Product Description

Brilliant and illuminating, this astonishing debut novel by the award-winning writer Yiyun Li is set in China in the late 1970s, when Beijing was rocked by the Democratic Wall Movement, an anti-Communist groundswell designed to move China beyond the dark shadow of the Cultural Revolution toward a more enlightened and open society. In this powerful and beautiful story, we follow a group of people in a small town during this dramatic and harrowing time, the era that was a forebear of the Tiananmen Square uprising.

Morning dawns on the provincial city of Muddy River. A young woman, Gu Shan, a bold spirit and a follower of Chairman Mao, has renounced her faith in Communism. Now a political prisoner, she is to be executed for her dissent. Her distraught mother, determined to follow the custom of burning her only child’s clothing to ease her journey into the next world, is about to make another bold decision. Shan’s father, Teacher Gu, who has already, in his heart and mind, buried his rebellious daughter, begins to retreat into memories. Neither of them imagines that their daughter’s death will have profound and far-reaching effects, in Muddy River and beyond.

In luminous prose, Yiyun Li weaves together the lives of these and other unforgettable characters, including a serious seven-year-old boy, Tong; a
crippled girl named Nini; the sinister idler Bashi; and Kai, a beautiful radio news announcer who is married to a man from a powerful family. Life in a world of oppression and pain is portrayed through stories of resilience, sacrifice, perversion, courage, and belief. We read of delicate moments and acts of violence by mothers, sons, husbands, neighbors, wives, lovers, and more, as Gu Shan’s execution spurs a brutal government reaction.

Writing with profound emotion, and in the superb tradition of fiction by such writers as Orhan Pamuk and J. M. Coetzee, Yiyun Li gives us a stunning novel that is at once a picture of life in a special part of the world during a historic period, a universal portrait of human frailty and courage, and a mesmerizing work of art.

Product Details

• Amazon Sales Rank: #26393 in Books
• Published on: 2009-02-03
• Released on: 2009-02-03
• Format: Deckle Edge
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 352 pages

Features

• ISBN13: 9781400063130
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
Amazon Best of the Month, February 2009:  During the Cultural Revolution countless unspeakable acts went down in the otherwise unremarkable industrial town of Muddy River. Lovers betrayed lovers, children denounced their parents, and neighbors became sworn enemies. A few years later, the townspeople have convened at the public stadium to witness the execution of Gu Shan. A Red Guard leader in her youth, she has received the death penalty for her counterrevolutionary writings and unrepentant attitude. In Yiyun Li's startling debut novel, The Vagrants, we are introduced to Gu's parents, neighbors, and a handful of Muddy River's social outcasts whose lives have been irrevocably affected by her life and death. Yiyun Li's unblinking and unpredictable fictional narrative demonstrates how corruption and cruelty, fear, and moral ambiguity at the level of the individual reflect the dehumanization of an entire society. The Vagrants establishes Li as an important new voice in American fiction. --Lauren Nemroff

From Publishers Weekly
Starred Review. Li's magnificent and jaw-droppingly grim novel centers on the 1979 execution of a Chinese counterrevolutionary in the provincial town of Muddy River and spirals outward into a scathing indictment of Communist China. Former Red Guard leader Shan Gu is scheduled to be executed after a denunciation ceremony presided over by Kai, the city's radio announcer. At the ceremony, Shan doesn't speak (her vocal chords have been severed), and before she's shot, her kidneys are extracted—by Kai's favor-currying husband—for transplant to a high regional official. After Shan's execution, Kwen, a local sadist, and Bashi, a 19-year-old with pedophile leanings, bury Shan, but not before further mutilating the body. While Shan's parents are bereft, others celebrate, including the family of 12-year-old Nini, born deformed after militant Shan kicked Nini's mother in her pregnant belly. Nini dreams of falling in love and—in the novel's intricate overlapping of fates—hooks up with Bashi, providing the one relatively positive moment in this panorama of cruelty and betrayal. Li records these events dispassionately and with such a magisterial sense of direction that the reader can't help being drawn into the novel, like a sleeper trapped in an anxiety dream. (Feb.)
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From The New Yorker
Li�s searing d�but begins and ends with an execution, in 1979, in a small city in China, where democratic reform movements are beginning to ripple through the nation. Gu Shan is a former Red Guard leader turned counter-revolutionary, whose execution, at the age of twenty-eight, devastates her parents and entwines their lives with those of a crippled twelve-year-old girl, the feckless nineteen-year-old son of a Communist hero, an elderly street-cleaning couple, and a radio announcer who comes to question her role in the spread of government propaganda. Li offers both a bleak view of a historical moment when �people were the most dangerous animals in the world� and a meditation on the act of martyrdom, which is presented both as a duty and as a �luxury that few could afford.�
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Customer Reviews

A Captivating Ensemble Tale of the Cultural Revolution
Yiyun Li's first full-length novel, THE VAGRANTS, is another in a steadily growing line of Chinese tales, in both fictional and memoir forms, from the terrifying, chaotic years of China's Cultural Revolution. That dark period, running roughly from 1966 to Mao's death in 1976, is fast becoming the Chinese literary equivalent of the Holocaust, a source for reflection on China's cultural mores, the power of one man and his misshapen ideas, and the brutal potential of conformity and mass behavior. Interestingly, however, no Chinese author of whom I'm aware has attempted to address the longer term impact of those years on the present-day lives of the young Red Guard participants, people now in their sixties and seventies, nor how they might be regarded by the younger generations who followed them. What must one think to look at one's parents or grandparents in China and wonder about their behavior (and fearful acceptance of others' behavior) during that time?

Regardless, with so many predecessor books, one might well wonder whether there were any more stories left to tell set in those specific years. Yiyun Li answers that proposition in THE VAGRANTS brilliantly, with a resounding "yes." Her story, set in the small town of Muddy River, employs what amounts to an ensemble cast. There's aging Teacher Gu, his wife, and their counterrevolutionary daughter Gu Sha. There's old Mr. and Mrs. Hua, itinerant and childless garbage scavengers who've finally settled in Muddy River after dedicating much of their lives to saving and raising abandoned baby girls. There's the congenitally deformed Nini, at twelve years of age the oldest of six girls in her family and a pariah even to her own parents. There's Bashi, a young man but regarded by the townspeople as an undesirable pervert. There's the young country boy Tong and his gentle dog Ear, and the maniacal old Kwen with his vicious black guard dog. Finally, there's the lovely, mellow-voiced announcer Kai and her husband Han, a government functionary from a politically well-connected family. Each has his or her own story to tell, full of secret hopes and longings and regrets, but they are all connected in unexpected ways.

Gu Shan's rejection of Mao's Communist Party orthodoxy and her horrible execution as a counterrevolutionary in the book's early pages serve as focal point around which the rest of the novel builds. Her "follow the Party line" parents suffer the immediate consequences not just in personal sorrow but in rejection and isolation by their neighbors. Young Ms. Gu's death leads to all sorts of unintended consequences.

For some of Ms. Li's characters, Gu Shan's tragic end holds a mirror to their own lives, giving them newfound strength to express their opposition to the mindless brutality of the Red Guard. Relationships, even marriages, are questioned and re-evaluated, while old relationships are strengthened and new ones formed through obscure coincidences resulting from Gu Shan's execution. Political protest takes nascent shape, inevitably resulting in more punishment and death. An old man retreats into a romanticized past, a criminal is revealed, and another crime is covered up. A young boy makes a mistake, as does a young girl - both have tragic consequences for their families. The weak-willed scurry for cover in the aftermath of the protest, willing to testify against their spouses and family. Despite everything, small acts of courage and kindness, some anonymous, propel lives forward and help retain a sense of sanity and a glimmer of humanity.

The book's title is telling, since it points to Mr. and Mrs. Hua as the anchors not only of her story, but of the other character's lives. Uneducated, poor, childless, living the lowliest of lives, it is the Hua's basic human decency, their love for the abandoned girl orphans they found and raised, that makes them true "heroes of the people."

Yiyun Li's writing often moves swiftly from one character's story to another, almost like cinematic jump cuts. Nevertheless, she manages these multiple plot lines smoothly and crisply, bringing them each forward so that some appear to run in parallel while others neatly intersect. In the end, they all converge to create a new Muddy River, washed over by the courage of Gu Shan's convictions and the blood of her execution and defilement. THE VAGRANTS is an admirable follow-up to Ms. Li's earlier, well-regarded short story collection, A THOUSAND YEARS OF GOOD PRAYERS. It is also more than praiseworthy in its own right.

Grim, bleak -- and a masterful novel
"The date set for his daughter to die was as arbitrary as her crime." So muses Teacher Gu as he wakens before dawn on the spring equinox, a day "when neither the sun nor its shadow reigned."

Gu Shan's crime -- she has been judged to be a counterrevolutionary for her writings, the nature of which the author never discloses in detail (deliberately) -- is one that she must pay for with her life, her nameless and faceless judges have concluded. Set in the China of 1979 - in the wake of Mao's death, but before Deng Xiaoping opened the door to free enterprise and prosperity - the novel has at its core the events that follow inexorably from Shan's execution. At the time, no one can anticipate what will follow; Shan, her vocal cords severed so she can't scream out at the crowds, is dragged before a stadium full of workers and schoolchildren who have been given a holiday in order to denounce her. Hauled off for execution, her kidneys are removed for transplant into (presumably) an aging Party official, a service for which local bigwigs receive coveted television sets. Then her body is brutalized by the man paid to bury her.

But Shan's fate, however horrific, is just the starting point for a tale of betrayals large and small that take place in the city of Muddy River after she is gone. Her execution brings together a host of unexpected and vividly drawn characters and sets them on a collision course with each other and with the officialdom that rules the smallest detail of their lives (such as whether a dead grandmother can be buried or cremated.) Wu Kai will prove an unlikely catalyst for the events that follow. Once she knew Gu Shan as a fellow Red Guard during the Cultural Revolution; today, Kai's voice represents the government - it is the voice heard over the loudspeakers at street corners throughout Muddy River, broadcasting the news. But her spirit is elsewhere.

Meanwhile, six-year-old Tong's heart lies in his grandparents' village, but he must find a way to carve out a life for himself in the city and he dreams of becoming a Communist Party hero. Nini, damaged before her birth when Shan assaulted her pregnant mother as an enemy of the people, dreams of nothing more than having enough to eat and being accepted by her family. But she is hungry and illiterate; she can't even read the posters announcing Shan's execution and instead focuses her attention on eating the flour paste that Mrs. Hua has used to fix them to the walls. Hua and Mrs. Hua live on the margins of the city's life, scrounging for scrap paper, cleaning up the streets and lamenting the loss of the six abandoned baby girls they had rescued, taken away from them by the government. Along with Bashi, the well-heeled but disturbed young man who, it seems clear, has all the makings of a pedophile, and Gu's elderly parents, struggling in the aftermath of their daughter's death, these characters will have to confront their essential powerlessness in the face of what appears to be, in contrast, a strangely impersonal and faceless government authority.

This is not a comforting book. It's an honest, unflinching glimpse at a world where human kindness is a luxury and casual brutality the norm. But it is beautifully written and structured, and serves as a reminder of the shadow that the Cultural Revolution continues to cast over today's China, a world in which great societal divisions still exist.

A bleak read, but a very important book. Highly recommended.

Unremittingly Bleak
Gu Shan, a 28 year old former Red Guard, is executed one spring day in 1979. After her years of fanaticism, including the denunciation of her own parents, her crime is to have confided doubts about Communism to her boy-friend - who promptly turned her in for career reasons.

It's two years after Mao's death and China is taking a deep breath. There's a Democracy Wall in Beijing and a power struggle as to how to respond. In the little provincial town of Muddy River, where Gu Shan meets her end, pent-up frustrations cohere sparking a mini protest movement in response.

Yiyun Li, the author, was born in China in 1972 and grew up in the society she describes. She has created a set of beautifully realised characters to etch out a picture of small-town life, people we get to know well and to care about. Gu Shan's death and the spirit of the times creates a fault line, which is illuminated in the responses of each of her characters in the immediate aftermath.

We know from the blurb that it's all going to end shockingly badly and as opinion hardens in Beijing, the crackdown impacts upon Muddy River like a tsunami, brutally cutting down both real and imagined enemies of the revolution.

I thought at first that not one of the characters at the end of this novel had emerged with any shred of fortune or dignity. But on reflection I except Old Hua and his wife, the beggar couple who had asked little of the world and had experienced all of its tragedies. Perhaps they alone left the scene with their self-respect intact, the product of a properly Taoist survival strategy.