Product Details

• Amazon Sales Rank: #322901 in Music
• Released on: 2007-10-09
• Number of discs: 1

Album Description
"A time machine to 1975 AM-radio-pop nirvana. Pramod Tummala has a honeyed drawl that's an ethereal instrument all its own." -- Magnet

"A warm base of guitars, bass, and slowly clocking drums is fleshed out with airy touches of piano, vibraphone, Rhodes, and strings ... the result is a gentle lushness. Tummala's vocals are welcoming and soothing, a match for the Sunday evening serenity of the album's mood." -- Punk Planet

"Mellow music for laid-back lovers." -- Insound

"With sparse, gentle vocal melodies that evoke the ghost of Elliott Smith on top of intricate but subdued instrumental arrangements, Tummala succeeds in creating a record that is both relaxing and compelling, sort of like Iron & Wine but with organs and harmonium instead of acoustic guitars." -- Pop Culture Press

"Another notable chapter in Chicago's post-rock scene opus." -- Chicago Free Press

Morning Recordings returns with its second full-length, The Welcome Kinetic, which finds the Pramod Tummala-led ensemble (now including The Coctails' Barry Phipps as vocalist and multi-instrumentalist) eschewing the intimate monotones of the first record in favor of a broader aural palette. Dub-inflected Latin, underwater Bachrach-ian pop, waltz-time sound collage, and warped '70s funk are all rendered with a balladeer's touch. Drag City artist Edith Frost joins the group to sing on three of the tracks, including the bewitching lead vocal on "Songs from a Hotel Bar." Utilizing a talented group of musicians and eclectic instrumentation (vibraphone, pianos, cellos, horns, tape machine, acoustic and electric bowed metal, upright bass, Japanese table harp, and field recordings), Morning Recordings has created a work that is sonically bold and sweepingly cinematic.

Customer Reviews

Headphone Commute Review
Morning Recordings is a brainchild of a Chicago based Pramod Tummala, and The Welcome Kinetic is his second full length on Loose Thread Recordings. The album is sprinkled with many guest appearances and musical collaborations, most notable among them is the voice of Drag City's Edith Frost, essentially comprising of a collective of friends. Tummala himself is easily comfortable on guitar, piano and the harmonium on this laid back classic soul, future jazz, and fusion album with elements of Tortoise-like staple vibraphone post-rock sound. The breathy playful vocals remind me a bit of Psapp and Portishead, while the lo-fi treatments and analog tape manipulation is reminiscent of Boards of Canada and Dictaphone. The album effortlessly loops and folds over itself, mostly in major harmonic scale, and serves as excellent background music, while you stare at the clock, watching the hands tick away the stubborn minutes left at work. Many tracks are already stuck in my head. Be sure to pick up a previous album, Music For Places, which features the lovely voice of Lindsay Anderson (think Telefon Tel Aviv's Sound In a Dark Room). Favorite Tracks: Sugar Waltz, The Welcome Kinetic, and Songs From A Hotel Bar.