Product Description

When you loved the one who was killing you, it left you no options. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give, how could you not give it? If it was someone you truly loved?

To be irrevocably in love with a vampire is both fantasy and nightmare woven into a dangerously heightened reality for Bella Swan. Pulled in one direction by her intense passion for Edward Cullen, and in another by her profound connection to werewolf Jacob Black, a tumultuous year of temptation, loss, and strife have led her to the ultimate turning point. Her imminent choice to either join the dark but seductive world of immortals or to pursue a fully human life has become the thread from which the fates of two tribes hangs.

Now that Bella has made her decision, a startling chain of unprecedented events is about to unfold with potentially devastating, and unfathomable, consequences. Just when the frayed strands of Bella's life--first discovered in Twilight, then scattered and torn in New Moon and Eclipse--seem ready to heal and knit together, could they be destroyed... forever?

The astonishing, breathlessly anticipated conclusion to the Twilight Saga, Breaking Dawn illuminates the secrets and mysteries of this spellbinding romantic epic that has entranced millions.

Product Details

• Amazon Sales Rank: #14 in Books
• Published on: 2008-08-02
• Released on: 2008-08-02
• Number of items: 1
• Binding: Hardcover
• 768 pages

Amazon.com Review
Great love stories thrive on sacrifice. Throughout The Twilight Saga (Twilight, New Moon, and Eclipse), Stephenie Meyer has emulated great love stories--Romeo and Juliet, Wuthering Heights--with the fated, yet perpetually doomed love of Bella (the human girl) and Edward (the vampire who feeds on animals instead of humans). In Breaking Dawn, the fourth and final installment in the series, Bella’s story plays out in some unexpected ways. The ongoing conflicts that made this series so compelling--a human girl in love with a vampire, a werewolf in love with a human girl, the generations-long feud between werewolves and vampires--resolve pretty quickly, apparently so that Meyer could focus on Bella’s latest opportunity for self-sacrifice: giving her life for someone she loves even more than Edward. How close she comes to actually making that sacrifice is questionable, which is a big shift from the earlier books. Even though you knew Bella would make it through somehow, the threats to her life, and to her relationship with Edward, had previously always felt real. It’s as if Meyer was afraid of hurting her characters too much, which is unfortunate, because the pain Bella suffered at losing Edward in New Moon, and the pain Jacob suffered at losing Bella again and again, are the fire and the heart that drive the whole series. Diehard fans will stick with Bella, Edward, and Jacob for as many twists and turns as possible, but after most of the characters get what they want with little sacrifice, some readers may have a harder time caring what happens next. (Ages 12 and up) --Heidi Broadhead

From Publishers Weekly
It might seem redundant to dismiss the fourth and final Twilight novel as escapist fantasy--but how else could anyone look at a romance about an ordinary, even clumsy teenager torn between a vampire and a werewolf, both of whom are willing to sacrifice their happiness for hers? Flaws and all, however, Meyer's first three novels touched on something powerful in their weird refraction of our culture's paradoxical messages about sex and sexuality. The conclusion is much thinner, despite its interminable length. [...] But that's not the main problem. Essentially, everyone gets everything they want, even if their desires necessitate an about-face in characterization or the messy introduction of some back story. Nobody has to renounce anything or suffer more than temporarily--in other words, grandeur is out. This isn't about happy endings; it's about gratification. A sign of the times? Ages 12–up. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Grade 9 Up—Meyer closes her epic love story of a human, a vampire, and a werewolf in this, the final installment of the saga. The story opens with Bella and Edward's wedding, and relations between Jacob and Bella remain uneasy. On honeymoon and unshackled from any further concerns about premarital sex, Edward fulfills his promise to consummate their marriage before he changes Bella into a vampire. An unexpected conception throws their idyllic world back into chaos as factions (both wolf and vampire) battle over whether or not to destroy the potential monster that is killing Bella from within. The captivating angst, passions, and problems manage to satisfyingly fill pages where surprisingly little action takes place, even after the powerful child's birth brings the Cullen family under the scrutiny of the Volturi. The international cadre of vampires who come to the Cullens' aid are fascinating, but distract from the development of prime characters at a pivotal moment. The novel begins and ends with Bella's voice, while Jacob narrates the middle third of the tale, much like the final pages of Eclipse (Little, Brown 2007). While darker and more mature than the previous titles, Meyer's twists and turns are not out of character. Fans may distress as the happy ending for everyone, including a girl for Jacob, lessens the importance and pain of tough decisions and difficult self-sacrifices that caused great grief in previous books, but they will flock to it and enjoy it nonetheless.—Cara von Wrangel Kinsey, New York Public Library
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Customer Reviews

So bad, I want to rewrite it myself
I started reading this series after I heard a rave review on NPR during their "Guilty Pleasures" segment. The middle-aged gentleman described Twilight with such enthusiasm that I couldn't resist temptation. I bought the four-book set and settled in for a long weekend of reading.

Three days and 2400 pages later, I'd finished the four novels. I adored Twilight, tried not to slap whiny Bella during New Moon, and mostly skimmed through Eclipse trying to get to something interesting. Finally, I got to Breaking Dawn. I have never been so let down by a book in my entire life. I don't even need to go into all the ways that this book was horrible - the other reviewers have done that well. But, here I go anyway:

Wedding - So, Bella's wedding to Edward was not what she wanted, but what she was willing to trade for sex and immortality. The wedding itself was not her vision and in no way represented their unique love, but was instead a fantasy created fully by Alice's vision.

Honeymoon - Meyer is telling us that sex is scary and awful. You will have a lot of pain your first time and your husband, who puts you up on a pedestal, will hate himself for "hurting" you, no matter how yummy delicious it is. Oh, and once you do get some, it's pretty much the only thing you'll want, and your new hubby will reject you, mercilessly, due to his own hang ups. Woo! I gotta get me some of that!

Also, how come it's either a little french kissing or sex? How come no one ever talks about alllll that space in between those two extremes? What a perfect place for her to talk about sex and the implications of it, especially given her target audience.

Pregnancy - You will get pregnant the very first time you have sex. Pregnancy is the most horrible state you will ever experience. It will be stunningly painful as your body is taken over by something that hurts you, and tries to kill you, and eventually chews its way out of you. The bloodbath of child birth is fine - but it says a lot, to me, about Meyer that she can't write the sex, but can write the gore. Or maybe it's about society, and not Meyer at all. Take your pick.

Renesmee - Say it out loud. I dare you. Look, I get what Meyer was trying to convey here about the beauty of having a child, the connection that a newborn's family feels to the child and how fleeting childhood is. But come on! The massive gaps in logic and leaps of faith it takes you to get here are stunning. Stunning. And impossible.

Jacob - Sigh. Poor Jacob. This boy never had an ounce of pride, he submitted it all to Bella, only to find himself a pedophile in the end. How utterly freaking awful. (and yeah, I tried to go with the whole "it's fiction, not pedophilia" but I just couldn't get there. It was creepy.)

The Cullens - Who? No seriously though, Edward had a family? Where were they after page 150?

Renee and Charlie - So, while Renee has been the primary parent and the person that Bella is closest to for the entire series, suddenly she's just...absent. Laaaame. And suddenly Charlie is Bella's first concern, but we've been given absolutely nothing by way of character development to buy into this. Again, I say: Come on!

Editing: Look, I don't know who edited this book, but ZOMG! fire that person. There were so many errors it was distracting. Dialog tagging: use it. Also, adverbs are not your friends. If Bella "shyly" does one more thing, I'm going beat her with her own arm. If you have to tell us that people are chuckling, giggling, that their eyes are "tightening" (wth does that even mean?) then you're failing at description. If you must tell and not show, read some Willa Cather. She gets away with it. You don't. So stop.

Tone: I'm guessing that Meyer took a break from Twilight land to write "The Host" and that's why the entire tone of this novel is off. It just doesn't even sound like it was written by the same person.

At the end of this novel, I wanted to rewrite the whole thing myself. I wanted to see why Bella decided that she would marry Edward. I wanted her to give a damn about the wedding and see some reverence in it. I wanted to see a real deepening in her relationship with Alice. I wanted Esme to be more than just a paper doll mother figure. I wanted a real, honest to goodness sex scene that lived up to three freaking novels worth of some of the steamiest kisses ever. I wanted Bella to pay a price for some of her choices. I wanted that epic battle with the Volturi to actually happen. I wanted someone to die. Meyer cheated us out of the thoughtful endings that we get when good triumphs over evil. That's what makes life sweet, and makes us appreciate what we have - working for it, sacrificing for it.

Bella would have actually wanted to marry Edward. She would have cared about the decorations and Alice would have developed into a real sister, and not some overblown party planner. There would have been real sex - not smutty, but real, nonetheless. Pregnancy would have disappeared. Bella would have had to make the choice - between having babies and having Edward. She would have been cruel to be kind and given Jacob his freedom. Jacob would have grown and gotten over her, and moved on and found real love with someone who loved him back - maybe even Leah, since that ground was laid pretty well. Bella would have spent months being a newborn, filled with nothing but bloodlust. Jessica would be her first victim. The Cullens would have worked tirelessly to help her transform, and we could have gotten to know them all so much better. Rosalie might have died, doing something selfless for once in her life. That would have been doubly meaningful if Meyer rewrites the whole series from Edward's POV (ala Midnight Sun, which in rough draft form is head and shoulders better than Breaking Dawn.) Bella would have to give up Charlie and Renee for a while, but eventually they would be able to be in her life, altho in a much more limited way. There are a million possibilities that could have had a very nice happy ending, with a bit of bitter thrown in with the sweet.

Meyer is a great storyteller and an okay writer. If she gets a better editor and learns some discipline, she could be very good. I found this particular book to be a total betrayal of the earlier books, which is why my review is so harsh. Overall, I hope she keeps going, and I *really* hope she keeps going with Midnight Sun, which so far, I love.

Heartbreak of Heathcliff Proportions
I've only recently entered the Twilight fold. Having initially read reviews of the series in library journals and having heard passionate testimonials from avid fans, I thought I would give it a try.

Inexorably, I fell absolutely and positively in love with the first three Twilight books. I read them (the first time, that is) in three days. Then, like a junkie, I feverishly searched the media for news on the movie, the books, and all things Stephanie Meyers.

Stephenie Meyer's books were my brand of heroin.

So, like millions of other strung out addicts, I lined up until midnight to score the ultimate fix. The final installment was in my hands.

I didn't know I was holding a ticking time bomb in my hands. One which would ultimately implode, destroying the magic spell of Meyer's world and the intense affection I held for its inhabitants.

Like many of you, I kept asking myself: "Who actually wrote this book? What happened? This must be a cruel joke...I will wake up tomorrow, and learn that Breaking Dawn is an elaborate hoax perpetrated to discredit Meyer."

Meyer has commented on her love of Bronte's Wuthering Heights, Austen's Pride and Prejudice, and Shakespeare's Romeo and Juliet. Having read these books dozens of times, I saw glimmers of their bittersweet brilliance in the first three Twilight books. I cried for Bella as I had cried for Cathy, Elizabeth, and Juliet.

And then I read Breaking Dawn.

For the first one hundred pages, I was entranced. I couldn't put the book down. I thought, "Finally, Bella and Edward can consummate their love, against seemingly impossible odds! Finally, the big payoff is here!"

Then, the heartbreak began...

Remember when Bella's heart cracks in two in Eclipse? Mine shattered the moment I read the words "little nudger."

When I read the first three books, I felt seventeen again. The butterflies in my stomach, the blinding tunnel vision, and the intense emotions experienced during that first love washed over me during Twilight, New Moon, and Eclipse.

When Jacob left at the end of Eclipse, I cried. The price of true love was justly paid with his departure.

Price...A lot of the reviews I've read here aptly speak of "paying a price." Intense, obsessive, passionate love--a love of the Wuthering Heights variety, anyway--demands an exacting price. Bella cannot have Jacob and Edward, just as Catherine cannot have both Edgar and her beloved Heathcliffe.

The price of an extraordinary love is an ordinary life.

But the price--the sacrifice--makes the purchase more dear, makes it all the sweeter.

In Breaking Dawn, what price is paid? Bella gets Edward. Bella gets Jacob. Bella gets beauty and grace. Bella gets a baby. Bella gets a fairytale cottage. Bella gets all the powerful trappings of vampiric power without all the burden of newborn instincts. Bella gets to keep her human family. Bella gets Meyer's "perfect ending."

The perfect ending comes at what price?

The price is the love story, the plot, and the character development. The price is seeing Jacob turn from a noble suitor who knows when to bow out, into a toddler's pet.

The price is seeing the endearingly vulnerable Bella turn into a perfect shell of her former self.

The price is seeing Edward, who was once a continuously smoldering cauldron of desire, degraded to a level of abject affliction.

The price is watching Charlie turn from a loving and protective father into a "don't need to know" Homer Simpson.

The price is having to stomach a bloodbath,a mutant birth which rivals the absurdity of the alien reptile baby delivery of the "V" TV miniseries of the 1980's. (Remember that one, gentle reader?)

Bella's surrender of her human life to Edward should have ended intimately with his lips caressing her throat, not with fountains of blood spewing from her mouth as Jacob watches.

The price is too steep--much too heartbreaking--for me to pay.

My opinion is inconsequential. It matters to no one but me, but...

Not that you asked but...Ms. Meyer, you are a fantastically talented writer. You have the power to spin a story which transcends the ordinary and transports teens and housewives alike into a world of sparkling, amorous, and compelling fantasy. You are the real deal.

What hast thou wrought?

I know that you, like any writer worth his or her salt, wrote this book for yourself, for your own satisfaction. You wrote the story of Breaking Dawn for you.

I'm just so heartbroken that it wasn't written for me.

Boring, fails to use logic. Lacks in character interest.
Okay, I know I'm probably going to get comments over me saying that the book has no logic. Yes I am well aware that the whole series based around the fantasy of vampires and werewolves etcetera. I can't get past the fact that Stephenie Meyer broke the rules of her own world while writting this novel. Numerous times in interviews she has stated that it is impossible for her vampires to have children, and that once turned into a vampire all of their bodily fluids are replaced by venom.

As reading this book I felt like all the elements circulated through the other three novels were thrown out the window, the characters for the most part were boring, Edward lost his charm, Bella went from being obsessed with Edward to obsessed with their child, and Rosalie flipped into a motherly role that just seemed out of place (I know Rosalie's backstory and that she wanted to have children, I understand the way SMeyer was probably trying to go with getting Rosalie involved). If SMeyer was going to get Rosalie put into this motherly role then where was Esme? Last time I checked she had a yearn to bear her own children as well. As an author, SMeyer developed a seemingly okay plotline but just didn't expand on it enough. It felt as though it was rushed in the end.

The "explanation" of how Bella got pregnant was also put to fault later in the novel, when a Amazonian vampire explains how his father is trying to create a superior race by impregnating human females with his children. How would this even be possible if, when using SMeyer's logic. She explains that Edward was able to get Bella pregnant was because he was a virgin and that he still had sperm in his system from when he was turned 100+ years ago. With that said, vampire males couldn't create more sperm, so how could this Amazonian vampire keep going around and impregnating human females?

After the birth of "Nessie" the book took a downward spiral and was nothing more than a borefest, everything just seemed to happen without any conflict whatsoever. Bella easily shifted into vampire life without any problems, she was able to care for her baby, keep her friendship with Jacob, and even was able to "slightly" let Charlie in on her secret. Even at the end of the story, we are led up to believe that there is going to be a fight between the Volturi and the Cullen coven along with other covens who agreed to support their cause. What you think is going to be a fight just turns into pages and pages of endless drabble between the Volturi and members of the Cullens' defensive, and in the end lead Volturi member Aro agrees to let them be and he leads the rest of the Volturi on their way, so Bella and Edward could now begin their "happily ever after." Where in the last pages Bella finally allows Edward to see inside her mind, one of the features that drew him towards he at the beginning of Twilight.

What disappoints me the most is that this novel had potential, it seems to me that in anything SMeyer writes she has a generally good idea but can never expand on it. Breaking Dawn seems to me as though it was completely rushed, and that she just finished writing it because she had to. Not to mention I am curious as to what happened to the editors in this book. Has SMeyer ever heard of a thesaurus? I have never seen an author overuse the words "chagrin" and "dazzle" as much as she does. I am honestly curious as to how any editor would allow the sentence "He was both dazzling and dazzled" be put into print.

Lastly, I find it really sad that there are so many people giving this a five-star review just because it is a SMeyer novel. Yes, it is nice to have loyalty but please a poorly written book is still a poorly written book no matter who writes it.