Product Description

Digital video students and enthusiasts must learn lighting fundamentals and techniques to enhance the visual quality of their work. Moreover, since lighting specifications for digital video differ significantly from those for analog video or film, professional videographers and cinematographers must learn how to adapt their lighting skills for this new digital medium to ensure that the final product meets broadcast standards.

This complete course in digital video and television lighting begins with how the human eye and the camera process light and color, progresses through the basics of equipment and setups, and culminates with practical lessons on how to solve common problems. It features clear illustrations and real-world examples that demonstrate proper equipment use, safety issues, and staging techniques. Detailed diagrams, figures, and photos illustrate techniques that enable novices to complete basic lighting setups. This new edition also features a 16-page color insert and new chapters on interview setups and lighting for low budgets.

Get a complete course in video and television lighting from a seasoned pro. Detailed illustrations and real-world examples demonstrate proper equipment use, safety issues, troubleshooting, and staging techniques. This new edition features an 8-page 4-color insert and new chapters on interview setups, as well as low-budget lighting set-ups.

Product Details

• Amazon Sales Rank: #75138 in Books
• Published on: 2004-01-23
• Original language: English
• Number of items: 1
• Binding: Paperback
• 256 pages

Features

• ISBN13: 9781578202515
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Review
'The most up-to-date and comprehensive book on lighting techniques for TV ... From simple three-point lighting to extensive studio shoots, to specialized lighting setups, it's all in here in an easy-to-read format.' --Bill Miller, Video Systems

Review
'The most up-to-date and comprehensive book on lighting techniques for TV ... From simple three-point lighting to extensive studio shoots, to specialized lighting setups, it's all in here in an easy-to-read format.' --Bill Miller, Video Systems

About the Author
is the head of Inspirata Films, an independent film production company based in North Carolina, and an ordained pastor in the Moravian Church. John shares the wisdom he has gained in producing video for 30 years as a contributing editor and columnist for 'DV Magazine,' in lighting and digital video production workshops for film schools, the American Film Institute, and the DV Expo.

Customer Reviews

Too good to be true
I'm not really good at writing reviews, but I love this book so much that I have to say something. First of all, let me say that this book is for everyone who is interested in lighting. It doesn't matter if you're a photographer or cameraman, you'll learn from reading this book. John Jackman is a real expert and is passing along his knowledge in this book.

Personally, I'm a digital photographer and videographer that has been perplexed by the whole lighting thing for years. I'm no pro if you're wondering. This is the third book that I've bought about lighting and the prior two books really didn't teach me anything at all (see my very bad review of the Lighting Cookbook). The authors of the other books are just spoon feeding you tips and diagrams without explaining the logic behind them. It's as if they don't want you to learn anything. Well, John Jackman doesn't just give you a fish, he teaches you to fish and once you finish this book you'll have enough knowledge of lighting to do just about anything and actually understand what you're doing and why.

I received this book in the mail about four days ago and already finished. I just couldn't stop reading it. Once I read the first few pages, I knew that I had bought the right book and I felt like I was actually learning something the whole time.

I'm a digital photographer and if you shoot digital with a prosumer camera, you should know that you can't use the same equipment that they use at your local studio. It's just not very compatible. So, I have to use continuous lighting like they do for video and film making. It has many advantages and is every bit as good. I do video too, so the lighting equipment can be used for both. Anyway, I've got this huge lighting catalog from B&H photo and it's got pretty much any kind of light and accessory that you could want. The only problem is that it doesn't explain what they are and how to use it. This book explains all of this and that's actually why I bought it in the first place. If it wasn't for the "look inside" feature here at amazon.com, I wouldn't have been able to tell what the book covered. So, after seeing the table of contents I bought it. Now when I flip through the catalog, I know what I'm looking at and what it does. Instead of just blindly buying something, I know exactly what I need for my purposes.

Unlike other books that claim to give you low to no budget solutions, this book actually has quite a few. Although much of the equipment mentioned is very expensive. Another one of my favorite things about this book is the glossary with plain language that's easy to read. Almost every term that I didn't know could be found in the back with a simple explanation.

My only complaint and it's really a non-complaint is the excruciatingly boring detail the author would go into when explaining the way our eyes work and some other things. I know that it is relevant and useful information and he means well, but I almost fell asleep through that part. The studio lighting chapter is pretty boring too unless you're going to be a gaffer for CNN. It shouldn't be skipped, but maybe skimmed through.

All in all, I knew this book would be good, but it exceeded my expectations. When they say "expert series" they mean it because this guy knows it all and doesn't mind making an expert out of you either. The great thing about this book is that it assumes that you don't really know anything like a "for dummies" book, but it's not insulting to your intelligence. The author doesn't try to keep you interested by telling stupid jokes or using childish examples. He isn't so full of himself that the book is about him or his work. The book is about lighting and he takes you from the very basics to the advanced Hollywood style lighting.

I'm sorry if this review was annoyingly over-positive, but I'm just very happy with it and I highly recommend it. I also recommend getting a lighting catelog from B&H Photo or some other place so you can see photos of all the lights and tools that are mentioned.

Great Book!
Hey all,

I'm a long time worker in multimedia and the performing arts (with a theatrical education). I did a lot of theatrical lighting as slave labor back in college, but beyond that, most of my experience in film and video was from the acting side.

So before shooting my next short, I decided I needed a primer in film lighting. I bought Mr. Jackman's book about a week and a half ago and, well, for geeks like me, it was a real page turner.

Aside from the fact that I needed to covert all of my theater vocab (cables) to film vocab (stingers) I also found the perspective on DV film making to be dead on in this book.

This book starts out outlining the technical aspects of electrics and lighting. While not the most exciting for a lot of people (although I got excited and immediatly tested all of my wall sockets with my old fluke multimeter) these sections read quick and are a necessary setup for the rest of the book. After the technical aspects are discussed, the book goes in a direction which I genually appreciate.

Instead of treating DV and Video lighting like bad flat TV lighting, Mr. Jackman really goes out of his way to help all of us little guys with PD-150s and the like to light our DV dynamically and artistically. Often the book shows more thrifty workarounds for expensive concepts.

While this book isn't going to contain much new information for the experienced gaffer. It will definetly help any novice, new-comer, or, like me, semi-knowledged person increase their skills in the art of lighting.

Hopefully more people will read this book and less badly lit short films will infest the world. Then we can give all those die hard film guys a run for their money. To paraphase the book: The camera and medium are just tools, they don't think, we do.

...

Truly Useful From Novice to Advanced
I first became aware of what effect lighting has when I watched a critical review of Casablanca. While the movie was running, at this point the reviewer would point out how lighting accented Ingrid Bergman's cheeks. At that point he would point out how lighting drew your attention to Bergmand and Bogart while dark shadows in the background filled in the image but down played its importance.

Over time I began to learn more about lighting as I tried different things (generally photographing industrial equipment). I learned, slowly, that you put a light here to do this, and one over there to do that. I bought a few books on the subject, but I never tied it together.

Now here in one volume is the whole story. From types of lights, to where shadows should fall on a models face, from patterns in the room background to doing highlights where and how you want them. The back cover of the book says it's User Level is from Novice to Advanced. That's right. I think everyone will get something useful out of this book.