Product Description

It’s just a small story really, about among other things: a girl, some words, an accordionist, some fanatical Germans, a Jewish fist-fighter, and quite a lot of thievery. . . .

Set during World War II in Germany, Markus Zusak’s groundbreaking new novel is the story of Liesel Meminger, a foster girl living outside of Munich. Liesel scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement before he is marched to Dachau.

This is an unforgettable story about the ability of books to feed the soul.


From the Hardcover edition.

Product Details

• Amazon Sales Rank: #134 in Books
• Published on: 2007-09-11
• Released on: 2007-09-11
• Original language: English
• Number of items: 1
• Binding: Paperback
• 576 pages

From School Library Journal
Starred Review. Grade 9 Up–Zusak has created a work that deserves the attention of sophisticated teen and adult readers. Death himself narrates the World War II-era story of Liesel Meminger from the time she is taken, at age nine, to live in Molching, Germany, with a foster family in a working-class neighborhood of tough kids, acid-tongued mothers, and loving fathers who earn their living by the work of their hands. The child arrives having just stolen her first book–although she has not yet learned how to read–and her foster father uses it, The Gravediggers Handbook, to lull her to sleep when shes roused by regular nightmares about her younger brothers death. Across the ensuing years of the late 1930s and into the 1940s, Liesel collects more stolen books as well as a peculiar set of friends: the boy Rudy, the Jewish refugee Max, the mayors reclusive wife (who has a whole library from which she allows Liesel to steal), and especially her foster parents. Zusak not only creates a mesmerizing and original story but also writes with poetic syntax, causing readers to deliberate over phrases and lines, even as the action impels them forward. Death is not a sentimental storyteller, but he does attend to an array of satisfying details, giving Liesels story all the nuances of chance, folly, and fulfilled expectation that it deserves. An extraordinary narrative.–Francisca Goldsmith, Berkeley Public Library, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The Washington Post
Death, it turns out, is not proud.

The narrator of The Book Thief is many things -- sardonic, wry, darkly humorous, compassionate -- but not especially proud. As author Marcus Zusak channels him, Death -- who doesn't carry a scythe but gets a kick out of the idea -- is as afraid of humans as humans are of him.

Knopf is blitz-marketing this 550-page book set in Nazi Germany as a young-adult novel, though it was published in the author's native Australia for grown-ups. (Zusak, 30, has written several books for kids, including the award-winning I Am the Messenger.) The book's length, subject matter and approach might give early teen readers pause, but those who can get beyond the rather confusing first pages will find an absorbing and searing narrative.

Death meets the book thief, a 9-year-old girl named Liesel Meminger, when he comes to take her little brother, and she becomes an enduring force in his life, despite his efforts to resist her. "I traveled the globe . . . handing souls to the conveyor belt of eternity," Death writes. "I warned myself that I should keep a good distance from the burial of Liesel Meminger's brother. I did not heed my advice." As Death lingers at the burial, he watches the girl, who can't yet read, steal a gravedigger's instruction manual. Thus Liesel is touched first by Death, then by words, as if she knows she'll need their comfort during the hardships ahead.

And there are plenty to come. Liesel's father has already been carted off for being a communist and soon her mother disappears, too, leaving her in the care of foster parents: the accordion-playing, silver-eyed Hans Hubermann and his wife, Rosa, who has a face like "creased-up cardboard." Liesel's new family lives on the unfortunately named Himmel (Heaven) Street, in a small town on the outskirts of Munich populated by vivid characters: from the blond-haired boy who relates to Jesse Owens to the mayor's wife who hides from despair in her library. They are, for the most part, foul-spoken but good-hearted folks, some of whom have the strength to stand up to the Nazis in small but telling ways.

Stolen books form the spine of the story. Though Liesel's foster father realizes the subject matter isn't ideal, he uses "The Grave Digger's Handbook" to teach her to read. "If I die anytime soon, you make sure they bury me right," he tells her, and she solemnly agrees. Reading opens new worlds to her; soon she is looking for other material for distraction. She rescues a book from a pile being burned by the Nazis, then begins stealing more books from the mayor's wife. After a Jewish fist-fighter hides behind a copy of Mein Kampf as he makes his way to the relative safety of the Hubermanns' basement, he then literally whitewashes the pages to create his own book for Liesel, which sustains her through her darkest times. Other books come in handy as diversions during bombing raids or hedges against grief. And it is the book she is writing herself that, ultimately, will save Liesel's life.

Death recounts all this mostly dispassionately -- you can tell he almost hates to be involved. His language is spare but evocative, and he's fond of emphasizing points with bold type and centered pronouncements, just to make sure you get them (how almost endearing that is, that Death feels a need to emphasize anything). "A NICE THOUGHT," Death will suddenly announce, or "A KEY WORD." He's also full of deft descriptions: "Pimples were gathered in peer groups on his face."

Death, like Liesel, has a way with words. And he recognizes them not only for the good they can do, but for the evil as well. What would Hitler have been, after all, without words? As this book reminds us, what would any of us be?

Reviewed by Elizabeth Chang
Copyright 2006, The Washington Post. All Rights Reserved.

From Bookmarks Magazine
Zusak, author of I Am the Messenger,took a risk with his second book by making Death an omniscient narrator—and it largely paid off. Originally published in Australia and marketed for ages 12 and up, The Book Thief will appeal both to sophisticated teens and adults with its engaging characters and heartbreaking story. The Philadelphia Inquirer compared the book's power to that of a graphic novel, with its "bold blocks of action." If Zusak's postmodern insertions (Death's commentary, for example) didn't please everyone, the only serious criticism came from Janet Maslin, who faulted the book's "Vonnegut whimsy" and Lemony Snicket-like manipulation. Yet even she admitted that The Book Thief "will be widely read and admired because it tells a story in which books become treasures." And, as we all know, "there's no arguing with a sentiment like that."
Copyright © 2004 Phillips & Nelson Media, Inc.

Customer Reviews

engrossing
The is probably one of the best books I have ever read in my like. The author has struck up a methodology of writing that is very unique and as such is very captivating. It's a book about a subject - death - done in such a way that the reader will never forget the essence of the book.

If you are open to reading something very intriguing, sad, yet optomistic, give this book a try.

Fresh concept, honest characters
I read the first few pages of this book standing in line at the bookstore. The beginning was mysterious, but started to paint a picture of a narrator that seemed defeated. The narrator turns out to be Death, speaking to us from the Nazi Germany during WW2. Death, ironically, is afraid of humans. This set the book off with a delightfully fresh concept.

The story is not meant to be a complex one, though there are a number of complex themes in the book. It involves Death, who comes to us during a busy time for him in world history--the Second World War. He follows the story of a young girl who goes to live with a foster family. The simplicity of following her development, her friends, her foster parents, and her time in the Hitler Youth make this book very honest. Though there is a clear plot, revealed partially in the beginning and unfolded properly by the end of the book, the characters that are established are what I particularly enjoyed.

Some of the themes of this book are Death (obviously) and the human reaction to it (Him?) and words--Hitler is known to be a master of words and propaganda and the girl followed in the book learns to read and write through (mostly) stolen books. She shows a parallel power of words as Death learns her story mostly through the book she wrote.

The book is tragic at times, but still ends without leaving the reader feeling empty. If you read this book, don't expect Heaven and Earth to be moved. Read it to meet the characters and, possibly, grow to care for them. I had never heard of it before I saw it in the bookstore. I read it because the first few pages drew me in. I only found out about the hype after the fact. No expectations and reading just to enjoy it are the way to go with this book. It is simple, subtle, and astonishingly good.

Surprise
A group of ladies (all over 65) decided that even though we meet once a month, we needed at least once during the year to read and review a book. Book thief was suggested, but acknowledged that it was during a depressing time of history. I thought I would read the book and then get on to more pleasant reading. I was surprised at what an excellent book this was. I found the story, completely fascinating, and the point of view of the narrator to be excellent. I couldn't put it down. It was a depressing time in Nazi Germany, but a new look at the era. Great book