Product Description

From the international bestselling author of The Architecture of Happiness and How Proust Can Change Your Life comes this lyrical, erudite look at our world of work.

We spend most of our time at work, but what we do there rarely gets discussed in the sort of lyrical and descriptive prose our efforts surely deserve. Determined to correct this lapse, armed with a poetic perspective and his trademark philosophical sharpness, Alain de Botton heads out into the world of offices and factories, ready to take in the beauty, interest, and sheer strangeness of the modern workplace.

De Botton spends time in and around some less familiar work environments, including warehouses, container ports, rocket launch pads, and power stations, and follows scientists, landscape painters, accountants, cookie manufacturers, therapists, entrepreneurs, and aircraft salesmen as they do their jobs.

Along the way, de Botton tries to answer some of the most urgent questions we can pose about work: Why do we do it? What makes it pleasurable? What is its meaning? To what end do we daily exhaust not only ourselves but also our planet?

Equally intrigued by work’s pleasures and its pains, Alain de Botton offers a characteristically lucid and witty tour of the working day and night, in a book sure to inspire a range of life-changing and wise thoughts.

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Product Details

• Amazon Sales Rank: #4689 in Books
• Published on: 2009-06-02
• Released on: 2009-06-02
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 336 pages

Features

• ISBN13: 9780375424441
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
Book Description
We spend most of our waking lives at work—in occupations often chosen by our unthinking younger selves. And yet we rarely ask ourselves how we got there or what our occupations mean to us.

The Pleasures and Sorrows of Work is an exploration of the joys and perils of the modern workplace, beautifully evoking what other people wake up to do each day—and night—to make the frenzied contemporary world function. With a philosophical eye and his signature combination of wit and wisdom, Alain de Botton leads us on a journey around a deliberately eclectic range of occupations, from rocket science to biscuit manufacture, accountancy to art—in search of what make jobs either fulfilling or soul-destroying.

Along the way he tries to answer some of the most urgent questions we can ask about work: Why do we do it? What makes it pleasurable? What is its meaning? And why do we daily exhaust not only ourselves but also the planet? Characteristically lucid, witty and inventive, Alain de Botton’s “song for occupations” is a celebration and exploration of an aspect of life which is all too often ignored and a book that shines a revealing light on the essential meaning of work in our lives.

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Alain de Botton on The Pleasures and Sorrows of Work

I wrote The Pleasures and Sorrows of Work to shine a spotlight on the working world. I wanted to write a book that would open our eyes to the beauty and occasional horror of the working world—and I did this by looking at 10 different industries, a deliberately eclectic range from accountancy to engineering, from biscuit manufacture to logistics.

The strangest thing about the world of work is the widespread expectation that our work should make us happy. For thousands of years, work was viewed as something to be done with as rapidly as possible and escaped in the imagination through alcohol or religion. Aristotle was the first of many philosophers to state that no one could be both free and obliged to earn a living. A more optimistic assessment of work had to wait until the eighteenth century and men like Jean-Jacques Rousseau and Benjamin Franklin, who for the first time argued that one's working life could be at the centre of any desire for happiness. It was during this century that our modern ideas about work were formed—at the very same time as our modern ideas about love and marriage took shape.

In the pre-modern age, it was assumed that no one could try to be in love and married: marriage was something one did for purely commercial reasons. Things were going well if you maintained a tepid friendship with your spouse. Meanwhile, love was something you did with your mistress, with pleasure untied to the responsibilities of child-rearing. Yet the new philosophers of love argued that one might actually aim to marry the person one was in love with rather than just have an affair. To this unusual idea was added the even more peculiar notion that one might work both for money and to realise one's dreams, an idea that replaced the previous assumption that the day job took care of the rent and anything more ambitious had to happen in one's spare time.

We are the heirs of these two very ambitious beliefs: that you can be in love and married, and in a job and having a good time. It has become as impossible for us to think that you could be out of work and happy as it had once seemed impossible for Aristotle to think that you could be employed and human. Thus is born The Pleasures and Sorrows of Work. —Alain de Botton

(Photo © Roderick Field)

From Publishers Weekly
Starred Review. This pensive study explores work not as an economic or sociological phenomenon but as an existential predicament. Observing an eclectic sample of workers, from fishermen to a CEO of an accounting firm, de Botton (How Proust Can Change Your Life) counterposes the expansive intelligence embodied in vast business organizations with the blinkered routines of their human cogs and finds that tension rife with philosophical conundrums. Cookie marketers illustrate the link between happiness and triviality in bourgeois society; office drones wear a mask of shallow cheerfulness over the fury and sadness continually aroused by their colleagues; a visit to a satellite launch center contrasts the restrained self-effacement of rocket scientists with their power to upstage the gods during fiery blastoffs. De Botton's humanism recoils at the banality, crassness and forced optimism of the business mindset, but he admires its ability to construct the world—and even finds poetry in a supermarket supply chain that flies blood-red strawberries... over the Arctic Circle by moonlight, leaving a trail of nitrous oxide across a black and gold sky. (The book includes evocative photos of commercial and industrial sites.) De Botton's sprightly mix of reportage and rumination expands beyond the workplace to investigate the broader meaning of life. (June 2)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
By and large, critics enjoyed de Botton's "global tour of the daily grind" (Houston Chronicle). His erudition, sardonic sense of humor, and elegant writing frame the fascinating, if elusive, questions he sets out to answer. Though the New York Times Book Review considered de Botton's observations demeaning to his subjects, other critics thought he was generous and unassuming. Critics also mulled over the role of the photographs provided by Richard Baker. Perhaps the main point of contention between critics was de Botton's unique approach: his insistence in crossing genres and blurring the boundaries between fiction and nonfiction exasperated some critics while delighting others. Admirers of de Botton's style may not find the key to fulfillment here, but they will certainly enjoy the ride.

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Customer Reviews

An Erudite Mid-Life Crisis
De Botton is a gifted observer. His art is both to notice and meaningfully comment on facets of life too often glossed over; of beauty and elegance unappreciated. In prior works he has demonstrated the value of complex metaphysics, Proustian prose, architecture and travel--wonderful and engrossing works. However, this most recent volume strikes the tone of a mid-life crisis, of a focus on what is wrong rather than what is right; something not foreign to this frustrated attorney who would gladly trade places with a globe-trotting author. But perhaps that is the entire point of the work, we blithely judge the travails of another at our own peril.

As opposed to his prior books, Pleasures and Sorrows tends more to the discursive--it is more of a loosely related grouping of essays than a reasoned, methodical exploration of modern labors. I'm afraid that following a brilliant introduction and statement of thesis, the work lost its way in much the same manner as did the author when he attempted to travel from Bakersfield to Los Angeles yet manages to discover something noteworthy among the detritus of modern civilization. Nevertheless, even when he loses his way, his book retains the ability to force one to think about what makes effort rewarding, what makes life worth living; De Botton invites us to challenge our own assumptions.

Too often snarky and discourteous to his subjects, the author's evident frustration with modern life and reality needn't have been focused on the human subjects making their best navigation of a flawed world. There is a nobility in simply arriving home at the end of a day having secured the resources sufficient to meet one's needs. Somebody has to make the nasty biscuits and somebody has to count the silverware--I had hoped, rather, for De Botton to find more of the magic in the mundane, to use his gift of expression to elevate rather than to deride.

But by the time I finished the work, I sensed that the author has let his own despair seep into the work. In a modern world utterly unsuited for the kind of artistic expression that he loves and has so admirably set forth in his prior books, perhaps De Botton has unintentionally opened himself to his readers and has allowed us to feel some of the sorrow in the work of the author and philosopher who sees so much beauty in the world that goes unnoticed and unappreciated. Here's hoping that for his next book we can focus more on the pleasures and less upon the sorrows.

The observations of a tourist
This is an enjoyable book that accurately captures the day-to-day aspects of everyday working life that most of us ignore as we go along our daily grind. Each chapter focuses on a different occupation from accountant to artist to cargo ship spotter and takes the reader through a day in the life of each profession all the while examining the pleasures and frustrations that each job entails. This book's greatest strengh (and at the same time the source of its biggest weakness) is that it's written from the perspective of a tourist who briefly visits a new occupation for a day and then moves on.

This tourist's eye view is a great strength because unlike the subjects he examines under his microscope De Botton is able to look at each occupation and see it with fresh eyes as a choice made by each person who picked that career from the countless other possibilities. Most of us entered our chosen field by way of decisions made when we were unthinking undergrads or teenagers looking for something to earn us a buck without really giving it much thought. Our careers chose us by paying well or being conveniently located to our homes, we didn't choose our careers. This pathology (and it is a pathology that stems from laziness) is wonderfully illustrated in the chapter devoted to accountancy by showcasing fresh faced recruits straight from college who bury themselves in the busy work of his job rather than examine why they are doing what they do for a living. This is that rare book that forces us to think about why we are devoting so much of our waking lives to do our jobs while we never invested nearly as much time into deciding which job to choose.

The tourist perspective is also a weakness for De Botton because he never sticks around long enough to examine the motivations of his subjects. De Botton has done the impossible, he has written a book about work without discussing money. That's like writing a book about dating without ever mentioning the topic of sex. The tourist that he is visits an occupation as if it were some foreign city, he notices and appreciates the details of the landscape in a way that the locals ignore. However, his insights are superficial and shallow in the same way that a tourist's understanding of a new land is limited to what can be observed immediately. He doesn't explore the motivations for people to stay in jobs that may have been poorly chosen. He doesn't really investigate the 'why' and instead chooses to simply describe the 'what'.

Overall, this was a very enjoyable read. Especially as I found the author's description of my profession to be spot on. If your profession is the focus of one of the chapters in this book then you will enjoy this book immensely. If you don't toil in one of the occupations described in this book you may still find it enjoyable but you probably won't appreciate it as much as I did.

Fascinating
Alain de Botton continues to charm in this exploration of questions related to work.

The book consists of ten chapters, in each of which the author explores a specific job type in depth. The text is augmented throughout with photographs by Richard Baker, about 15 per chapter. These serve as an excellent complement to de Botton's remarks and reinforce one of the book's major strengths, which is Alain de Botton's skill for anchoring his exploration of profound questions pertaining to work (what to do with one's life? how to combine earning money with attaining fulfilment? how to balance career and family obligations?) in intelligently chosen, concrete examples.

A listing of the ten chapters gives an idea of the wide-ranging and eclectic nature of his investigation:

1. Cargo Ship Spotting
2. Logistics (including a photo essay which follows the path of a tuna from its capture in a Maldives fishing boat to the supermarket shelf)
3. Biscuit Manufacture
4. Career Counselling
5. Rocket Science
6. Painting
7. Transmission Engineering
8. Accountancy
9. Entrepeneurship
10. Aviation

The list fails to convey the charm and subtlety of de Botton's writing - to appreciate those, you'll have to read the book yourself. In each chapter there is something to delight - the author's curiosity will make you think about commonplace things in a new way, and his thoughtfulness and erudition make him a charming tour guide. The chapter on "rocket science", centred around a trip to French Guiana to report on the launch of a French-made communications satellite commissioned by a Japanese TV station, is a tour de force of nonfiction writing. But de Botton's particular talent shines through most obviously in those chapters which appear superficially least promising. You think to yourself - how can anyone write about biscuit manufacturing, or accountancy, and be interesting? Then you read the chapters in question, and re-read them, and think - how the hell did he do that?

I found the book riveting. It's certainly among the top five non-fiction books I've read in the past ten years.