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Nikon D90 DX 12.3MP Digital SLR Camera with 18-105mm f/3.5-5.6G ED AF-S VR DX Nikkor Zoom Lens
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Product Description
Fusing 12.3-megapixel image quality inherited from the award-winning D300 with groundbreaking features, the D90s breathtaking, low-noise image quality is further advanced with EXPEED image processing. Split-second shutter response and continuous shooting at up to 4.5 frames-per-second provide the power to capture fast action and precise moments perfectly, while Nikons exclusive Scene Recognition System contributes to faster 11-area autofocus performance, finer white balance detection and more. The D90 delivers the control passionate photographers demand, utilizing comprehensive exposure functions and the intelligence of 3D Color Matrix Metering II. Stunning results come to life on a 3-inch 920,000-dot color LCD monitor, providing accurate image review, Live View composition and brilliant playback of the D90s cinematic-quality 24-fps HD D-Movie mode.
Product Details
- Amazon Sales Rank: #31 in Camera & Photo
- Brand: Nikon
- Model: D90 18-105mm Kit
- Dimensions: 6.00" h x 10.00" w x 8.00" l, 6.55 pounds
- Display size: 3
- Included Software: Yes
Features
- 12.3-megapixel DX-format CMOS imaging sensor
- 5.8x AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR lens included
- D-Movie Mode; Cinematic 24fps HD with sound
- 3-inch super-density 920,000-dot color LCD monitor
- Capture images to SD/SDHC memory cards (not included)
Editorial Reviews
Manufacturer's Description
Fusing 12.3-megapixel image quality inherited from the award-winning D300 with groundbreaking features, the D90's breathtaking, low-noise image quality is further advanced with EXPEED image processing. Split-second shutter response and continuous shooting at up to 4.5 frames-per-second provide the power to capture fast action and precise moments perfectly, while Nikon's exclusive Scene Recognition System contributes to faster 11-area autofocus performance, finer white balance detection and more.
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Outfit includes the 5.8x AF-S DX Nikkor 18-105mm f/3.5-5.6G ED lens with VR image stabilization and legendary Nikkor optical quality.
Nikon D90 DX Digital SLR Highlights
Nikon Digital SLR image quality
The D90 incorporates a newly developed DX-format CMOS image sensor with technology directly inherited from the D300, Nikon's DX-format flagship. With its 12.3 effective megapixels and extraordinarily high signal-to-noise ratio, the D90 delivers low-noise images with detail and tonal gradation beyond your expectations, while Nikon's Integrated Dust Reduction System works to free image-degrading dust particles from the sensor's optical low-pass filter.
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The D90 captures up to 4.5 images per second. Accurate 11-point autofocus is now even faster and more intelligent, aided by Nikon's exclusive Scene Recognition System. The unique Nikon 420-pixel 3D Color Matrix II Metering system, now enhanced by EXPEED image processing technologies, delivers extraordinary exposure accuracy -- immediately evident when reviewing images on the D90's super-density 3-inch 920,000-dot color LCD monitor.
New D-Movie Mode Features 720p HD cinematic quality
A new idea for D-SLRs, the D90 offers a movie function, allowing you to shoot movies in three different motion JPEG formats: 320 x 216 pixels, 640 x 424 pixels and 1,280 x 720 pixels. Now you can capture life's moving moments with added drama by using many of Nikon's NIKKOR lenses, including the AF DX Fisheye 10.5mm f/2.8G ED and the Micro-NIKKOR lenses. The shallow depth of field can give your movies a more creative and emotional impact. An additional benefit is the D90 image sensor, which is much larger than a typical camcorder for higher image quality and exceptional high ISO performance during low-light shooting.
5.8x AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR included
Famous Nikkor optical quality in a compact, versatile design, featuring Nikon VR image stabilization.
Continuous shooting as fast as 4.5 frames-per-second
The D90 captures crucial moments thanks to its impressive 0.15-second start-up time, 65-millisecond shutter-release time lag (CIPA standard) and ability to shoot at 4.5 frames a second for up to 100 shots*.
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Low noise ISO sensitivity from 200 to 3200
The D90 gives you the freedom to shoot in a remarkably wide variety of lighting conditions, including dimly lit scenes, without worrying about image-degrading noise. ISO can be raised as high as Hi 1 (ISO 6400 equivalent) or lowered to Lo 1 (ISO 100 equivalent).
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The D90's 3-in., approx. 920k-dot LCD monitor provides unprecedented quality of image display. A wide 170-degree viewing angle makes it easy to confirm focus after shooting or during Live View.
Built-in image sensor cleaning
Effective 4-frequency, ultrasonic sensor cleaning frees image degrading dust particles from the sensor's optical low pass filter.
11-point AF system with Face Priority
Thanks to Multi-CAM 1000 autofocus module, the D90's 11-point AF system has fast and precise autofocus coverage across the frame with the most sensitive AF sensor operating from the center.
In addition, the D90 has versatile AF-area modes to handle most shooting situations. The center focus point can be switched from normal to wide according to the movement of the subject.
One-button Live View
With the D90's Live View function, you can shoot effectively without looking through the viewfinder. Simply press dedicated Live View button for instant access. Three contrast-detect AF modes let you focus on any point in the frame.
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Nikon 3D Color Matrix Metering II with Scene Recognition System
Nikon's renowned 420-pixel RGB 3D Color Matrix Metering II, teamed with the exclusive Scene Recognition System, evaluates images, referencing an on-board database of over 30,000 photographic scenes, for unmatched exposure accuracy.
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Advance Scene Modes
When you're not sure which camera settings are appropriate, simply rely on the Advanced Scene Modes. Just turn the mode dial to the appropriate icon: Portrait, Landscape, Close-up, Sports or Night Portrait. Unlike traditional scene modes, the D90 will automatically optimize the exposure, image processing, Active D-Lighting, and Picture Control to get the most out of your subject matter. What's more, the D90 has exceptional low-noise performance and accurately adjusts the camera settings whether VR (Vibration Reduction) is activated or not, so you can expect beautiful, crisp images, even in many low-light scenes.
Auto Active D-Lighting
Details in the shadows and highlighted areas of your photos are often lost when strong lighting increases the contrast between the bright and dark areas of your image. Nikon's unique Active D-Lighting technology accurately restores these important details by localizing tone control while you shoot. Choose from four levels, including the new Extra High. Active D-Lighting can be used manually or set to Auto mode. It is also possible to bracket your pictures to get one with Active D-Lighting and one without.
Durable, high-precision shutter
Reliability is not a luxury--it's a necessity. That's why Nikon subjected numerous D90 shutter mechanisms to grueling 100,000-cycle shutter-release tests with the unit fully assembled in the camera.
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The D90 is equipped with Nikon's i-TTL flash control, renowned for consistently accurate and balanced flash exposures. The built-in flash has an 18mm lens coverage and works as a wireless commander, controlling up to two independent groups of an unlimited number of remote Speedlights and providing incredible creative lighting control--on location or in the studio.
In-camera image editing
Creative freedom stems from exclusive in-camera image editing, featuring Fisheye effect, Straighten and Distortion Control as well as D-Lighting, Red-eye Reduction, Image Overlay, Monochrome and more.
HDMI Compatible
You can enjoy both still images and movies shot with the D90 via HDMI (High-Definition Multimedia Interface) with the global-standard digital A/V signal transfer. HDMI Mini connector is employed.
GPS geo-tagging
The optional GP-1 GPS unit provides automatic real-time geo-tagging.
Review from dpreview.com
Learn more about this cameraat DPReview.com
Almost exactly two years after the D80 was announced comes its replacement, the rather predictably named D90. The D80 has been one of Nikon's quiet successes, and even today, despite being positively Methuselah-like in digital camera terms it continues to sell and often makes its way into our top 10 most clicked on cameras. Because it looks so similar to the D80 the D90 appears at first glance to be one of those rather subdued incremental upgrades, but dig a little deeper and you'll find there's plenty to keep Nikon fans happy.
First and foremost there's a new CMOS sensor, which Nikon claim produces D300 quality output at up to ISO 6400 and - one of several features to 'trickle down' from higher models - the same highly acclaimed 3.0-inch VGA screen as the D3/D300. Naturally it has Live View with contrast-detect AF and it would have been surprising had it not sported some form of dust removal system. More surprising is the inclusion of the world's first DSLR movie mode (720p HDTV quality, no less) and HDMI output, though as we'll see later it does come with some limitations. A lot of the core photographic spec is the same as or very similar to the D80, though there is a new shutter and an implementation of the 3D tracking AF seen on the D3/D300.
And it's not just the high end models that have lent features and technology to the D90; the user interface has been given the same user-friendly treatment as the D60, as have the retouching options. As it was explained to us the D90 is intended to appeal to the broadest audience of any Nikon SLR, from first-time 'step up' customers moving from a compact to serious amateurs wanting comprehensive photographic control without the cost and weight of a D300. Whether the D90 is as capable as its feature set suggests, we'll see as the review unfolds.
Nikon D90 Key Features
- 12.9-megapixel DX-format CMOS sensor (effective pixels: 12.3 million)
- 3.0-inch 920,000 pixel (VGA x 3 colors) TFT-LCD (same as D3 and D300)
- Live View with contrast-detect AF, face detection
- Image sensor cleaning (sensor shake)
- Illuminated focus points
- Movie capture at up to 1280 x 720 (720p) 24 fps with mono sound
- IS0 200-3200 range (100-6400 expanded)
- 4.5 frames per second continuous shooting (buffer: 7 RAW, 25 JPEG fine, 100 JPEG Normal)
- Expeed image processing engine
- 3D tracking AF (11 point)
- Short startup time, viewfinder blackout and shutter lag
- Slightly improved viewfinder (96% frame coverage)
- Extensive in-camera retouching including raw development and straightening
- Improved user interface
- New optional compact GPS unit (fits on hot shoe)
- Same battery and vertical grip as D80
- Vignetting control in-camera
- 72 thumbnail and calendar view in playback
Although it's had a bit of a design refresh with slightly sharper lines, the D90 is externally very similar to its predecessor (dimensions are identical, though it is heavier). Looking at the differences it's obviously a solid incremental upgrade rather than a total reinvention of the popular D80, with several key improvements (most importantly the sensor and screen) and a welcome smattering of must-have 2008 features (live view, dust removal). Oh yes, and of course there's that one little new feature sitting at the back of the classroom with its hand waving in the air, shouting 'Sir! Sir!'; the 'world's first' DSLR movie mode.
- 12.3 MP CMOS sensor (D80: 10.2 MP CCD)
- Dust removal system
- Bigger, better screen (as D3, D300)
- Live View with contrast detect AF
- Movie Mode
- Wider ISO range, upgraded AF system (3D tracking, face detection)
- Active D-Lighting, vignetting control and extra retouching options
- Automatic chromatic aberration correction
- Picture Control presets
- Faster continuous shooting and larger buffer
- Pictmotion slideshows
Review from Wired.com
Read more digital camera reviewsat Wired.com
Sometimes the mere notion of being "number two" can light a motivational fire under your keister. Look at some famous folks who, despite being considered numero dos, went on to dominate their respective fields and even eclipse their predecessors: A pupil of Socrates, Plato opted not to go the hemlock-chugging route and instead helped lay down the foundations of Western philosophy. Tom Brady was destined to be a career second banana until Drew Bledsoe's internal bleeding set him on the path to three Super Bowl wins. Jean-Luc Picard played second fiddle to Kirk only to become the greatest captain in Star Trek. Ever. (Watch TNG's season 3 finale if you don't believe me.) And in the world of DSLR cameras, Nikon has been toiling to one day escape from the shadow of a certain photo-manufacturing giant whose name rhymes with "Danon." And with its newest shooter it looks like that day may have finally come.
Nikon's latest offering, the 12-megapixel D90 is a feature-packed fistful of photo fury that's sure to help pave your way to full-fledged Flickrati status. Straight from the box and out on the street the D90 shows off its picture-making prowess. Our testing unit came bundled with a (bordering on) superwide 18-105mm f3.5-5.6 lens that we used for all of our evaluations.
The 11-point focusing system with the face priority speedily locks onto subjects while the automatic Active D-Lighting (a feature that optimizes details within shadows and high contrast subjects) is a noticeable step forward in on-camera illumination. The flash images show off a pleasing balance between the strobe and the ambient light even when just shooting in the full Auto and Program modes. Nikon's also got a convergence hit with the integration of a movie mode that makes three flavors of video, the yummiest being up to five minutes of 720p HD in a cinematic 16:9 aspect ratio. Owing to the size of the sensor and the higher quality optics, video clarity and depth of field are on par with the D90's stills. And when it comes to checking your work, Nikon's made it easy, loading the D90 with the same high-res 3-inch LCD found on its $5000 D3. If that's not big enough, just plug it straight into your HDTV with the built-in HDMI connection. All told this camera has scads of grin-worthy features that will continue to feed your frenzy-filled lifestyle for some time to come. That is until another camera comes along to usurp its throne.
RATING 9 out of 10
WIRED Enormous image sensor blows open the door to some of the finest 12.3-megapixel images we've produced yet. Nikon's top-of-the-line high-res 3-inch LCD is prettier than looking at a supermodel with beer goggles. In-camera dust reduction is spot on at removing spots from the sensor. One-touch info button and simple, descriptive help screens clarify deep, detailed menus. Toss out your camcorder; the 720p, 24 fps video capture on the D90 will trump its performance — especially in low lighting. Face facts: Face-detection system works quickly, accurately, and effortlessly.
TIRED Only manual focus in the video mode. Seriously, this is really the only problem we had with the D90 and even that was a stretch.
Camera Resolution 12.3 megapixels, with 15.8 x 23.6mm CMOS sensor.
Customer Reviews
Designed for serious shooting, but fun to use! Lots of customizations.
Several months before the D90 came out, I bought a D60 to hold me over until the D90 was released. Well, I've enjoyed using both cameras, but this one is a huge step up and more suited to an advanced enthusiast, like me. It's a real pleasure to use.
ERGONOMICS - The D90 is solid, tight, and well-balanced with the 18-105 VR lens. It's always ready and it shoots very fast. I love all the direct access buttons; they're easy to press, with good tactile feedback. And since you're not going into the menus as much, you can work faster. It's heavier than the D60, but that's OK. It's still very manageable to carry around and it fits my average-sized hand better too. The shutter sounds different than the D60 (if that matters to you). It sounds more like a professional camera; more like a fast "whoosh" than a "click-click". And there are so many internal customizations that you can set it up exactly as you want.
LENS - Biggest surprise was the 18-105 VR lens which I expected would be ho-hum, but turned out to be pretty sharp and clear. Better results than the 18-55 VR. We've really come a long way from the days (30 years ago) when you were cautioned to ALWAYS to buy a prime lens, NEVER the kit lens because of it's poor image quality. With computer-aided design and new technology, that's not true anymore.
IMAGE QUALITY - I shoot RAW for maximum detail and the ability to adjust settings afterward if necessary - like exposure or white balance. Image quality is very good to excellent depending on your RAW converter. To my eye, best results are obtained with View NX/Capture NX, but Adobe ACR/Lightroom still do a very good job. When shooting JPGs using the Standard Picture Mode, images are sharp and colors are true, without over-saturation. You can always use different Picture Modes and customize any of them to get closer to the in-camera results you want. For example, you can boost saturation and contrast and save the setting as your default if that's what you like.
LIGHT METER - Metering is fine and seems to be quite accurate in most cases. I use matrix metering mostly. As with any camera, you have to get to know the meter. If I had to be VERY critical, I'd say when it's pushed, it's more likely to preserve shadows than highlights, usually when Active DLighting is on. To me that's a good thing. [...] mentioned a slightly "over-enthusiatic" meter in its review. The good news is: if you really feel exposure results are not to your liking (whether over or under exposed), the meter is fine-tuneable, so go ahead and customize it as you see fit. I would just work with the meter first -get to know the camera and adapt yourself to it before you start making any adjustments. That said, I've used the D90 in a very wide range of lighting conditions and I can truly say that while exposures may vary occasionally, they've always made perfect sense for the situation. I've never shocked or puzzled by the output.
LIVE VIEW - is great for the occasional high or low shot. I didn't think would need it, but when I had the D60, I found myself in many situations where I really could have used it. Unlike a point-and-shoot, focus is slower in this mode and shooting seems somewhat clunky. I wouldn't use Live View if I were in a rush or trying to get an important shot. It's just a nice little extra.
MOVIE MODE - this is a nice novelty and may be handy in a rare moment, but I'm generally not a video camera person. I'm surprised to read that some people have made movies and commercials with the D90. I keep promising myself to use this feature more, but I don't have a tripod and I'm just too jittery and uncreative to get good cinema-like results. Moreover, from the little I've tried it, I'm not impressed - there's no autofocus during filming and the movie comes out over exposed and far from HD quality. The user manual is not very helpful either. But I didn't purchase the camera for this feature, so I'm not disappointed.
ISO - I really like the new wide range of ISO settings, especially when coupled with the Auto-ISO setting. Mine is customized to keep the camera at ISO 200, but kick in at 1/30. In this example, anytime lighting decreases enough for the shutter speed to drop below 1/30, the D90 will automatically compensate by raising the ISO high enough (up to an ISO limit you set) to help keep your shutter speed at 1/30. Once the ISO maxes-out at your limit, the camera has no choice but to start bringing down the shutter speed. Noise at high ISOs isn't an issue. In fact, you have to zoom in pretty close for it to be even slightly noticeable. I use Auto-ISO mostly all the time. Its an amazing feature! I only turn this feature off when I want to stick to a particular ISO at all times (if its on a monopod or I've stabilized the camera in some way).
ACTIVE D-LIGHTING - helps camera to preserve shadow and highlight detail. More important to use when shooting JPG because the exposure has to be right at the time of shooting, when the camera creates the JPG. RAW shooters can always adjust exposure in post processing. Even though I shoot RAW, I usually leave it on Auto so I can double check the exposure details on the LCD screen. It's available in various strengths from Low to Extra High. Again, another great customization.
CONS
-At this price, Nikon should include a robust image editing software, or at least a decent discount on Capture NX2, which works great, but costs extra.
-Kit lens is thick in diameter (67mm). Also, the front glass of the lens seems somewhat exposed, as if it's not recessed that much (it's just enough for a lens cap). I worry that it'll get scratched easily. Good thing Nikon included the lens hood.
AUTOFOCUS TIP - I customized the D90 to autofocus using the AF-L button instead of the shutter release. Now I can focus with one press of my thumb on the AF-L button and shoot with my index finger on the shutter release. This allows me to focus first, let go, then take the shot. Since the subject is already in focus, I can take multiple shots, recompose or go vertical. I'm not forced to continually re-focus for every shot or move the AF point around in the viewfinder. This minimizes AF mishaps on unintentional subjects. And since the VR system remains off until you half-press the shutter (it activates only when you're ready to take the shot, not while you're focusing) you save on battery life as well.
Also, with the D90 set to AF-C mode (continuous autofocus) you can keep a moving subject in focus by holding down the AF-L with your thumb and shooting with your index finger. If the subject becomes still, simply let go of the AF-L button; focusing stops and is locked where you left it. Then shoot when ready. Now your D90 can act as if it's in Single or Continuous AF mode without you having to change settings all the time. This gives you more immediate control over the behavior of the AF system Try it and you won't go back!
SUMMARY - Overall I'm extremely happy with the D90! It's designed for serious shooting, but it's still fun to use; noticeably heavier than the D60, but still not a burden. You do need to be committed to carrying around a solid DSLR in the first place. Once you get used to that, you'll come to appreciate that it's more substantial because it'll be less shaky during shots. Nikon really packed it with a ton of features and customizations. Now I finally have everything I want in a DSLR, without it being overblown and overpriced. I'm actually surprising myself with some really spectacular shots.
If you have your basic photography skills down, you can make any DSLR sing, however, I believe THIS camera, because of its superb sensor and spot-on feature set, can actually help you improve your technique and get better results. You'll take more chances and push yourself farther because now you have the tools (ie. features) to help capture more difficult, more creative shots. And you didn't have to spend $3,000 to get there!
8-MONTH UPDATE: Still love this camera which hasn't lost any of its original excitement. Very reliable - never frustrating. I'm not craving an upgrade - not contemplating a switch to Canon either - I'm perfectly content. Haven't discovered any hidden quirks. In fact, the longer I use it, the more I realize how well engineered it is. The only extras I bought so far were a light monopod and a 50mm 1.8 lens.
A great camera, but not perfect 
Pros
The same ISO capability of the D300.
Intuitive layout that Nikon is famous for
Fast - focus, frames per second, and card access
First DSLR to have video, but . . .
Cons
Video has poor audio quality and no AF
Kit lens is not worth what Nikon says it's worth
Recommendation: Casual users who aren't concerned about how tough the kit lens is should buy now. Semi-pros who want a good lens might want to wait and just get the body (available about a month after the kit release)
Before making the leap to the D90 I researched this and other cameras for several weeks. I actually wanted the more expensive D300 because of the magnesium body and weatherproofing, but ultimately decided that the $600 difference was too big for just that one issue.
The D90 has the same sensor (or greatly similar depending on the source) as the D300 which means it shares the same great ISO capabilities. 1600 looks fine and you can definitely get usable small prints from even 3200. There are some reviewers on other sites claiming that the D90 has better noise reduction than the D300. Combine that with the the new Nikon VR lenses and you can shoot in low light at ridiculously slow shutter speeds. I've always hated using a flash and this camera is going to allow me to avoid using it in situations I never dreamed were possible. I took a shot in a dimly lit room at night and this camera picked up details I couldn't see with my own eyes!
The control layout is superb. The single button choices make complete sense - ISO, image quality, white balance and previous shot are right there on the left side of the LCD.
I did not buy this camera for its video function. However, Nikon did not deliver the goods here. You can buy a several year old Canon P&S S2 or S3 that shoots video (VHS/regular quality, not HD) at 30fps with stereo sound AND autofocus. If they could put that kind of functionality on a $200 camera it should be possible on a $1000 one as well. It just seems that if you're going to add a function like this it should have been done well or not done at all. If you're buying this camera because of its video capability then I would urge you to wait until Nikon or another DSLR maker does it right. Or just buy a separate HD video camera at a fraction of the cost of the D90.
I realize a lot of folks like the kit lens, but it is not the same quality as Nikon's other zooms in this price range. I read that Nikon says this kit lens, the 18-105mm VR, would sell for $400. Thus the "$100 savings by buying the kit." I bought the Nikon 70-300mm VR at the same time for about $485 and the build quality is far better with a metal mount and rubber gasket to keep out the elements. The kit lens has a plastic mount with no rubber gasket and it just feels cheap in comparison. If you're just looking for a basic everyday lens as an average user this might not matter, but if you're an aspiring amateur/semi-pro this is really not acceptable.
Overall this is a great camera and it is, minus the lack of weather proofing (which I can't expect at this price range anyway), exactly what I was looking for. It does have its flaws, however. Thus the 4 star rating instead of 5.
A big leap in features, but lags a bit in basic imaging
Watch Video Here: http://www.amazon.com/review/R3KI4NYB2VG4S9 It is an amazing camera by Nikon, expecially for amateur and enthusiast level photographers. The feature list is fantastic, plus the fact that it has the sensor of similar quality as the professional grade D300 model, and of course how can you forget the HD video capabilities? The sensor is highly rated for amazing dynamic range and color depth (the blues and greens are dreamingly rich, see my images in the customer images section). Please watch the video for a comparison with Rebel XSi that I owned before this one.
[+++++]:
- Great sensor, amazing colors out of the camera
- Auto D-lighting to restore shadowed regions
- Feels great in hand, very comfortable to hold... lighter than a Canon 40d/50d.
- The optical viewfinder is bright and big, with great coverage
- AF tracking points are easy to spot and switch to
- Great 320K dots LCD
- Video feature is great.. you can make some really slick short movies after some practice. It is a bit difficult to master both autofocus and zoom and exposure control in video mode, but I guarantee you a huge share of fun with it.. especially with DOF tests:-)
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- My copy of the camera came with one big bright hot pixel that was ON even at low ISOs like 200 and at fast shutter speeds. I was just about to learn to ignore it by using the software to map it out, and 2 more developed within a week of normal usage. Not good for a $1K camera right out of the box. I searched online and found many many others with the same issue. Further, you will have to pay at least one way shipping to a Nikon service center to have them mapped out, and yet they say it may develop more with time. I dont understand why a brand new camera has this issue. And its not just my copy, you can search "Nikon D90 + hot pixels" and you will find many many recent posts on this topic.
- The live view is just a gimmick. It doesnt stand in front of the implementation in a cheaper Canon XSI even. It lacks exposure simulation (the mode which brightens or darkens the LCD view based upon live shot setting changes like ISO/aperture/exposure time etc.). Further, it only goes as high as 6.7X while the XSi and 40D/50D go upto 10X zoom. To add to that, D90 seems to extrapolate the live view image at high zooms from a lower resolution image... showing bad interpolation artifacts like blocks at 6.7X zoom. You have to see it to believe it. Try a Rebel XSi and a D90 live view, and you will know what I mean. Also, there is no exposure scale overlay on the live view image to guide the user whether the shot is under/over exposed. You will have to switch to optical view finder to confirm the shot exposure level. All this renders the live view practically useless for anything but framing a snapshot or a video. In fact it should have been called an LCD view finder and not the live view, which it is not. D90 also only has one auto focus mode in live view which is contrast based, and too slow. Even 40d has a fast phase detect mode. Also, the D90 LCD refreshes only 15 frames per sec while a 40d/50d refreshes at 30 fps - better for sports. If you wear glasses and are hoping this live view will help you take pictures without having to goto the top LCD or the optical view finder, you will be shocked. Having owned an XSi and tried a Canon 50d, I can say with confidence that Nikon really has to improve their live view, or at least stop calling it that. I have let the Nikon customer support know of the interpolation issue at least, and they say it may come as a model update later, probably not an easy firmware update. But their answer was not clear. It took many emails just to explain the problem.
- The zoom (+/-) buttons are for the left hand. They may have been like this for most of the Nikons, but coming from Canon, it was a big discomfort to me to first switch the camera weight to the right hand, then move my left hand to use the buttons to the left of the LCD, then switch the hands back. This can be a pain if you have a heavy lens (like 70-300mm VR) and don't have a tripod.
- The pixel depth is only 12-bit as compared to 14-bit in a Rebel XSi or a Canon 40d. This is not that obvious, and it is actually surprising that D90 produces great colors for a shorter pixel depth.
- The video mode can possibly age your sensor quicker than it should. Because of prolonged exposures (upto 5 minutes in HD mode), the sensor may develop more hot pixels over time than usual. It is also hard to lock exposure while in video.. else there are jerks when the auto-exposure-compensation mode jumps in as the scene brightness changes.
In conclusion,
- if you can live with a sensor that may come with hot pixels, or may develop more sooner than expected,
- if you don't mind using both hands to manage controls while also holding a heavy lens,
- if you don't use live view at all and will only use the optical view finder, and
- if you have about $1200 to spare (as of Jan 12 2009), and a few hundred more down the line for expensive Nikkor zooms,
then this is a great camera for you. You will be more than satisfied with the colors that come flying out of it. Otherwise, allow me to recommend Canon 40d or 50d with pretty much all of the basic imaging done the right way.
The live view and the hot pixel issues are a big reason why I gave this camera only 3 stars. Especially so because it is a still camera first.. and if they ship out defective units (with hot pixels) in a brand new box, and ask you to use a software to take 30 minutes just to wait for them to me mapped out, I think they fail to provide the basic purpose of this camera. Plus the live view isnt useful at all except only for shot framing.
Edit to add: Here is a website that will let you compare the sensor quality between different models for your information. I am not sure how reliable they are, but they seem genuine.. still I advise you to interpret that data at your own discretion: http://www.dxomark.com/index.php/eng/Image-Quality-Database/Compare-cameras/(appareil1)/180%7C0/(appareil2)/267%7C0/(appareil3)/262%7C0/(onglet)/0/(brand)/Canon/(brand2)/Canon/(brand3)/Nikon .
Edit#2: I have since returned this camera and have ordered a Canon 50d. I want to take good still pictures first, and the video mode and the ineffective live view and the LCD werent helping me too much in doing that. Regardless, it may fit your requirements, in which case please enjoy all the features it comes with, and dont forget to share your first video:-) Here are mine:
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Edit#3 (1/19/09): After having owned a 50d, I would add one more star to this review, only the system doesnt allow it now. The reason being, I feel D90 handled noise much better... at least better than the 50d. Also, the 50d gave lens mount error right out of the box too... this is with firmware v1.0.3, the latest available.
Edit#4: 1/21/09. I confirmed that D90 had better noise performance in day-to-day use as compared to Canon 50d. Again, no lab tests, no controlled environment.. but just regular in-house pictures.. and I can see more chroma-noise with Canon 50d pictures. Also, no matter what I tried with the Canon pictures style editor, it was near to impossible to get the 'punchy' colors that nikon produces. In all fairness, Canon's picture style editor is a great idea, and it does help a lot too (see my blog here: http://prashchopra.blogspot.com/2009/01/adding-vividity-to-colors-with-canon.html ). But the limitations are with how we can only select and change 100 discrete/individual colors, and there is no easy way to just plain rotate the color cone for all the possible colors. I decided to return the Canon 50d for these reasons.. plus the fact that it started giving me lens mount errors right out of the box. Come what may, I have re-ordered the D90 kit (I know.. but at least I tried both and found out what I like). I know I will miss the tack sharp live view and the hot-pixel-less sensor from Canon, but I have come to realise that what counts is the ultimate aesthetics of picture-taking, and Nikon D90 gave me that. I caught myself frequently comparing D90's output pictures with the 50d's. And no matter what I did, I always spent more time staring at and panning and zooming in the Nikon results. In a way, they 'called' me.
I plan to deal with the hot pixels with Adobe Lightroom which automagically maps them out from raw images. Or I will write scripts to map them in batches from both RAW and JPEGs in Capture NX2 (yes.. I found out that Capture NX2 allows you to remap hot pixels even in JPEGS.. so you dont necessarily have to shoot RAWs to avoid the hot pixels. as is the common misconception!).
So if you have read this review so far, please know this: I chose aesthetic pleasure over technical (or specification) superiority.. a personal choice. And if I could change the star rating of this camera, I would now make it 4-1/2. The half points will still be gone for hot-pixels and inferior live view with no exposure simulation.
There. I lived through two great cameras, and embraced one. Its your turn now. Good luck.. and whichever one you choose, make sure you like the end result.. and not just the camera's specifications or mega pixel count:-)
