because of what it means, and I choke even as I write this line - most likely the last we'll hear of Julie's incomparable singing voice.

Julie's Last Triumph
I am thrilled that this production,Julie's first appearance on Broadway in thirty years is now to be captured forever.Filmed at the Marquis Theatre,it boasts the entire original cast,before Julie was first replaced by Liza Minnelli,then by Raquel Welch. This was a steller production and director Blake Edwards brought out all the fun and frolic of the film version all in its gaudy glory.

The best filmed production of a stage musical ever?
Let's get the tough stuff out of the way first: No, the show ain't that great. It is, in a number of significant ways, inferior to the 1982 film. The book has a number of problems, mostly on display in the first act. However, it's pretty easy to overlook most of the show's flaws, because what it gets right it gets right in spades. The cast is impeccable: Julie Andrews, Tony Roberts, Michael Nouri, Rachel York, Gregory Jbara, and everyone else give their all and then some. The show was, for the most part, well directed. The sets are stunning. The costumes are quite good. Just about every song works onstage, and most of the new material fits into the show quite well. Perhaps most importantly, this show is stunningly produced. You really feel like you're in the theater watching the show, and you see everything you need to see, when you need to see it. Whether you like or hate the show, if you like musicals, you need to get Victor/Victoria. It is, perhaps, the best video adaptation of a stage musical ever, at once flawlessly preserving the stage production, while still being a completely "television" experience.