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Film Noir and the Cinema of Paranoia

Film Noir and the Cinema of Paranoia
By Wheeler Winston Dixon

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Product Description

Wheeler Winston Dixon engages readers in an overview of noir and fatalist film from the mid-twentieth century to the present, ending with a discussion of television, the Internet, and dominant commercial cinema. Beginning with the 1940s classics, Film Noir and the Cinema of Paranoia moves to the "Red Scare" and other ominous expressions of the 1950s. The dark cinema of the 1960s reflected the tensions of a society facing a new and, to some, menacing era of social expression.


Product Details

  • Amazon Sales Rank: #377969 in Books
  • Published on: 2009-04-15
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 208 pages

Features


Editorial Reviews

Review
"Displays a true cinephile's fascination with the gunslingers and femmes fatales of film noir, and the dark, uneasy world they inhabit. Wide-ranging and packed with compelling detail. This work will be an invaluable addition to bookshelves of fans, academics, and completists alike."
Mikita Brottman, Pacifica Graduate Institute

From the Inside Flap
Wheeler Winston Dixon engages readers in an overview of noir and fatalist film from the mid-twentieth century to the present, ending with a discussion of television, the Internet, and dominant commercial cinema. Beginning with the 1940s classics, Film Noir and the Cinema of Paranoia moves to the "Red Scare" and other ominous expressions of the 1950s. The dark cinema of the 1960s reflected the tensions of a society facing a new and, to some, menacing era of social expression.

About the Author
Wheeler Winston Dixon is the James Ryan Endowed Professor of Film Studies at the University of Nebraska, Lincoln. He is the author and editor of numerous books, including A Short History of Film (Rutgers University Press).