Track Listing

1. Falling in Love With Love
2. How About You?
3. Flamingo
4. Swinging on a Star
5. Noreen's Nocturne
6. Gypsy in My Soul
7. Nuages
8. How High the Moon
9. Love You Madly
10. 52nd Street Theme
11. Daisy's Dream

Product Details

• Amazon Sales Rank: #24074 in Music
• Released on: 1993-04-20
• Number of discs: 1
• Format: Live
• Dimensions: .22 pounds

Album Description
Japanese remastered reissue of 1956 album, packaged in a limited edition miniature LP sleeve. Verve. 2004.

Amazon.com
Here's a jazz trio par excellence, making full use in 1956 of the setting's possibilities of airtight collaboration and shifting emphasis. Oscar Peterson and his classic trio-mates, Herb Ellis on guitar and Ray Brown on bass, heading straight at a lively selection, never hint that they might have liked a drummer along. The model, of course, is Nat King Cole's drumless trio, but Peterson also had been inspired by the rococo and rapid fire of Art Tatum. With breathtaking, huge-handed technique, he unerringly swings deep and high, with a profound sense of rootedness. Ellis and Brown never slouch. Ellis takes a star turn on "How About You?" while on "Swinging on a Star," Brown displays his own mastery and panache. --Peter Monaghan

Customer Reviews

Back to the basics.
I've just read the results of the 50th Annual Downbeat Critics' Poll and can scarce believe my eyes. Not only no mention of Oscar (let alone consummate contemporaries like Ahmad Jamal, Monty Alexander, and Dave Brubeck) but of his brightest proteges (Benny Green, Geof Keezer, David Hazeltine). Apparently the elitist members of the "church of what's happening now" who call themselves "critics" cannot distinguish between true originality and mere difference, between authentic invention and pretentious creativity.

Oscar is a true original, a pianist who has attained classic status through his mastery of the formidable--even overwhelming and frightening--heritage and language of his predecessors. "Creativity" can easily become a ruse--the self-deceptions of a sequestered new-age mentality rather than the re-inventions that are the hallmark of artistic genius. The genuinely creative artist requires no tricks or cover-ups--his gift is always on full display.

Oscar's genius is no more apparent than on the "At Stratford" and "At the Concertgebouw" albums. The former has a slight edge in audio fidelity and program variety, as Oscar's crescendoing power playing on slow tempos clearly comes through on "Blues for Big Scotia" and his more delicate sensibilities are in evidence on his own "Noreen's Nocturne." The latter album, on the other hand, is the more breathtaking, a pyrotechnical work-out on standards and bebop classics that amounts to an exhausting experience for any listener. Either album represents an awesome legacy, a reason to run for cover. Possession of both albums is not recommended for the faint of heart.

A Midsummer Night's Dream Concert With The Oscar Peterson Trio At The Stratford Shakespearean Festival
"I have never felt more relaxed and at ease at a recording session than I have at this one, and I feel that it shows in my playing. I hope that on hearing this album, the listeners agree with me." ~ Oscar Peterson ~

"This is a hit, a very palpable hit that will forever fit the dream concert given at the Shakespearean Festival one midsummer night in 1956." ~ James Isaacs ~

On August 8, 1956, fifty-one years ago today - August 8, 2007, Norman Granz of Verve Records, whom Oscar Peterson admired as a person for his bravery, recorded a live concert by the genius of jazz piano Oscar Peterson, guitarist Herb Ellis and bassist Ray Brown, collectively known as The Oscar Peterson Trio given at the Stratford Shakespearean Festival in Ontario, Canada. As always, the trio impressed the enthusiastic audiences with their gleaming and engaging numbers. The album was released on the same year and in 1993, it was digitally remastered and restored to a CD format. According to commentator Alan Zappert in Jazz On Record 1917-1967, "the original LP was the group's finest, a live performance often seeming to bring out the trio's creative best."

Out of the 11 tracks, two are previously unreleased and these are Django Reinhardt's "Nuages" and an original composition by Peterson as a tribute to his sister, "Daisy's Dream." Also an original tune is "Noreen's Nocturne," a piece that showcases Mr. Peterson's composing skills.

The trio gives a very impressive and delightful interplay with harmonic groove that makes all their performances stand out. Peterson's pianistic command is all what it takes to make this album one of the finest jazz recordings of all-time. My highlights include "Gypsy In My Soul," "Falling In Love With Love," "How About You," "Swinging On A Star" and "How High The Moon," one of the most famous jazz staples and a favorite among jazz artists and jazz enthusiasts as well.

Herb Ellis once told Gene Lees in an interview and I quote: "The Stratford album comes about as close as any to what we sounded like." That's true. You should listen to this CD on a midsummer night such as this and truly appreciate the artistry of the trio in some of their best performances.

Wholeheartedly recommended!

THIS ALBUM NEEDS A REVIEW
I can't believe no one has reviewed this! Along with "At the Concertgebauw", it is one of the two classic Peterson-Brown-Ellis live recordings. Delicacy and rich harmonic invention on "Flamingo". Infectious, toe-tapping swing of "Falling in Love with Love". And the gut-wrenching intensities of "Love You Madly"! But all the tunes swing, rock, or are sensitive (sometimes, all three)! Buy it.