Product Description

Félix Ventura trades in an unusual commodity; he is a dealer in memories, clandestinely selling new pasts to people whose futures are secure and who lack only a good lineage to complete their lives. In this completely original murder mystery, where people are not who they seem and the briefest of connections leads to the forging of entirely new histories, a bookish albino, a beautiful woman, a mysterious foreigner, and a witty talking lizard come together to discover the truth of their lives. Set in Angola, Agualusa's tale darts from tormented past to dream-filled present with a lightness that belies the savage history of a country in which many have something to forget -- and to hide.

A brilliant American debut by one of the most lauded writers in the Portuguese-speaking world, this is a beautifully written and always surprising tale of race, truth, and the transformative power of creativity.

Product Details

• Amazon Sales Rank: #395065 in Books
• Published on: 2008-06-17
• Original language: English
• Number of items: 1
• Dimensions: .51" h x 5.50" w x 8.50" l, .42 pounds
• Binding: Paperback
• 192 pages

From Publishers Weekly
Lovers of stylish literary fiction will rejoice at this charming tale by Angolan writer Agualusa. The elegantly translated story is narrated by a house gecko named Eulálio, who in brief, vignette-like chapters, reminisces on his life (and past life) and observes the home of Félix Ventura, an albino Angolan who makes his living selling fabricated aristocratic pasts to newly successful citizens of the war-torn former Portuguese colony. Photojournalist José Buchmann pushes Félix's occupation into harsh reality when José looks into the past Félix has created for him, and the story shudders to a climax when Félix's allegedly fictitious history collides with reality. Eulálio is a lovable narrator, alternately sardonic and wistful; his dreams are filled with regret and powerlessness. Félix is an equally sympathetic subject, complicated by his loneliness, his fondness for prostitutes, his insistence on the honor of his trade despite its scalawag nature, and a late-blooming sweet love story. The novel's themes of identity, truth and happiness are nicely handled and span both the political and the personal. It's very touching, in a refined way. (June)
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Review
"Cross J. M. Coetzee with Gabriel García Márquez and you've got José Eduardo Agualusa, Portugal's next candidate for the Nobel Prize."-- Alan Kaufman, author of Matches

Review
"A subtle beguiling story of shifting identities."-- Kirkus

"A work of fierce originality."-- The Independent

"Without doubt one of the most important Portuguese-language writers of his generation."-- Antonio Lobo Antunes

"A book as brisk as a thriller and as hot and alarming as the most powerful kind of dream." -- Michael Pye, author of The Pieces from Berlin

"Cross J. M. Coetzee with Gabriel García Márquez and you've got José Eduardo Agualusa, Portugal's next candidate for the Nobel Prize."-- Alan Kaufman, author of Matches

Customer Reviews

Betrayed by Memory!
In the future, when the transition between 20th and 21st centuries is studied, it may show that a preoccupation with memory loss and memory building, with memoirs and with refreshing memory, through "reviews of the 50s, 60s, 70s, 80s" decades was a worldwide cultural common thread. Some preoccupation with memory should probably be expected at a time when the baby boom generation becomes elderly. Elderly dementia, memory loss or diseases like Alzheimer's are around the corner for many. Hollywood films dealing with memory problems have been very successful with the public and the box office: Memento, The Bourne Identity, Fifty First Dates, and Eternal Sunshine of the Spotless Mind.

Different aspects of memory are reviewed with a great deal of humor in José Eduardo Agualusa's The Book of Chameleons. The original Portuguese the title [ O vendedor de passados - The seller of past histories] is a direct reference to the occupation of Felix Ventura, the book's main character, who makes a living at concocting as detailed a past for anyone of his clients as possible. The fantasy includes the name of their ancestors, the client's birthplace, professions of his parents, grand-parents, great-great-grandparents, where they had immigrated from before arriving in Angola, and so on. Felix Ventura is even able to produce -- though not always included in the traditional anecdotal and genealogical package -- documentation that could support his client's newly adopted family tree.

Some may find that Agualusa's narrative falls into the realm of "magical realism." It is a bit of a fashion, nowadays, to attribute magical realism to writers whose mother language comes from the Latin family, as is the case with Portuguese. I am against such a definition, for I find it reductive. It is true that life as depicted in this novel doesn't exist as far as we know. But then, Kafka's insect in the Metamorphosis should also place that novel in the category of "magical realism." Truth is Agualusa's imagination is rooted in an animistic-ghost-believing-dream-prophesizing-dialoguing-with-spirits culture. What for the WASP mentality is "magical realism" is the quotidian life in Angola.

The book is cleverly narrated by a gecko, who remembers his past life, and who converses with Felix Ventura through their dreams. Ventura also remembers these dreams. He remembers them almost as well as his clients remember the past Felix weaves for them, using fact and fiction promiscuously in a clever myth of what had never been.

Throughout the book we are reminded that memory is identity. That memory is fiction. That memory is relative. That memory is imprecise. That memory can be stored in unconscious ways that we don't understand and that memory can play tricks. That memory is a singular, individualistic fable. It is to be questioned, to be embroidered. The details will be representative of the spirit of the times.

This is a must read, fast-paced, funny novel. It is a quick read. And it makes us think. It is for keeps, for I am sure I will read it again and again.

Witty, Original
The Book of Chameleons (O vendedor o passados in Portuguese) by Angloan author José Eduardo Agualusa is one of the best things I have read so far this year. I have found the book very witty, filled with originality. A nice translation done by Daniel Hahn. It is a poetic tale narrated by a mysterious gecko that lives with Felix Ventura, an albino who sells histories for a living. If you want a distinguished past filled with heroes and luminaries, hire Felix. He will invent a family line for you with proper documentations. His business card reads 'guarantee your children a better past'. In the story, he gets involved with one of the fantasy worlds that he created when a secretive foreign photographer asked for his service.

The chapters in book read like short stories, somewhat disconnected, yet at the end one can find the thread. The style is very similar to magical realism with a small dose of murder mystery and thriller. Here's one of my favorite passages, where Felix talks about his childhood

"The priest talked of angels, and I saw chickens. To this day, in fact, of all the things I've seen, chicken are still the ones that most closely resembles angels. He talked of heavenly joy, and I saw chickens scrabbling away in the sun, digging up little nests in the sand, turning their little glass eyes in pure mystical bliss. I can't imagine Paradise without chickens. I can even imagine the Great God, reclining lazily on a fluffy bed of clouds, without his being surrounded by a gentle host of chickens. You know something -- I've never known a bad chicken -- have you? Chickens, like white ants, like butterflies, are altogether immune against evil."

Beautiful. I highly recommend this book.

a genre-bender
A blurb at the front of this book labels it "Raymond Chandlereseque mystery". Now what mystery are you half-way done reading and all that has happened is (a) one man buys the services of another man (b) man meets woman and (c) narrating chameleon dreams? Obviously, this is not a book for the action-thriller junkie. However, it is an excellent book in which the past becomes malleable, reincarnation is assumed, identity is called into question, an a chameleon narrates it all in short chapters comprised of observations, dreams, and memories of life as a human. Agualusa not only makes this work but makes it seem to be the natural, organic way to tell the story. He includes images, e.g. chickens/angels, in surprising and unobtrusive ways. He weaves the parts together with reoccuring elements - albino and chameleon aversion to light, photographer's love of photographing light, ... Well worth reading and motivation to try other works by the author.