Product Description

Featuring the popular characters from the award-winning Sandman series by Neil Caiman, THE SANDMAN: ENDLESS NIGHTS reveals the legend of the Endless, a family of magical and mythical beings who exist and interact in the real world. Born at the beginning of time, Destiny, Death, Dream, Desire, Despair, Delirium, and Destruction are seven brothers and sisters who each lord over their respective realms. In this highly imaginative book that boasts a diverse styles of breathtaking art, these seven peculiar and powerful siblings each reveal more about their true being as they star in their own tales of curiosity and wonder. THE SANDMAN: ENDLESS NIGHTS was the first comic graphic novel to be listed on the "NY Times Best-seller list. SUGGESTED FOR MATURE READERS.

Product Details

• Amazon Sales Rank: #95758 in Books
• Published on: 2004-09-01
• Released on: 2004-09-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 160 pages

Features

• ISBN13: 9781401201135
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From Publishers Weekly
Now that he's a bestselling fantasy novelist, Gaiman returns to the comics series that made his reputation with this new volume of seven gorgeously illustrated stories. Gaiman specializes in inventing fantastic allegories for the quotidian, in a voice that casually shifts between uneasy realism and Borgesian grandeur. In Sandman cosmology, "The Endless" are seven immortal siblings who personify abstract concepts: Dream, Death, Destiny and so on. This work devotes a story to each of them, drawn in distinctly different styles by an all-star lineup of American, British and European cartoonists and fine artists. Gaiman is famous for writing to his artists' strengths, and he does so here. P. Craig Russell draws the surreal fantasia "Death and Venice" with the opulent brio of his opera adaptations. "What I've Tasted of Desire" is a darkly sexual fable, painted by Milo Manara in the style of his more X-rated work. A couple of the stories find Gaiman working in a more experimental mode than usual, notably "Fifteen Portraits of Despair," a set of anecdotes and prose poems accompanied by Barron Storey's tormented, abstract drawings and paintings. Longtime comics fans will notice plenty of inside jokes in "The Heart of a Star," but most of this book is a red carpet-or perhaps a Persian rug-rolled out for Gaiman's prose readers to see his visions turned into lush, dramatic images.
Copyright 2003 Reed Business Information, Inc.

From Booklist
When Gaiman ended his phenomenally popular comic-book series The Sandman in 1996, he promised to eventually revisit the characters. Now he keeps that promise, with results that are everything his fans could have hoped for. The series centered on the brooding title character, also known as Dream, who rules over the realm humans visit when they sleep, and also dealt with his godlike siblings Death, Desire, Despair, Delirium, Destruction, and Destiny, collectively known as the Endless. In this book, each of them is the focus of a separate story, illustrated by one of an array of world-class comics artists whose approaches range from the relative straightforwardness of P. Craig Russell (see Isolation and Illusion [BKL Ap 15 03]) to the wildly disturbing work of Barron Storey. The stories themselves vary, too, from accounts of mortals' encounters with the Endless to depictions of those demigods' lofty existence. Gaiman's eagerly awaited return to his most successful creation shows his mastery of the characters and their world to be intact, and if these shorter stories don't allow for the complexity of the original series, they still demonstrate the brilliance of his concept and the elegance of his storytelling. Gordon Flagg
Copyright © American Library Association. All rights reserved

About the Author
Neil Gaiman won the Hugo Award for his New York Times bestselling novel American Gods, and his bestselling children's book Coraline has been praised all over the world. But before Neil became a blockbuster prose novelist, he was best known as the creator and author of the DC Comics revolutionary comic book series THE SANDMAN.

Critically acclaimed and award-winning, Neil's Sandman set new standards for comics as literature; the ten volume Sandman library is recognized as one of the medium's greatest achievements.

Customer Reviews

Not a sound story... But more than worth it...
For anyone who has followed the sandman series already, don't expect to find part of the wonderous trail of events here. But there are mentions of events that tie into the original 10 books.

Of the things that make this book worth reading are...

A) the chapters are divided into detailed descriptions of the 7 endless. It lets you really get inside each aspect.

B) in this book you get the oppurtunity to see many things not found in the original 10 books. 2 of my favorites include what started the feud between dream and desire and you are graced with the presence of delight before she became delerium.

C) the artwork in this book is truly amazing. The same could be said for any book in this series (save some of "Kindly Ones, Volume 9 which features a much more cartoon style) yet in my opinion the art in this particular book goes above and beyond the rest.

D) There are beutiful poetic symbols laced throughout this book about the endless. From Delerium's fish to portraits of despair, it is a truly beautiful image.


Therefore, although it truly cannot be compared to the original 10 works, it is a worthy epilogue; a study in the characters the reader by this point must have learned to love.

Gaiman returns to Sandman with mixed results
When I heard that Neil Gaiman was working on a new Sandman graphic novel, I was skeptical. The seventy-five issue comic book series began, proceeded and ended just fine. With dozens of spin-off mini-series, an illustrated Sandman prose novel, a "companion" book, a collection of quotes and a book of covers, the amount of peripheral volumes has become excessive. Then there are the posters, statues, and action figures. Even an artist as genuine as Gaiman can be tempted by the right amount of money and publicity and I feared Sandman: Endless Nights was just another part of the small marketing blitz that has accompanied Sandman's lasting popularity.

Now that I have read Endless Nights I am not sure. There are fantastic stories in here that are superb additions to the Sandman saga and there are also stories that seem like they did not need to be told.

Perhaps the reason Endless Nights is hit-or-miss is its format. In Sandman, seven all-powerful siblings, called The Endless, each have a different role in regulating conscious experience. The main character was the morose Dream, but the saga also featured the omniscient Destiny, the upbeat yet intelligent Death, the easy-going Destruction, the stoic Despair, the condescending Desire and the loopy Delirium. Endless Nights consists of seven chapters, each drawn by a different illustrator and each devoted to a different sibling. The problem is that these characters are defined by their mysteriousness and strangeness and do not easily lend themselves to central roles (Even Dream, the member of The Endless who readers knew best, played a role other than protagonist more often than not during the run of the comic series).

In three cases, Endless Nights adapts with structures as abstract as its characters. "Fifteen Portraits of Despair" consists of bizarre sketches showing Despair's unsightly body, surrounded by anecdotes about miserable people. "Destiny" is a Biblical-sounding description of Destiny's realm and duties drawn in big, splashy illustrations. "Going Inside" features Dream recruiting five mentally ill people to rescue Delirium from a sticky situation she has gotten herself into in her realm. This chapter is told in a blend of computer-generated images and cartoony artwork that can only be described as breathe-taking. In fact, all these chapters feature gorgeous visuals but the stories, while original, seem clumsy and underdeveloped; as if having one chapter devoted to each of the Endless and experimental art techniques were most important and the plots were throw together secondarily.

The better chapters are the ones that adapt to the nature of The Endless by putting someone else in the lead. In "What I've Tasted of Desire," a story from olden times, a maiden is transformed by Desire into a crafty seductress. In "Death and Venice," (a Sandman-style "Masque of the Red Death") an American GI helps Death enter a masked ball that a sixteenth century Count has kept frozen in time. In "Destruction on the Peninsula," an archeologist uncovers a strange phenomena related to Destruction and Delirium vacationing nearby (This chapter follows-up "Going Inside" yet leaves much unsolved. Is Gaiman contemplating another Sandman project?). The very best chapter is "The Heart of a Star." At the dawn of time, stars could live, breath, speak and love and one loved Dream. The surreally beautiful story tells much about history of The Endless and is the biggest treat for longtime readers. The artwork of these four tales is less grand than that of the other three, but certainly has its own merits.

Endless Nights has its ups and downs and I cannot say fully that it was a bad idea for Gaiman to reopen the world of Sandman. The Endless are fascinating and there are countless tales that could be told about them. Let's just hope that if Gaiman plans on extending his return to Sandman, the quality of his stories is more consistent.

Buy the hardcover version if you can
For those of you ready to take the plunge in making purchase of this excellent graphic novel, do yourself a favor and spend the few extra bucks on the hardcover version. For starters the hardback is slightly oversized and the thick, glossy paperstock wonderfully frames every panel of this diverse and beautifully illutrated book.

Fans of Neil Gaiman will find much to be delighted about in this return to his beloved, 'Sandman,' series. Made up of 7 chapters, each chronicles one of the Endless (Death, Desire, Dream, Despair, Delirium, Destruction and Destiny) in a self-contained story superbly illustrated by a different artist. Particular standouts are Milo Manara's contributions in 'Desire,' the subdued tones of Miguelanxo Prado in 'Dream,' and Barron Storey and Dave McKean's gritty work in 'Despair.' As a volume of bonus material post-Sandman, this book is a wonderful treat for fans and certainly lives up to the quality we've come to expect from Gaiman and company.